Canon 7D vs Panasonic FZ330
The Canon EOS 7D and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2009 and July 2015. The 7D is a DSLR, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (7D) and a 1/2.3-inch (FZ330) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 7D||Panasonic FZ330|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-600mm f/2.8|
|17.9 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-6400 (100-12800)||ISO 100-6400|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|8 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|800 shots per battery charge||380 shots per battery charge|
|148 x 111 x 74 mm, 860 g||132 x 92 x 117 mm, 691 g|
Body comparison: Canon 7D vs Panasonic FZ330
The side-by-side display below illustrates the physical size and weight of the Canon 7D and the Panasonic FZ330. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is notably smaller (26 percent) than the Canon 7D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the 7D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 7D»||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Panasonic FZ330«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ330|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a lower price than the 7D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 7D vs Panasonic FZ330
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
With 17.9MP, the 7D offers a higher resolution than the FZ330 (12MP), but the 7D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.53μm for the FZ330) due to its larger sensor. However, the FZ330 is a somewhat more recent model (by 5 years and 10 months) than the 7D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 7D provides substantially higher image quality than the FZ330, with an overall score that is 28 points higher. This advantage is based on 2.7 bits higher color depth, 0.7 EV in additional dynamic range, and 3.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 7D»||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Panasonic FZ330«||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ330 provides a better video resolution than the 7D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 7D vs Panasonic FZ330
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ330 has an electronic viewfinder (1440k dots), while the 7D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 7D and Panasonic FZ330 in connection with corresponding information for a sample of similar cameras.
|Canon 7D»||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n||Canon 7D|
|Panasonic FZ330«||1440||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ330|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon SX60« »||922||n||3.0||922||swivel||n||2000||6.4||Y||Y||Canon SX60|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||8000||5.3||Y||n||Canon 60D|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||4000||3.7||Y||n||Canon T2i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||4000||3.4||Y||n||Canon T1i|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||8000||6.3||Y||n||Canon 50D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||8000||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||8000||5.0||Y||n||Canon 20D|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||8000||6.0||Y||n||Nikon D7000|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||4000||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||2000||12.0||Y||Y||Panasonic FZ150|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||4000||2.5||Y||Y||Panasonic LX5|
One feature that is present on the 7D, but is missing on the FZ330 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 7D does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the FZ330 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 7D writes its imaging data to Compact Flash cards, while the FZ330 uses SDXC cards.
Connectivity comparison: Canon 7D vs Panasonic FZ330
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 7D»||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Panasonic FZ330«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 50D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 7D does not offer wifi capability.
Studio photographers will appreciate that the Canon 7D (unlike the FZ330) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the 7D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 7D was succeeded by the Canon 7D Mark II.
Review summary: Canon 7D vs Panasonic FZ330
So what is the bottom line? Which of the two cameras – the Canon 7D or the Panasonic FZ330 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 380) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Reasons to prefer the Panasonic Lumix DMC-FZ330:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 7D requires a separate lens.
- More compact: Is smaller (132x92mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 7D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 10 months of technical progress since the 7D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ330 emerges as the winner of the match-up (16 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 7D or the FZ330. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 7D vs Panasonic FZ330
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 7D»||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Panasonic FZ330«||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ330|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon SX60« »||HiRec||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon T2i« »||HiRec||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||HiRec||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 50D« »||HiRec||HiRec||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Canon 30D« »||HiRec||HiRec||rev||rev||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||HiRec||-||rev||-||Aug 2004||1,499||-||Canon 20D|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Panasonic FZ200« »||HiRec||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||HiRec||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||Rec||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 550D vs Sony A6500
- Canon 5D Mark III vs Canon T6i
- Canon 70D vs Leica Q Typ 116
- Canon 7D vs Nikon D500
- Canon D30 vs Canon 7D II
- Hasselblad X1D vs Nikon D7100
- Nikon D1 vs Nikon D3100
- Nikon D200 vs Nikon W300
- Nikon D610 vs Olympus E-1
- Nikon D850 vs Canon 5D Mark II
- Pentax KP vs Nikon D40
- Ricoh GR II vs Leica D-LUX 5
Specifications: Canon 7D vs Panasonic FZ330
|Camera Model||Canon 7D||Panasonic FZ330|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8|
|Launch Date||September 2009||July 2015|
|Launch Price||USD 1699||USD 599|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 14.9 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||1.53 μm|
|Pixel Density||5.39 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-6400 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|Image Processor||DIGIC 4 (Dual)||Venus|
|DXO Sensor Quality (score)||66||38|
|DXO Color Depth (bits)||22.0||19.3|
|DXO Dynamic Range (EV)||11.7||11.0|
|DXO Low Light (ISO)||854||97|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||n/a||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6 power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||800 shots per charge||380 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||860 g (30.3 oz)||691 g (24.4 oz)|
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