Canon D30 vs Fujifilm X-Pro2
The Canon EOS-D30 and the Fujifilm X-Pro2 are two digital cameras that were revealed to the public, respectively, in May 2000 and January 2016. The D30 is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 3.1 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-D30 and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon D30 and the Fujifilm X-Pro2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the D30 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably smaller (27 percent) than the Canon D30. Moreover, the X-Pro2 is markedly lighter (34 percent) than the D30. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the D30 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (D30) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon D30||150 mm||107 mm||75 mm||750 g||540||n||May 2000||2,999||ebay.com|
|2.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|4.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|5.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|7.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|9.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|10.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999||ebay.com|
|11.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899||ebay.com|
|12.||Canon D60||150 mm||107 mm||75 mm||855 g||620||n||Feb 2002||2,999||ebay.com|
|13.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a markedly lower price (by 43 percent) than the D30, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-Pro2 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (D30) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X-Pro2 offers a higher resolution than the D30 (3.1MP), but the X-Pro2 has smaller individual pixels (pixel pitch of 3.92μm versus 10.29μm for the D30). Yet, the X-Pro2 is a much more recent model (by 15 years and 8 months) than the D30, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon D30 are 10.8 x 7.2 inches or 27.4 x 18.3 cm for good quality, 8.6 x 5.8 inches or 21.9 x 14.6 cm for very good quality, and 7.2 x 4.8 inches or 18.3 x 12.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-D30 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the D30 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-Pro2 indeed provides for movie recording, while the D30 does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the D30 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the D30 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the D30 has a higher magnification (0.54x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon D30, the Fujifilm X-Pro2, and comparable cameras.
|1.||Canon D30||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|7.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|9.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|10.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|12.||Canon D60||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|14.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|15.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|16.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|17.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The D30 has one, while the X-Pro2 does not. While the built-in flash of the D30 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D30 writes its imaging data to Compact Flash cards, while the X-Pro2 uses SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D30 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-D30 and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon D30||Y||- / -||-||-||-||1.0||-||-||-|
|2.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Canon D60||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|14.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|15.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|16.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|17.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the X-Pro2 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D30 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the D30 and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The D30 was replaced by the Canon D60, while the X-Pro2 was followed by the Fujifilm X-Pro3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon D30 or the Fujifilm X-Pro2 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-D30:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.39x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (540 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in May 2000).
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 3.1MP), which boosts linear resolution by 178%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 114k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (141x83mm vs 150x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 255g or 34 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 15 years and 8 months of technical progress since the D30 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon D30 and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D30 and the X-Pro2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon D30||..||..||..||+ +||..||..||May 2000||2,999||ebay.com|
|2.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|4.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|5.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|6.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|7.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|9.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|10.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999||ebay.com|
|11.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899||ebay.com|
|12.||Canon D60||..||..||..||+ +||o||..||Feb 2002||2,999||ebay.com|
|13.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 250D vs Canon D30
- Canon 80D vs Canon D30
- Canon D30 vs Canon M
- Canon D30 vs Canon T4i
- Canon D30 vs Sony H300
- Canon D30 vs YI M1
- Canon G5 X Mark II vs Fujifilm X-Pro2
- Canon SX740 vs Fujifilm X-Pro2
- Fujifilm X-A2 vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Kodak S-1
- Fujifilm X-Pro2 vs Leica D-LUX 7
- Fujifilm X-Pro2 vs Nikon D3
Specifications: Canon D30 vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon D30||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||May 2000||January 2016|
|Launch Price||USD 2,999||USD 1,699|
|Sensor Specs||Canon D30||Fujifilm X-Pro2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.0 x 14.9 mm||23.6 x 15.6 mm|
|Sensor Area||327.8 mm2||368.16 mm2|
|Sensor Diagonal||26.6 mm||28.3 mm|
|Sensor Resolution||3.1 Megapixels||24 Megapixels|
|Image Resolution||2160 x 1440 pixels||6000 x 4000 pixels|
|Pixel Pitch||10.29 μm||3.92 μm|
|Pixel Density||0.95 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Screen Specs||Canon D30||Fujifilm X-Pro2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||114k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon D30||Fujifilm X-Pro2|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon D30||Fujifilm X-Pro2|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 1.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon D30||Fujifilm X-Pro2|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||540 shots per charge||350 shots per charge|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||750 g (26.5 oz)||495 g (17.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.