Canon G1 X Mark II vs Sony NEX-F3
The Canon PowerShot G1 X Mark II and the Sony Alpha NEX-F3 are two digital cameras that were revealed to the public, respectively, in February 2014 and May 2012. The G1X Mark II is a fixed lens compact, while the NEX-F3 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and an APS-C (NEX-F3) sensor. The Canon has a resolution of 13 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X Mark II||Sony NEX-F3|
|Fixed lens compact camera||Mirrorless system camera|
|24-120mm f/2.0-3.9||Sony E mount lenses|
|13 MP, 1.5" Sensor||16 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-12800||ISO 100-16000|
|Viewfinder optional||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Tilting touchscreen||Tilting screen (not touch-sensitive)|
|5.2 shutter flaps per second||5.5 shutter flaps per second|
|240 shots per battery charge||470 shots per battery charge|
|116 x 74 x 66 mm, 553 g||117 x 67 x 42 mm, 314 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Sony Alpha NEX-F3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark II and the Sony NEX-F3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-F3 can be obtained in three different colors (black, silver, white), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-F3 is notably smaller (9 percent) than the Canon G1 X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the NEX-F3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the NEX-F3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-F3 and their specifications in the Sony E-Mount Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G1 X Mark II»||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Sony NEX-F3«||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon XC10« »||4.9 in||4.0 in||4.8 in||36.7 oz||..||n||Apr 2015||2,499||-||Canon XC10|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5N« »||4.4 in||2.3 in||1.5 in||9.5 oz||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Sony NEX-F3 an APS-C sensor. The sensor area in the NEX-F3 is 39 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X Mark II has a native 4:3 aspect ratio, while the one in the NEX-F3 offers a 3:2 aspect.
With 16MP, the NEX-F3 offers a higher resolution than the G1X Mark II (13MP), but the NEX-F3 nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.49μm for the G1X Mark II) due to its larger sensor. However, the G1X Mark II is a somewhat more recent model (by 1 year and 8 months) than the NEX-F3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-F3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-F3 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inch or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inch or 41.6 x 27.6 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inch or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inch or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inch or 35.2 x 26.4 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha NEX-F3 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-F3 offers substantially better image quality than the G1X Mark II (overall score 15 points higher). The advantage is based on 1.2 bits higher color depth, 1.5 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G1 X Mark II»||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Sony NEX-F3«||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon XC10« »||1-inch||12.0||4000||3000||4K/30p||-||-||-||-||Canon XC10|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120« »||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-F3 provides a faster frame rate than the G1X Mark II. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The G1X Mark II and the NEX-F3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G1X Mark II and the FDA-EV1S for the NEX-F3 – are available as accessories. The table below summarizes some of the other core capabilities of the Canon G1 X Mark II and Sony NEX-F3 in connection with corresponding information for a sample of similar cameras.
|Canon G1 X Mark II»||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Sony NEX-F3«||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon XC10« »||-||n||3.0||1030||tilting||Y||1/2000s||3.8||n||Y||Canon XC10|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120« »||-||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark II has a touchscreen, while the NEX-F3 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon G1 X Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G1X Mark II writes its imaging data to SDXC cards, while the NEX-F3 uses SDXC or Memory Stick PRO Duo cards. The G1X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-F3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Sony Alpha NEX-F3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X Mark II»||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Sony NEX-F3«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon XC10« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon XC10|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the G1X Mark II offers wifi support, while the NEX-F3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The G1X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the NEX-F3 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-F3 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon G1 X Mark II or the Sony NEX-F3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon PowerShot G1 X Mark II:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-F3 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the NEX-F3).
Reasons to prefer the Sony Alpha NEX-F3:
- More detail: Has more megapixels (16 vs 13MP), which boosts linear resolution by 13%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (470 versus 240) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in May 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Sony NEX-F3 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G1X Mark II and the NEX-F3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X Mark II»||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Sony NEX-F3«||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon XC10« »||-||80/100||-||-||-||Apr 2015||2,499||-||Canon XC10|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon S120« »||+ +||-||4.5/5||o||4.5/5||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon G1 X Mark II vs Canon XS
- Canon G1 X Mark II vs Fujifilm X-A5
- Canon G1 X Mark II vs Leica S Typ 006
- Canon G1 X Mark II vs Olympus E-PL5
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- Leica V-LUX 1 vs Sony NEX-F3
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Specifications: Canon G1 X Mark II vs Sony NEX-F3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Sony NEX-F3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/2.0-3.9||Sony E mount lenses|
|Launch Date||February 2014||May 2012|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon G1 X Mark II||Sony NEX-F3|
|Sensor Format||1.5" Sensor||APS-C Sensor|
|Sensor Size||18.7 x 14.0 mm||23.4 x 15.6 mm|
|Sensor Area||261.8 mm2||365.04 mm2|
|Sensor Diagonal||23.4 mm||28.1 mm|
|Sensor Resolution||13 Megapixels||16 Megapixels|
|Image Resolution||4160 x 3120 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.49 μm||4.78 μm|
|Pixel Density||4.96 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-12800 ISO||100-16000 ISO|
|Image Processor||DIGIC 6||BIONZ|
|DXO Sensor Quality (score)||58||73|
|DXO Color Depth (bits)||21.5||22.7|
|DXO Dynamic Range (EV)||10.8||12.3|
|DXO Low Light (ISO)||581||1114|
|Screen Specs||Canon G1 X Mark II||Sony NEX-F3|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark II||Sony NEX-F3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||5.2 shutter flaps/s||5.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark II||Sony NEX-F3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G1 X Mark II||Sony NEX-F3|
|Battery Life (CIPA)||240 shots per charge||470 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
117 x 67 x 42 mm
(4.6 x 2.6 x 1.7 in)
|Camera Weight||553 g (19.5 oz)||314 g (11.1 oz)|
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