Canon 7D vs Panasonic GX8
The Canon EOS 7D and the Panasonic Lumix DMC-GX8 are two enthusiast cameras that were officially introduced, respectively, in September 2009 and July 2015. The 7D is a DSLR, while the GX8 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D) and a Four Thirds (GX8) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D and the Panasonic Lumix DMC-GX8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 7D and the Panasonic GX8 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX8 can be obtained in two different colors (black, silver), while the 7D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is considerably smaller (37 percent) than the Canon 7D. Moreover, the GX8 is substantially lighter (43 percent) than the 7D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D) and the Micro Four Thirds Lens Catalog (GX8). Mirrorless cameras, such as the GX8, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|2.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|3.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|6.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|7.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|9.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|10.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|11.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|12.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|14.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|15.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|16.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|17.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX8 was launched at a markedly lower price (by 29 percent) than the 7D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GX8 offers a higher resolution of 20.2 megapixels, compared with 17.9 MP of the 7D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.31μm for the 7D). However, it should be noted that the GX8 is much more recent (by 5 years and 10 months) than the 7D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GX8 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the GX8 has a markedly higher DXO score than the 7D (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1.5 bits higher color depth, 0.9 EV in additional dynamic range, and 0.1 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|3.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|15.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|16.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|17.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX8 provides a better video resolution than the 7D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX8 has an electronic viewfinder (2360k dots), while the 7D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GX8 has a higher magnification than the one of the 7D (0.77x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 7D and Panasonic GX8 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|2.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|3.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|6.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|7.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|9.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3||Y||n|
|10.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|11.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0||Y||n|
|12.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|14.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|15.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|16.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|17.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The 7D has one, while the GX8 does not. While the built-in flash of the 7D is not very powerful, it can at times be useful as a fill-in light.The GX8 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 7D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX8 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX8 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D writes its imaging data to Compact Flash cards, while the GX8 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Panasonic Lumix DMC-GX8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|7.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|16.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|17.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
It is notable that the GX8 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 7D does not provide wifi capability.
Studio photographers will appreciate that the Canon 7D (unlike the GX8) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 7D and the GX8 have been discontinued, but can regularly be found used on eBay. The 7D was replaced by the Canon 7D Mark II, while the GX8 was followed by the Panasonic GX9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 7D or the Panasonic GX8 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 7D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (800 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Advantages of the Panasonic Lumix DMC-GX8:
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (133x78mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 373g or 43 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the 7D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX8 is the clear winner of the contest (21 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D and the Panasonic GX8 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 7D and the GX8 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|2.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|3.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|6.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|7.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|9.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|10.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|11.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|12.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|14.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|15.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|16.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|17.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D vs Canon 7D
- Canon 7D vs Fujifilm X100
- Canon 7D vs Leica M-E Typ 240
- Canon 7D vs Leica X1
- Canon 7D vs Nikon D1X
- Canon 7D vs Olympus E-PL2
- Canon 800D vs Panasonic GX8
- Fujifilm X-E4 vs Panasonic GX8
- Hasselblad X1D II vs Panasonic GX8
- Leica V-LUX Typ 114 vs Panasonic GX8
- Olympus E-PL6 vs Panasonic GX8
- Panasonic GX8 vs Sony A6300
Specifications: Canon 7D vs Panasonic GX8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D||Panasonic GX8|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2009||July 2015|
|Launch Price||USD 1,699||USD 1,199|
|Sensor Specs||Canon 7D||Panasonic GX8|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.31 μm||3.34 μm|
|Pixel Density||5.39 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 4 (Dual)||Venus|
|DXO Sensor Quality (score)||66||75|
|DXO Color Depth (bits)||22.0||23.5|
|DXO Dynamic Range (EV)||11.7||12.6|
|DXO Low Light (ISO)||854||806|
|Screen Specs||Canon 7D||Panasonic GX8|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D||Panasonic GX8|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 7D||Panasonic GX8|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 7D||Panasonic GX8|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||800 shots per charge||330 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
133 x 78 x 63 mm
(5.2 x 3.1 x 2.5 in)
|Camera Weight||860 g (30.3 oz)||487 g (17.2 oz)|
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