Canon 800D vs Fujifilm GFX 50S

The Canon EOS 800D (called Canon T7i in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in February 2017 and September 2016. The 800D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (800D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 800D		Fujifilm GFX 50S
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
24 MP – APS-C sensor		51.1 MP – Medium Format sensor
1080/60p Video		1080/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Viewfinder optional
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
6 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
600 shots per battery charge		400 shots per battery charge
131 x 100 x 76 mm, 532 g		148 x 94 x 91 mm, 740 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 800D and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 800D and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (6 percent) than the Canon 800D. Moreover, the GFX 50S is substantially heavier (39 percent) than the 800D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 800D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 800D gets 600 shots out of its Canon LP-E17 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 800D	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	749	ebay.com
2.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
3.		Canon 850D	131 mm	103 mm	76 mm	515 g	800	n	Feb 2020	749	ebay.com
4.		Canon 2000D	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
5.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	899	ebay.com
6.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
7.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
8.		Canon 1300D	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
9.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
10.		Canon 750D	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
11.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
12.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
13.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
14.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
15.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
16.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
17.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 800D was launched at a markedly lower price (by 88 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 800D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 800D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the 800D (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the 800D) due to its larger sensor. However, the 800D is a somewhat more recent model (by 4 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 800D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The 800D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 800D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 800D	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
2.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
3.		Canon 850D	APS-C	24.0	6000	4000	4K/24p	24.0	13.5	1873	83
4.		Canon 2000D	APS-C	24.0	6000	4000	1080/30p	22.6	11.9	1009	71
5.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
6.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
7.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
8.		Canon 1300D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
9.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
10.		Canon 750D	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
11.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
12.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
13.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
14.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
15.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
16.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
17.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 800D provides a higher frame rate than the GFX 50S. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 800D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon 800D and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 800D	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
2.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
3.		Canon 850D	optical	n	3.0 / 1040	swivel	Y	1/4000s	7.5/s	Y	n
4.		Canon 2000D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
6.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
8.		Canon 1300D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
10.		Canon 750D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
11.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
13.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
14.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
15.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
16.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
17.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 800D has one, while the GFX 50S does not. While the built-in flash of the 800D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 800D and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 800D only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the 800D can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 800D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 800D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon 850D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
4.		Canon 2000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
5.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon 1300D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Canon 750D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
11.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
12.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
13.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
15.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
16.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
17.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 800D lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 800D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 800D and the GFX 50S have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the 800D was followed by the Canon 850D. Further information on the features and operation of the 800D and GFX 50S can be found, respectively, in the Canon 800D Manual (free pdf) or the online Fujifilm GFX 50S Manual.

Review summary

So what conclusions can be drawn? Is the Canon 800D better than the Fujifilm GFX 50S or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS 800D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
• Less heavy: Is lighter (by 208g or 28 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (600 versus 400) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 4 months after the GFX 50S).

Advantages of the Fujifilm GFX 50S:

• More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been on the market for longer (launched in September 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (19 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 800D and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 800D or the GFX 50S. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 800D	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	749	ebay.com
2.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
3.		Canon 850D	4/5	+	3/5	80/100	4/5	3.5/5	Feb 2020	749	ebay.com
4.		Canon 2000D	3/5	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
5.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	899	ebay.com
6.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
7.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
8.		Canon 1300D	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
9.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
10.		Canon 750D	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
11.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
12.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
13.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
14.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
15.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
16.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
17.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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