Canon 80D vs Sony A7R
The Canon EOS 80D and the Sony Alpha A7R are two enthusiast cameras that were revealed to the public, respectively, in February 2016 and October 2013. The 80D is a DSLR, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (80D) and a full frame (A7R) sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 80D and the Sony A7R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (18 percent) than the Canon 80D. Moreover, the A7R is substantially lighter (36 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (80D) and the Sony FE Lens Catalog (A7R). Mirrorless cameras, such as the A7R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 80D gets 960 shots out of its LP-E6N battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|2.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|3.||Canon 90D||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|7.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|8.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|9.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|10.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|11.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|12.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|13.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|15.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 80D was launched at a markedly lower price (by 48 percent) than the A7R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the A7R offers a higher resolution than the 80D (24MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.75μm for the 80D) due to its larger sensor. However, the 80D is a much more recent model (by 2 years and 4 months) than the A7R, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon 80D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R offers substantially better image quality than the 80D (overall score 16 points higher). The advantage is based on 2 bits higher color depth, 0.9 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|7.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|12.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|13.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R has an electronic viewfinder (2400k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7R has a higher magnification than the one of the 80D (0.71x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 80D and Sony A7R in connection with corresponding information for a sample of similar cameras.
|1.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|2.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
|3.||Canon 90D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||11.0||Y||n|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|7.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|8.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|9.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|10.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|11.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|12.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|13.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The 80D has one, while the A7R does not. While the built-in flash of the 80D is not very powerful, it can at times be useful as a fill-in light.The 80D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R does not have a selfie-screen.
The Canon 80D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 80D writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|2.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 90D||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|7.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|11.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|12.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Both the 80D and the A7R have been discontinued, but can regularly be found used on eBay. The A7R was replaced by the Sony A7R II, while the 80D was followed by the Canon 90D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon 80D better than the Sony A7R or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 80D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (960 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (48 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the A7R launch.
Advantages of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- More compact: Is smaller (127x94mm vs 139x105mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 265g or 36 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A7R comes out slightly ahead of the 80D (14 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 80D and the Sony A7R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 80D and the A7R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|2.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|3.||Canon 90D||4/5||+||4.5/5||85/100||4.5/5||4.5/5||Aug 2019||1,199|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|7.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|8.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|9.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|10.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|11.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|12.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|13.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|15.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Canon 80D
- Canon 80D vs Olympus E-M5
- Canon 80D vs Olympus E-PL6
- Canon 80D vs Panasonic G7
- Canon 80D vs Panasonic TZ100
- Canon 80D vs Sony HX350
- Canon G7 X vs Sony A7R
- Nikon P900 vs Sony A7R
- Olympus E-M10 II vs Sony A7R
- Olympus TG-6 vs Sony A7R
- Panasonic GF3 vs Sony A7R
- Sony A7R vs Sony RX0 II
Specifications: Canon 80D vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 80D||Sony A7R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2016||October 2013|
|Launch Price||USD 1,199||USD 2,299|
|Sensor Specs||Canon 80D||Sony A7R|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.5 x 15.0 mm||35.9 x 24.0 mm|
|Sensor Area||337.5 mm2||861.6 mm2|
|Sensor Diagonal||27 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||36.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.75 μm||4.88 μm|
|Pixel Density||7.11 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 16,000 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 51,200 ISO|
|Image Processor||DIGIC 6||BIONZ X|
|DXO Sensor Quality (score)||79||95|
|DXO Color Depth (bits)||23.6||25.6|
|DXO Dynamic Range (EV)||13.2||14.1|
|DXO Low Light (ISO)||1135||2746|
|Screen Specs||Canon 80D||Sony A7R|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 80D||Sony A7R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||4 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||250 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 80D||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon 80D||Sony A7R|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||960 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||730 g (25.8 oz)||465 g (16.4 oz)|
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