Canon 7D vs Sony H200
The Canon EOS 7D and the Sony Cyber-shot DSC-H200 are two digital cameras that were announced, respectively, in September 2009 and January 2013. The 7D is a DSLR, while the H200 is a fixed lens compact. The cameras are based on an APS-C (7D) and a 1/2.3-inch (H200) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 15.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 7D||Sony H200|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-633mm f/3.1-5.9|
|17.9 MP, APS-C Sensor||15.2 MP, 1/2.3" Sensor|
|1080/30p Video||720/30p Video|
|ISO 100-6400 (100-12800)||ISO 100-3200|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 920k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||0.8 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|800 shots per battery charge||240 shots per battery charge|
|148 x 111 x 74 mm, 860 g||123 x 83 x 87 mm, 530 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 7D and the Sony H200. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is considerably smaller (38 percent) than the Canon 7D. It is worth mentioning in this context that the 7D is splash and dust resistant, while the H200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H200 has a lens built in, whereas the 7D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 7D»||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Sony H200«||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Canon SX520« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||-||Canon SX520|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Nikon B500« »||4.5 in||3.1 in||3.7 in||19.1 oz||600||n||Jan 2016||299||-||Nikon B500|
|Nikon L840« »||4.4 in||3.1 in||3.8 in||19.0 oz||590||n||Feb 2015||299||-||Nikon L840|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Sony H400« »||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319||Sony H400|
|Sony H300« »||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219||Sony H300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The H200 was launched at a lower price than the 7D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the H200 offers a 4:3 aspect.
With 17.9MP, the 7D offers a higher resolution than the H200 (15.2MP), but the 7D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.36μm for the H200) due to its larger sensor. However, the H200 is a much more recent model (by 3 years and 4 months) than the 7D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 7D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inch or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inch or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inch or 43.9 x 29.3 cm. The corresponding values for the Sony H200 are 25.9 x 14.7 inch or 65.8 x 37.2 cm for good quality, 20.7 x 11.7 inch or 52.7 x 29.8 cm for very good quality, and 17.3 x 9.8 inch or 43.9 x 24.8 cm for excellent quality prints.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 7D»||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Sony H200«||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
|Canon SX520« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX520|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Nikon B500« »||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon B500|
|Nikon L840« »||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon L840|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Sony H400« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H400|
|Sony H300« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 7D provides a higher video resolution than the H200. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 7D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the H200 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 7D, the Sony H200, and comparable cameras.
|Canon 7D»||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Sony H200«||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
|Canon SX520« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Nikon B500« »||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Nikon L840« »||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Sony H400« »||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H300« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
One feature that is present on the 7D, but is missing on the H200 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 7D writes its imaging data to Compact Flash cards, while the H200 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 7D»||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Sony H200«||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
|Canon SX520« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 50D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Nikon B500« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Nikon L840« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Sony H400« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H300« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
It is notable that the 7D has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 7D (unlike the H200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The H200 is a recent model that features in the current product line-up of Sony. In contrast, the 7D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 7D was succeeded by the Canon 7D Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 7D better than the Sony H200 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 15.2MP) with a 5% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 0.8 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Reasons to prefer the Sony Cyber-shot DSC-H200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with an integrated lens, while the 7D requires a separate lens.
- More compact: Is smaller (123x83mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 7D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 4 months of technical progress since the 7D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 7D is the clear winner of the match-up (19 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D and the Sony H200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 7D or the H200 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 7D»||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Sony H200«||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Canon SX520« »||+||-||3.5/5||-||3.5/5||Jul 2014||399||-||Canon SX520|
|Canon 7D II« »||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 50D« »||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Nikon B500« »||+||-||4/5||-||3.5/5||Jan 2016||299||-||Nikon B500|
|Nikon L840« »||+ +||-||3.5/5||-||4/5||Feb 2015||299||-||Nikon L840|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Sony H400« »||o||-||3.5/5||-||3.5/5||Feb 2014||319||Sony H400|
|Sony H300« »||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 7D vs Sony H200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D||Sony H200|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-633mm f/3.1-5.9|
|Launch Date||September 2009||January 2013|
|Launch Price||USD 1699||USD 249|
|Sensor Specs||Canon 7D||Sony H200|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||17.9 Megapixels||15.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||5184 x 2930 pixels|
|Pixel Pitch||4.31 μm||1.36 μm|
|Pixel Density||5.39 MP/cm2||54.10 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100-6400 ISO||100-3200 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|Image Processor||DIGIC 4 (Dual)||BIONZ|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||854||..|
|Screen Specs||Canon 7D||Sony H200|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D||Sony H200|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||0.8 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 7D||Sony H200|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 7D||Sony H200|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||800 shots per charge||240 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
123 x 83 x 87 mm
(4.8 x 3.3 x 3.4 in)
|Camera Weight||860 g (30.3 oz)||530 g (18.7 oz)|
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