Canon G1 X Mark II vs Panasonic LX7
The Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-LX7 are two digital cameras that were officially introduced, respectively, in February 2014 and July 2012. Both the G1X Mark II and the LX7 are fixed lens compact cameras that are based on an 1.5-inch (G1X Mark II) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 13 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark II and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the G1X Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (12 percent) than the Canon G1 X Mark II. Moreover, the LX7 is substantially lighter (46 percent) than the G1X Mark II. In this context, it is worth noting that neither the G1X Mark II nor the LX7 are weather-sealed.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|3.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|4.||Canon XC10||125 mm||102 mm||122 mm||1040 g||370||n||Apr 2015||2,499|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|12.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|13.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|14.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|15.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|16.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX7 was launched at a markedly lower price (by 38 percent) than the G1X Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 13MP, the G1X Mark II offers a higher resolution than the LX7 (10MP), but the G1X Mark II nevertheless has larger individual pixels (pixel pitch of 4.49μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the G1X Mark II is a somewhat more recent model (by 1 year and 6 months) than the LX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark II for good quality output (200 dots per inch) amounts to 20.8 x 15.6 inches or 52.8 x 39.6 cm, for very good quality (250 dpi) 16.6 x 12.5 inches or 42.3 x 31.7 cm, and for excellent quality (300 dpi) 13.9 x 10.4 inches or 35.2 x 26.4 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the G1X Mark II has a notably higher overall DXO score than the LX7 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.9 EV of lower dynamic range, and 2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|13.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|14.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|15.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX7 provides a faster frame rate than the G1X Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The G1X Mark II and the LX7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-DC1 for the G1X Mark II and the DMW-LVF2 for the LX7 – are available as accessories. The adjacent table lists some of the other core features of the Canon G1 X Mark II and Panasonic LX7 along with similar information for a selection of comparators.
|1.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|3.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon XC10||none||n||3.0 / 1030||tilting||Y||1/2000s||3.8||n||Y|
|5.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|7.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|11.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|12.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0||Y||Y|
|13.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|14.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|15.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|16.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark II has a touchscreen, while the LX7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1X Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX7 does not have a selfie-screen.
The Canon G1 X Mark II and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G1X Mark II and the LX7 have zoom lenses built in. The G1X Mark II has a 24-120mm f/2.0-3.9 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The LX7 offers the faster maximum aperture.
Concerning the storage of imaging data, both the G1X Mark II and the LX7 write their files to SDXC cards. The G1X Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon XC10||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the G1X Mark II offers wifi support, while the LX7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the G1X Mark II and the LX7 have been discontinued, but can regularly be found used on eBay. The LX7 was replaced by the Panasonic LX10, while the G1X Mark II was followed by the Canon G1 X Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon G1 X Mark II or the Panasonic LX7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X Mark II:
- More detail: Offers more megapixels (13 vs 10MP) with a 14% higher linear resolution.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 6 months after the LX7).
Advantages of the Panasonic Lumix DMC-LX7:
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (11 vs 5.2 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.0).
- More compact: Is smaller (111x68mm vs 116x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 255g or 46 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (330 versus 240) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the G1X Mark II emerges as the winner of the contest (12 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X Mark II or the LX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|3.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|4.||Canon XC10||..||..||..||80/100||..||..||Apr 2015||2,499|
|5.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|12.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|13.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|14.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|15.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|16.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark II vs Canon SX420
- Canon G1 X Mark II vs Leica TL
- Canon G1 X Mark II vs Nikon D3000
- Canon G1 X Mark II vs Olympus E-1
- Canon G1 X Mark II vs Panasonic GF5
- Canon G1 X Mark II vs Sony RX100 V
- Canon SX720 vs Panasonic LX7
- Canon T100 vs Panasonic LX7
- Nikon A1000 vs Panasonic LX7
- Panasonic LX15 vs Panasonic LX7
- Panasonic LX7 vs Pentax K-3 II
- Panasonic LX7 vs Ricoh WG-60
Specifications: Canon G1 X Mark II vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Panasonic LX7|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-120mm f/2.0-3.9||24-90mm f/1.4-2.3|
|Launch Date||February 2014||July 2012|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Canon G1 X Mark II||Panasonic LX7|
|Sensor Format||1.5" Sensor||1/1.7" Sensor|
|Sensor Size||18.7 x 14.0 mm||7.44 x 5.58 mm|
|Sensor Area||261.8 mm2||41.5152 mm2|
|Sensor Diagonal||23.4 mm||9.3 mm|
|Sensor Resolution||13 Megapixels||10 Megapixels|
|Image Resolution||4160 x 3120 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.49 μm||2.05 μm|
|Pixel Density||4.96 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||80 - 6,400 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||58||50|
|DXO Color Depth (bits)||21.5||20.7|
|DXO Dynamic Range (EV)||10.8||11.7|
|DXO Low Light (ISO)||581||147|
|Screen Specs||Canon G1 X Mark II||Panasonic LX7|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark II||Panasonic LX7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.2 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark II||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G1 X Mark II||Panasonic LX7|
|Battery Life (CIPA)||240 shots per charge||330 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||553 g (19.5 oz)||298 g (10.5 oz)|
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