Canon 7D II versus Sony RX100 V
The Canon EOS 7D Mark II and the Sony Cyber-shot DSC-RX100 V are two digital cameras that were officially introduced, respectively, in September 2014 and October 2016. The 7D Mark II is a DSLR, while the RX100 V is a fixed lens compact. The cameras are based on an APS-C (7D Mark II) and an one-inch (RX100 V) sensor. Both cameras offer a resolution of 20 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 7D II vs Sony RX100 V
The side-by-side display below illustrates the physical size and weight of the Canon 7D II and the Sony RX100 V. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 7D Mark II – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 V is considerably smaller (65 percent) than the Canon 7D II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the RX100 V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 V has a lens build in, whereas the 7D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the 7D Mark II and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 7D II (⇒ rgt)||5.9 in||4.4 in||3.1 in||32.1 oz||670||YES||2014||1,799||latest||check|
|Sony RX100 V (⇒ lft)||4.0 in||2.3 in||1.6 in||10.5 oz||220||no||2016||999||latest||check|
|Canon 80D (⇒ lft | rgt)||5.5 in||4.1 in||3.1 in||25.8 oz||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||4.6 in||3.5 in||2.4 in||15.1 oz||295||no||2016||979||latest||check|
|Canon T6i (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.6 oz||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.9 oz||440||no||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||4.8 in||3.0 in||4.1 in||25.9 oz||300||YES||2015||999||latest||check|
|Canon T5i (⇒ lft | rgt)||5.2 in||3.9 in||3.1 in||20.5 oz||440||no||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||5.5 in||4.1 in||3.1 in||26.6 oz||920||YES||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||4.6 in||3.6 in||2.7 in||14.4 oz||380||no||2013||549||discont.||check|
|Canon 6D (⇒ lft | rgt)||5.7 in||4.4 in||2.8 in||27.2 oz||1090||YES||2012||2,099||discont.||check|
|Canon 60D (⇒ lft | rgt)||5.7 in||4.2 in||3.1 in||26.6 oz||1100||YES||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||5.8 in||4.4 in||2.9 in||30.3 oz||800||YES||2009||1,699||discont.||check|
|Sony RX100 VI (⇒ lft | rgt)||4.0 in||2.3 in||1.7 in||10.6 oz||240||no||2018||1,199||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.5 oz||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||4.0 in||2.3 in||1.6 in||10.2 oz||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||4.0 in||2.3 in||1.5 in||9.9 oz||350||no||2013||749||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 V was launched at a lower price than the 7D Mark II, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 7D II vs Sony RX100 V
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Sony RX100 V an one-inch sensor. The sensor area in the RX100 V is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the 7D Mark II has a larger sensor, both cameras offer the same resolution of 20 megapixel. This implies that the 7D Mark II has a lower pixel density and larger individual pixels (with a pixel pitch of 4.10μm versus 2.41μm for the RX100 V), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the RX100 V is much more recent (by 2 years) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 7D II (⇒ rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Sony RX100 V (⇒ lft)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Sony RX100 VI (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX100 V provides a better video resolution than the 7D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Canon 7D II vs Sony RX100 V
Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX100 V has an electronic viewfinder (2359k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Sony RX100 V, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 7D II (⇒ rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Sony RX100 V (⇒ lft)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Sony RX100 VI (⇒ lft | rgt)||2359||no||3.0||1229||tilting||YES||2000||24.0||5.9||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the 7D Mark II and the RX100 V are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 7D Mark II replaced the earlier Canon 7D, while the RX100 V followed on from the Sony RX100 IV.
Review summary: Canon 7D II vs Sony RX100 V
So how do things add up? Which of the two cameras – the Canon 7D II or the Sony RX100 V – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 7D Mark II:
- Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (670 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Sony Cyber-shot DSC-RX100 V:
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (24 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 7D Mark II requires a separate lens.
- More compact: Is smaller (102x58mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens build in (unlike the 7D Mark II).
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
- More modern: Reflects 2 years of technical progress since the 7D Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 V is the clear winner of the contest (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 7D Mark II or the RX100 V handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 7D II (⇒ rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Sony RX100 V (⇒ lft)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Sony RX100 VI (⇒ lft | rgt)||..||..||..||..||..||2018||1,199||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.
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