Canon 7D vs Olympus E-500
The Canon EOS 7D and the Olympus Evolt E-500 are two digital cameras that were officially introduced, respectively, in September 2009 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (7D) and a Four Thirds (E-500) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 7D and the Olympus E-500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably smaller (25 percent) than the Canon 7D. Moreover, the E-500 is substantially lighter (44 percent) than the 7D. It is worth mentioning in this context that the 7D is splash and dust resistant, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D) and the Four Thirds Lens Catalog (E-500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|2.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|7.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|8.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|9.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|10.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|11.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|12.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|13.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|14.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|15.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|16.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|17.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-500 was launched at a markedly lower price (by 65 percent) than the 7D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 17.9MP, the 7D offers a higher resolution than the E-500 (8MP), but the 7D has smaller individual pixels (pixel pitch of 4.31μm versus 5.30μm for the E-500). However, the 7D is a much more recent model (by 3 years and 11 months) than the E-500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Canon EOS 7D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|4.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|8.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|12.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|13.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|14.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|15.||Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|16.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 7D indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the 7D can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 7D and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 7D offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 7D has a higher magnification (0.63x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 7D, the Olympus E-500, and comparable cameras.
|4.||Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|5.||Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|8.||Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|9.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|17.||Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
One feature that is present on the 7D, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 7D writes its imaging data to Compact Flash cards, while the E-500 uses Compact Flash or xD Picture cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 7D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|4.||Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|8.||Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Canon 7D (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 7D and the E-500 have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the 7D was followed by the Canon 7D Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 7D and the Olympus E-500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 8MP) with a 53% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 215k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 2.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 3 years and 11 months of technical progress since the E-500 launch.
Advantages of the Olympus Evolt E-500:
- More compact: Is smaller (130x95mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 381g or 44 percent) and is thus easier to take along.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of individual advantages (bullet points above) is taken as a guide, the 7D is the clear winner of the match-up (16 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 7D or the E-500 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D||5/5||+ +||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|2.||Olympus E-500||..||76/100||+ +||..||..||Sep 2005||599|
|3.||Canon 80D||4/5||+ +||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon G3 X||3.5/5||+||..||4.5/5||4/5||Jun 2015||999|
|5.||Canon 7D II||4.5/5||+||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 70D||5/5||+ +||83/100||4.5/5||5/5||Jul 2013||1,199|
|7.||Canon 60D||5/5||+||79/100||4/5||4.5/5||Aug 2010||1,399|
|8.||Canon 1D Mark IV||5/5||..||89/100||..||..||Oct 2009||4,999|
|9.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 50D||..||+ +||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|11.||Nikon D7000||4/5||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|12.||Olympus E-410||..||86/100||+ +||4/5||4.5/5||Mar 2007||699|
|13.||Olympus E-510||..||89/100||+ +||3.5/5||4.5/5||Mar 2007||799|
|14.||Olympus E-330||..||..||+||o||..||Jan 2006||999|
|15.||Olympus E-400||..||85/100||..||4/5||4/5||Sep 2006||699|
|16.||Olympus E-300||..||..||+||o||4.5/5||Sep 2004||799|
|17.||Sony RX10 III||5/5||+||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 7D vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D||Olympus E-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||September 2009||September 2005|
|Launch Price||USD 1,699||USD 599|
|Sensor Specs||Canon 7D||Olympus E-500|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||8 Megapixels|
|Image Resolution||5184 x 3456 pixels||3264 x 2448 pixels|
|Pixel Pitch||4.31 μm||5.30 μm|
|Pixel Density||5.39 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 6,400 ISO||100 - 400 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 1,600 ISO|
|Image Processor||DIGIC 4 (Dual)||TruePic|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||854||..|
|Screen Specs||Canon 7D||Olympus E-500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||920k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D||Olympus E-500|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||8 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 7D||Olympus E-500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 7D||Olympus E-500|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||750 shots per charge|
148 x 111 x 74 mm
(5.8 x 4.4 x 2.9 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||860 g (30.3 oz)||479 g (16.9 oz)|
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