Canon 7D vs Sony NEX-5R
The Canon EOS 7D and the Sony Alpha NEX-5R are two digital cameras that were revealed to the public, respectively, in September 2009 and August 2012. The 7D is a DSLR, while the NEX-5R is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D and the Sony NEX-5R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-5R can be obtained in two different colors (black, silver), while the 7D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is considerably smaller (60 percent) than the Canon 7D. Moreover, the NEX-5R is substantially lighter (68 percent) than the 7D. It is worth mentioning in this context that the 7D is splash and dust resistant, while the NEX-5R does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the NEX-5R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|2.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|3.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|6.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|7.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|9.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|10.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|11.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|12.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|13.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699|
|16.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-5R was launched at a markedly lower price (by 56 percent) than the 7D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5R is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (7D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 7D offers a higher resolution of 17.9 megapixels, compared with 16 MP of the Sony NEX-5R. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 4.78μm for the NEX-5R). Moreover, it should be noted that the NEX-5R is much more recent (by 2 years and 11 months) than the 7D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon 7D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Sony NEX-5R are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-5R offers substantially better image quality than the 7D (overall score 12 points higher). The advantage is based on 1.7 bits higher color depth, 1.4 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the NEX-5R provides a faster frame rate than the 7D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 7D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Canon 7D and Sony NEX-5R along with similar information for a selection of comparators.
|1.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|2.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|3.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|6.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|7.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|9.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|10.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|12.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|13.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|14.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|15.||Sony NEX-5T||optional||n||3.0 / 922||tilting||Y||1/4000s||10.0/s||n||n|
|16.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 7D has one, while the NEX-5R does not. While the built-in flash of the 7D is not very powerful, it can at times be useful as a fill-in light.The NEX-5R has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 7D does not have a selfie-screen.
The 7D writes its imaging data to Compact Flash cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|2.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|7.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony NEX-5T||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 7D has a microphone port, which is missing on the NEX-5R. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D (unlike the NEX-5R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 7D and the NEX-5R have been discontinued, but can regularly be found used on eBay. The 7D was replaced by the Canon 7D Mark II, while the NEX-5R was followed by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 7D and the Sony NEX-5R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 16MP) with a 6% higher linear resolution.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (800 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Advantages of the Sony Alpha NEX-5R:
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 584g or 68 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 2 years and 11 months of technical progress since the 7D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-5R is the clear winner of the contest (14 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 7D or the NEX-5R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|2.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|3.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|6.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|7.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|9.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|10.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|11.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|12.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|13.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799|
|14.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5T||..||..||..||..||4.5/5||4.5/5||Aug 2013||699|
|16.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 7D vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D||Sony NEX-5R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||September 2009||August 2012|
|Launch Price||USD 1,699||USD 749|
|Sensor Specs||Canon 7D||Sony NEX-5R|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.4 x 15.6 mm|
|Sensor Area||332.27 mm2||365.04 mm2|
|Sensor Diagonal||26.8 mm||28.1 mm|
|Sensor Resolution||17.9 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3456 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.31 μm||4.78 μm|
|Pixel Density||5.39 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4 (Dual)||BIONZ|
|DXO Sensor Quality (score)||66||78|
|DXO Color Depth (bits)||22.0||23.7|
|DXO Dynamic Range (EV)||11.7||13.1|
|DXO Low Light (ISO)||854||910|
|Screen Specs||Canon 7D||Sony NEX-5R|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D||Sony NEX-5R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 7D||Sony NEX-5R|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 7D||Sony NEX-5R|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||330 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||860 g (30.3 oz)||276 g (9.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.