Canon 850D vs Fujifilm GFX 50R
The Canon EOS 850D (called Canon T8i in some regions) and the Fujifilm GFX 50R are two digital cameras that were announced, respectively, in February 2020 and September 2018. The 850D is a DSLR, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (850D) and a medium format (GFX 50R) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 850D and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 850D and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is notably larger (16 percent) than the Canon 850D. Moreover, the GFX 50R is substantially heavier (50 percent) than the 850D. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the 850D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 850D||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|3.||Canon RP||133 mm||85 mm||70 mm||485 g||250||n||Feb 2019||1,299|
|4.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|6.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|7.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|8.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|9.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|10.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|11.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|12.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|13.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|14.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|15.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|16.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|17.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 850D was launched at a markedly lower price (by 83 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 850D features an APS-C sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 850D has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the 850D (24MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the 850D) due to its larger sensor. However, the 850D is a somewhat more recent model (by 1 year and 4 months) than the GFX 50R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 850D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The 850D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 850D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|3.||Canon RP||Full Frame||26.2||6240||4160||4K/30p||..||..||..||..|
|5.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|11.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|12.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|15.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|16.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|17.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 850D provides a higher video resolution than the GFX 50R. It can shoot video footage at 4K/24p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the 850D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50R offers a wider field of view (100%) than the one in the 850D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 50R has a higher magnification (0.77x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 850D, the Fujifilm GFX 50R, and comparable cameras.
|2.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|5.||Canon G5 X Mark II||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|6.||Canon G7 X Mark III||none||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y|
|12.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|15.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|16.||Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 850D has one, while the GFX 50R does not. While the built-in flash of the 850D is not very powerful, it can at times be useful as a fill-in light.The 850D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 850D and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 850D and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the 850D only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the 850D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 850D and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|5.||Canon G5 X Mark II||-||stereo||mono||-||-||micro||3.1||Y||-||Y|
|6.||Canon G7 X Mark III||-||stereo||mono||Y||-||micro||3.1||Y||-||Y|
|12.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|15.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|16.||Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
It is notable that the GFX 50R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 850D lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the 850D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 850D and the GFX 50R are recent models that are part of the current product line-up. The 850D replaced the earlier Canon 800D, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 850D or the Fujifilm GFX 50R – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 850D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7.5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (131x103mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 260g or 34 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (800 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 4 months after the GFX 50R).
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.51x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2018).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the contest (20 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 850D and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 850D or the GFX 50R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 850D||4/5||+||80/100||4/5||3.5/5||Feb 2020||749|
|2.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|3.||Canon RP||4/5||+||..||4.5/5||4/5||Feb 2019||1,299|
|4.||Canon 250D||..||o||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon G5 X Mark II||4/5||+||82/100||..||4/5||Jul 2019||899|
|6.||Canon G7 X Mark III||..||+ +||81/100||4/5||..||Jul 2019||749|
|7.||Canon 2000D||..||o||..||3.5/5||3.5/5||Feb 2018||449|
|8.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|9.||Canon 200D||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|10.||Canon 800D||4.5/5||..||80/100||4.5/5||4/5||Feb 2017||749|
|11.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|12.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|13.||Canon 750D||5/5||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|14.||Canon 760D||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|15.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|16.||Hasselblad X1D II||..||..||..||4/5||4/5||Jun 2019||5,750|
|17.||Leica Q2||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon 850D vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 850D||Fujifilm GFX 50R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||February 2020||September 2018|
|Launch Price||USD 749||USD 4,499|
|Sensor Specs||Canon 850D||Fujifilm GFX 50R|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||44.0 x 33.0 mm|
|Sensor Area||332.27 mm2||1452 mm2|
|Sensor Diagonal||26.8 mm||55 mm|
|Sensor Resolution||24 Megapixels||51.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||8256 x 6192 pixels|
|Pixel Pitch||3.72 μm||5.33 μm|
|Pixel Density||7.22 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/24p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|Screen Specs||Canon 850D||Fujifilm GFX 50R|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 850D||Fujifilm GFX 50R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||7.5 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 850D||Fujifilm GFX 50R|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon 850D||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||800 shots per charge||400 shots per charge|
131 x 103 x 76 mm
(5.2 x 4.1 x 3.0 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||515 g (18.2 oz)||775 g (27.3 oz)|
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