Canon D60 vs Sony A6500
The Canon EOS-D60 and the Sony Alpha A6500 are two digital cameras that were officially introduced, respectively, in February 2002 and October 2016. The D60 is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 6.3 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-D60 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon D60 and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (50 percent) than the Canon D60. Moreover, the A6500 is substantially lighter (47 percent) than the D60. It is noteworthy in this context that the A6500 is splash and dust-proof, while the D60 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (D60) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D60 gets 620 shots out of its BP-511 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon D60||150 mm||107 mm||75 mm||855 g||620||n||Feb 2002||2,999||ebay.com|
|2.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|4.||Canon XC10||125 mm||102 mm||122 mm||1040 g||370||n||Apr 2015||2,499||ebay.com|
|5.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|6.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|7.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|8.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999||ebay.com|
|9.||Canon 300D||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899||ebay.com|
|10.||Canon D30||150 mm||107 mm||75 mm||750 g||540||n||May 2000||2,999||ebay.com|
|11.||Contax N Digital||152 mm||138 mm||80 mm||990 g||100||n||Feb 2002||7,399||ebay.com|
|12.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999||ebay.com|
|13.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|14.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|15.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399||amazon.com|
|16.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 53 percent) than the D60, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6500 is 7 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (D60) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6500 offers a higher resolution than the D60 (6.3MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 7.38μm for the D60). Yet, the A6500 is a much more recent model (by 14 years and 7 months) than the D60, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon D60 are 15.4 x 10.2 inches or 39 x 26 cm for good quality, 12.3 x 8.2 inches or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inches or 26 x 17.3 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-D60 has a native sensitivity range from ISO 100 to ISO 1000. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|11.||Contax N Digital||Full Frame||6.1||3040||2008||none||21.5||10.5||1283||59|
|13.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|14.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A6500 indeed provides for movie recording, while the D60 does not. The highest resolution format that the A6500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the D60 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6500 offers a wider field of view (100%) than the one in the D60 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6500 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon D60 and Sony A6500 along with similar information for a selection of comparators.
|1.||Canon D60||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|4.||Canon XC10||none||n||3.0 / 1030||tilting||Y||1/2000s||3.8/s||n||Y|
|5.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|6.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|7.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|8.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|9.||Canon 300D||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|10.||Canon D30||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Contax N Digital||optical||Y||2.0 / 200||fixed||n||1/8000s||4.0/s||n||n|
|12.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||n||Y|
|16.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D60, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The D60 writes its imaging data to Compact Flash cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-D60 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon D60||Y||- / -||-||-||-||1.1||-||-||-|
|2.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon XC10||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|8.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|9.||Canon 300D||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon D30||Y||- / -||-||-||-||1.0||-||-||-|
|11.||Contax N Digital||Y||- / -||-||-||-||FW||-||-||-|
|12.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|16.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A6500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D60 does not provide wifi capability.
Studio photographers will appreciate that the Canon D60 (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D60 and the A6500 have been discontinued, but can regularly be found used on ebay. The D60 was replaced by the Canon 10D, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the D60 and A6500 can be found, respectively, in the Canon D60 Manual (free pdf) or the online Sony A6500 Manual.
So what is the bottom line? Which of the two cameras – the Canon D60 or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS-D60:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (620 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Advantages of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 6.3MP), which boosts linear resolution by 95%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 114k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 150x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 402g or 47 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More modern: Reflects 14 years and 7 months of technical progress since the D60 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (23 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon D60 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D60 and the A6500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon D60||..||..||..||+ +||o||..||Feb 2002||2,999||ebay.com|
|2.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|4.||Canon XC10||..||..||..||80/100||..||..||Apr 2015||2,499||ebay.com|
|5.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|6.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|7.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|8.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999||ebay.com|
|9.||Canon 300D||..||..||..||+ +||..||..||Aug 2003||899||ebay.com|
|10.||Canon D30||..||..||..||+ +||..||..||May 2000||2,999||ebay.com|
|11.||Contax N Digital||..||..||..||..||..||..||Feb 2002||7,399||ebay.com|
|12.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999||ebay.com|
|13.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|14.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|15.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399||amazon.com|
|16.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon D60 vs Fujifilm X-T3
- Canon D60 vs Leica D-LUX Typ 109
- Canon D60 vs Leica T
- Canon D60 vs Nikon D800
- Canon D60 vs Sony NEX-7
- Canon D60 vs Sony RX0
- Fujifilm X-Pro1 vs Sony A6500
- Nikon D2Xs vs Sony A6500
- Panasonic G1 vs Sony A6500
- Panasonic GM5 vs Sony A6500
- Panasonic TZ95 vs Sony A6500
- Sony A6500 vs Sony NEX-5N
Specifications: Canon D60 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon D60||Sony A6500|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2002||October 2016|
|Launch Price||USD 2,999||USD 1,399|
|Sensor Specs||Canon D60||Sony A6500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.7 x 15.1 mm||23.5 x 15.6 mm|
|Sensor Area||342.77 mm2||366.6 mm2|
|Sensor Diagonal||27.3 mm||28.2 mm|
|Sensor Resolution||6.3 Megapixels||24 Megapixels|
|Image Resolution||3072 x 2048 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.38 μm||3.91 μm|
|Pixel Density||1.84 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,000 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Canon D60||Sony A6500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||114k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon D60||Sony A6500|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|Connectivity Specs||Canon D60||Sony A6500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon D60||Sony A6500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||620 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||855 g (30.2 oz)||453 g (16.0 oz)|
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