Canon 80D vs Panasonic S1
The Canon EOS 80D and the Panasonic Lumix DC-S1 are two enthusiast cameras that were officially introduced, respectively, in February 2016 and February 2019. The 80D is a DSLR, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (80D) and a full frame (S1) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 80D and the Panasonic S1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is notably larger (12 percent) than the Canon 80D. Moreover, the S1 is substantially heavier (39 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 80D gets 960 shots out of its LP-E6N battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|2.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499||amazon.com|
|4.||Canon 90D||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199||amazon.com|
|5.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|6.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|7.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|8.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||amazon.com|
|9.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|10.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|11.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|12.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||ebay.com|
|13.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999||amazon.com|
|14.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|15.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|16.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|17.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 80D was launched at a markedly lower price (by 52 percent) than the S1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 151 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the S1 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the S1 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.75μm for the 80D), which gives it a potential advantage in terms of light gathering capacity. In addition, the S1 is much more recent (by 2 years and 11 months) than the 80D, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 80D, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S1 offers substantially better image quality than the 80D (overall score 16 points higher). The advantage is based on 1.6 bits higher color depth, 1.3 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|5.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|7.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|8.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|13.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1254||75|
|14.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|15.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|16.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|17.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a better video resolution than the 80D. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the S1 has a higher magnification than the one of the 80D (0.78x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 80D and Panasonic S1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|2.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon 90D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||11.0/s||Y||n|
|5.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|6.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|8.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|9.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|10.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|11.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|12.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|13.||Olympus E-M1X||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|15.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|16.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|17.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 80D has one, while the S1 does not. While the built-in flash of the 80D is not very powerful, it can at times be useful as a fill-in light.The 80D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 80D and the Panasonic S1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 80D writes its imaging data to SDXC cards, while the S1 uses SDXC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 80D only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 80D can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|2.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 90D||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|5.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|8.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|9.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|12.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|13.||Olympus E-M1X||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|14.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|15.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Panasonic S1 (unlike the 80D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the 80D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 80D was succeeded by the Canon 90D. Further information on the features and operation of the 80D and S1 can be found, respectively, in the Canon 80D Manual (free pdf) or the online Panasonic S1 Manual.
So how do things add up? Is the Canon 80D better than the Panasonic S1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 80D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (139x105mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 287g or 28 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (960 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2016).
Advantages of the Panasonic Lumix DC-S1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.59x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster burst: Shoots at higher frequency (9 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 11 months of technical progress since the 80D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (23 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 80D and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 80D and the S1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|2.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499||amazon.com|
|4.||Canon 90D||4/5||+||4.5/5||85/100||4.5/5||4.5/5||Aug 2019||1,199||amazon.com|
|5.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|6.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|7.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|8.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999||amazon.com|
|9.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|10.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|11.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|12.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199||ebay.com|
|13.||Olympus E-M1X||4.5/5||o||5/5||85/100||4.5/5||..||Jan 2019||2,999||amazon.com|
|14.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|15.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|16.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|17.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 80D vs Fujifilm X-A7
- Canon 80D vs Kodak AZ901
- Canon 80D vs Olympus E-P5
- Canon 80D vs Panasonic FZ2500
- Canon 80D vs Sony HX95
- Canon 80D vs Sony NEX-C3
- Leica X Vario vs Panasonic S1
- Olympus E-M1 III vs Panasonic S1
- Olympus E-PL7 vs Panasonic S1
- Panasonic S1 vs Ricoh GR
- Panasonic S1 vs Sony A58
- Panasonic S1 vs Sony RX100 VI
Specifications: Canon 80D vs Panasonic S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 80D||Panasonic S1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Leica L mount lenses|
|Launch Date||February 2016||February 2019|
|Launch Price||USD 1,199||USD 2,499|
|Sensor Specs||Canon 80D||Panasonic S1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.5 x 15.0 mm||35.6 x 23.8 mm|
|Sensor Area||337.5 mm2||847.28 mm2|
|Sensor Diagonal||27 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.75 μm||5.94 μm|
|Pixel Density||7.11 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/60p Video|
|ISO Setting||100 - 16,000 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||79||95|
|DXO Color Depth (bits)||23.6||25.2|
|DXO Dynamic Range (EV)||13.2||14.5|
|DXO Low Light (ISO)||1135||3333|
|Screen Specs||Canon 80D||Panasonic S1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2100k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon 80D||Panasonic S1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||400 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon 80D||Panasonic S1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 80D||Panasonic S1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||960 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||730 g (25.8 oz)||1017 g (35.9 oz)|
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