Canon 80D vs Panasonic FZ1000 II
The Canon EOS 80D and the Panasonic Lumix DC-FZ1000 II are two digital cameras that were revealed to the public, respectively, in February 2016 and February 2019. The 80D is a DSLR, while the FZ1000 II is a fixed lens compact. The cameras are based on an APS-C (80D) and an one-inch (FZ1000 II) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 80D||Panasonic FZ1000 II|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-400mm f/2.8-4.0|
|24 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-16000 (100-25600)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Swivel touchscreen||Swivel touchscreen|
|7 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|960 shots per battery charge||350 shots per battery charge|
|139 x 105 x 79 mm, 730 g||136 x 97 x 131 mm, 810 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 80D and the Panasonic Lumix DC-FZ1000 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 80D and the Panasonic FZ1000 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 II is notably smaller (10 percent) than the Canon 80D. It is worth mentioning in this context that the 80D is splash and dust resistant, while the FZ1000 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 II has a lens built in, whereas the 80D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 80D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 80D gets 960 shots out of its LP-E6N battery, while the FZ1000 II can take 350 images on a single charge of its DMW-BLC12 power pack. The power pack in the FZ1000 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 80D»||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Panasonic FZ1000 II«||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon T6s|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||Canon 60D|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ1000 II was launched at a lower price than the 80D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Panasonic FZ1000 II an one-inch sensor. The sensor area in the FZ1000 II is 66 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the 80D offers a higher resolution than the FZ1000 II (20MP), but the 80D nevertheless has larger individual pixels (pixel pitch of 3.75μm versus 2.41μm for the FZ1000 II) due to its larger sensor. However, the FZ1000 II is a much more recent model (by 3 years) than the 80D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 80D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 80D for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ1000 II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-FZ1000 II are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ1000 II|
|Canon 90D||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon 90D|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon T6i||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon T6i|
|Canon T6s||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Leica C-LUX||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Leica C-LUX|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic ZS200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic ZS200|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ1000 II provides a better video resolution than the 80D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 II has an electronic viewfinder (2360k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the FZ1000 II has a higher magnification than the one of the 80D (0.70x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 80D and Panasonic FZ1000 II in connection with corresponding information for a sample of similar cameras.
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Canon 90D||optical||Y||3.0||1040||swivel||Y||1/8000s||11.0||Y||n||Canon 90D|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon T6i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Leica C-LUX||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic ZS200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
One feature that is present on the 80D, but is missing on the FZ1000 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 80D and the Panasonic FZ1000 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 80D and the FZ1000 II write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Panasonic Lumix DC-FZ1000 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Canon 90D||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon T6i||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Leica C-LUX||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic ZS200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
The FZ1000 II is a recent model that features in the current product line-up of Panasonic. In contrast, the 80D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 80D was succeeded by the Canon 90D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 80D or the Panasonic FZ1000 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (960 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in February 2016).
Advantages of the Panasonic Lumix DC-FZ1000 II:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 80D requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years of technical progress since the 80D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 80D and the Panasonic FZ1000 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 80D and the FZ1000 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 80D vs Canon G1 X Mark III
- Canon 80D vs Fujifilm XP130
- Canon 80D vs Leica X2
- Canon 80D vs Olympus E-M10 III
- Canon 80D vs Olympus XZ-1
- Canon 80D vs Pentax K-70
- Canon 80D vs Sony RX1
- Canon 80D vs Sony RX10 III
- Leica SL2 vs Panasonic FZ1000 II
- Nikon D3000 vs Panasonic FZ1000 II
- Nikon D3S vs Panasonic FZ1000 II
- Panasonic FZ1000 II vs Ricoh WG-60
Specifications: Canon 80D vs Panasonic FZ1000 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 80D||Panasonic FZ1000 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-400mm f/2.8-4.0|
|Launch Date||February 2016||February 2019|
|Launch Price||USD 1199||USD 899|
|Sensor Specs||Canon 80D||Panasonic FZ1000 II|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.5 x 15.0 mm||13.2 x 8.8 mm|
|Sensor Area||337.5 mm2||116.16 mm2|
|Sensor Diagonal||27 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.75 μm||2.41 μm|
|Pixel Density||7.11 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-16000 ISO||125-12800 ISO|
|ISO Boost||100-25600 ISO||80-25600 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.2||..|
|DXO Low Light (ISO)||1135||..|
|Screen Specs||Canon 80D||Panasonic FZ1000 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 80D||Panasonic FZ1000 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||7 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 80D||Panasonic FZ1000 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 80D||Panasonic FZ1000 II|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||960 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
136 x 97 x 131 mm
(5.4 x 3.8 x 5.2 in)
|Camera Weight||730 g (25.8 oz)||810 g (28.6 oz)|
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