Canon G1 X Mark II vs Olympus E-M1 II
The Canon PowerShot G1 X Mark II and the Olympus OM-D E-M1 Mark II are two enthusiast cameras that were officially introduced, respectively, in February 2014 and September 2016. The G1X Mark II is a fixed lens compact, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X Mark II) and a Four Thirds (E-M1 II) sensor. The Canon has a resolution of 13 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X Mark II||Olympus E-M1 II|
|Fixed lens compact camera||Mirrorless system camera|
|24-120mm f/2.0-3.9||Micro Four Thirds lenses|
|13 MP, 1.5" Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12800||ISO 200-25600|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1037k dots|
|Tilting touchscreen||Swivel touchscreen|
|5.2 shutter flaps per second||18 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|240 shots per battery charge||440 shots per battery charge|
|116 x 74 x 66 mm, 553 g||134 x 91 x 67 mm, 574 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark II and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon G1 X Mark II and the Olympus E-M1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably larger (42 percent) than the Canon G1 X Mark II. It is noteworthy in this context that the E-M1 II is splash and dust-proof, while the G1X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the E-M1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1 II and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon G1 X Mark II»||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Olympus E-M1 II«||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon XC10« »||4.9 in||4.0 in||4.8 in||36.7 oz||..||n||Apr 2015||2,499||-||Canon XC10|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark II was launched at a lower price than the E-M1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 14 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 13 MP of the G1X Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.49μm for the G1X Mark II). However, it should be noted that the E-M1 II is much more recent (by 2 years and 7 months) than the G1X Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Canon G1 X Mark II are 20.8 x 15.6 inch or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inch or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inch or 35.2 x 26.4 cm for excellent quality prints.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the G1X Mark II, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G1 X Mark II has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 II offers substantially better image quality than the G1X Mark II (overall score 22 points higher). The advantage is based on 2.2 bits higher color depth, 2 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon G1 X Mark II»||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Olympus E-M1 II«||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon XC10« »||1-inch||12.0||4000||3000||4K/30p||-||-||-||-||Canon XC10|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120« »||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 II provides a better video resolution than the G1X Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The adjacent table lists some of the other core features of the Canon G1 X Mark II and Olympus E-M1 II along with similar information for a selection of comparators.
|Canon G1 X Mark II»||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Olympus E-M1 II«||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon XC10« »||-||n||3.0||1030||tilting||Y||1/2000s||3.8||n||Y||Canon XC10|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120« »||-||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
One difference between the cameras concerns the presence of an on-board flash. The G1X Mark II has one, while the E-M1 II does not. While the built-in flash of the G1X Mark II is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G1 X Mark II and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark II and the E-M1 II write their files to SDXC cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1X Mark II only has one slot. The E-M1 II supports UHS-II cards (on its first slot), while the G1X Mark II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark II and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X Mark II»||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Olympus E-M1 II«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon XC10« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon XC10|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
It is notable that the E-M1 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G1X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the G1X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G1X Mark II and the E-M1 II are recent models that are part of the current product line-up. The G1X Mark II replaced the earlier Canon G1 X, while the E-M1 II followed on from the Olympus E-M1. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon G1 X Mark II better than the Olympus E-M1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon PowerShot G1 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the E-M1 II requires a separate lens.
- More compact: Is smaller (116x74mm vs 134x91mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M1 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Arguments in favor of the Olympus OM-D E-M1 Mark II:
- More detail: Has more megapixels (20.2 vs 13MP), which boosts linear resolution by 25%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 5.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (440 versus 240) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the G1X Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (24 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark II and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G1X Mark II and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X Mark II»||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Olympus E-M1 II«||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon XC10« »||-||80/100||-||-||-||Apr 2015||2,499||-||Canon XC10|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon S120« »||+ +||-||4.5/5||o||4.5/5||Aug 2013||449||-||Canon S120|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS R vs Olympus E-M1 II
- Canon 5DS vs Canon G1 X Mark II
- Canon 650D vs Olympus E-M1 II
- Canon 6D Mark II vs Olympus E-M1 II
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Specifications: Canon G1 X Mark II vs Olympus E-M1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark II||Olympus E-M1 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-120mm f/2.0-3.9||Micro Four Thirds lenses|
|Launch Date||February 2014||September 2016|
|Launch Price||USD 799||USD 1999|
|Sensor Specs||Canon G1 X Mark II||Olympus E-M1 II|
|Sensor Format||1.5" Sensor||Four Thirds Sensor|
|Sensor Size||18.7 x 14.0 mm||17.3 x 13.0 mm|
|Sensor Area||261.8 mm2||224.9 mm2|
|Sensor Diagonal||23.4 mm||21.6 mm|
|Sensor Resolution||13 Megapixels||20.2 Megapixels|
|Image Resolution||4160 x 3120 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.49 μm||3.34 μm|
|Pixel Density||4.96 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||64-25600 ISO|
|Image Processor||DIGIC 6||TruePic VIII|
|DXO Sensor Quality (score)||58||80|
|DXO Color Depth (bits)||21.5||23.7|
|DXO Dynamic Range (EV)||10.8||12.8|
|DXO Low Light (ISO)||581||1312|
|Screen Specs||Canon G1 X Mark II||Olympus E-M1 II|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon G1 X Mark II||Olympus E-M1 II|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||5.2 shutter flaps/s||18 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Canon G1 X Mark II||Olympus E-M1 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G1 X Mark II||Olympus E-M1 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||240 shots per charge||440 shots per charge|
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||553 g (19.5 oz)||574 g (20.2 oz)|
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