Canon 7D II vs Ricoh GR III
The Canon EOS 7D Mark II and the Ricoh GR III are two digital cameras that were officially introduced, respectively, in September 2014 and February 2019. The 7D Mark II is a DSLR, while the GR III is a fixed lens compact. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 20 megapixels, whereas the Ricoh provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Ricoh GR III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 7D II and the Ricoh GR III. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh GR III is considerably smaller (60 percent) than the Canon 7D II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the GR III does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GR III has a lens built in, whereas the 7D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 7D Mark II gets 670 shots out of its LP-E6N battery, while the GR III can take 200 images on a single charge of its DB-110 power pack. The power pack in the GR III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|2.||Ricoh GR III||109 mm||62 mm||33 mm||257 g||200||n||Feb 2019||899||amazon.com|
|3.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749||amazon.com|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|6.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||amazon.com|
|7.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|11.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|12.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|13.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|14.||Ricoh GR IIIx||109 mm||62 mm||35 mm||262 g||200||n||Sep 2021||999||amazon.com|
|15.||Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||ebay.com|
|16.||Sony ZV-1||105 mm||60 mm||44 mm||294 g||260||n||May 2020||799||amazon.com|
|17.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GR III was launched at a lower price than the 7D Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the GR III is 9 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (7D Mark II) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the GR III offers a higher resolution than the 7D Mark II (20MP), but the GR III has smaller individual pixels (pixel pitch of 3.91μm versus 4.10μm for the 7D Mark II). Yet, the GR III is a much more recent model (by 4 years and 5 months) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GR III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Ricoh GR III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GR III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 7D II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Ricoh GR III are ISO 100 to ISO 102400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|2.||Ricoh GR III||APS-C||24.0||6000||4000||1080/60p||24.1||13.5||1897||83|
|3.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||583||65|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|14.||Ricoh GR IIIx||APS-C||24.0||6000||4000||1080/60p||24.2||13.8||2146||85|
|15.||Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|17.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 7D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GR III relies on live view and the rear LCD for framing. That said, the GR III can be equipped with an optional viewfinder – the GV-1. The adjacent table lists some of the other core features of the Canon 7D II and Ricoh GR III along with similar information for a selection of comparators.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|2.||Ricoh GR III||optional||n||3.0 / 1037||fixed||Y||1/4000s||4.0/s||n||Y|
|3.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30/s||Y||Y|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|7.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|9.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|10.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|11.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|12.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|13.||Panasonic TZ200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|14.||Ricoh GR IIIx||optional||n||3.0 / 1037||fixed||Y||1/4000s||4.0/s||n||Y|
|15.||Ricoh GR II||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|16.||Sony ZV-1||none||n||3.0 / 922||swivel||Y||1/2000s||24.0/s||n||Y|
|17.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 7D Mark II has one, while the GR III does not. While the built-in flash of the 7D Mark II is not very powerful, it can at times be useful as a fill-in light.
The Canon 7D II and the Ricoh GR III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the GR III uses SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GR III only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Ricoh GR III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Ricoh GR III||Y||stereo / mono||-||-||-||3.0||Y||-||Y|
|3.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|11.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|13.||Panasonic TZ200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Ricoh GR IIIx||Y||stereo / mono||-||-||-||3.0||Y||-||Y|
|15.||Ricoh GR II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony ZV-1||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|17.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the 7D Mark II has a microphone port, which is missing on the GR III. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D II (unlike the GR III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The GR III is a recent model that features in the current product line-up of Ricoh. In contrast, the 7D Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the 7D Mark II from Canon. Further information on the features and operation of the 7D Mark II and GR III can be found, respectively, in the Canon 7D II Manual (free pdf) or the online Ricoh GR III Manual.
So how do things add up? Is there a clear favorite between the Canon 7D II and the Ricoh GR III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 7D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (670 versus 200) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Ricoh GR III:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Ready to shoot: Comes with an integrated lens, while the 7D Mark II requires a separate lens.
- More compact: Is smaller (109x62mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 7D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 5 months of technical progress since the 7D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 7D Mark II emerges as the winner of the contest (15 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Ricoh GR III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the GR III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|2.||Ricoh GR III||4/5||..||3.5/5||81/100||4/5||..||Feb 2019||899||amazon.com|
|3.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749||amazon.com|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|6.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999||amazon.com|
|7.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|11.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|12.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|13.||Panasonic TZ200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|14.||Ricoh GR IIIx||..||..||..||..||..||..||Sep 2021||999||amazon.com|
|15.||Ricoh GR II||..||..||..||..||4.5/5||4.5/5||Jun 2015||699||ebay.com|
|16.||Sony ZV-1||4/5||..||4.5/5||85/100||4/5||4.5/5||May 2020||799||amazon.com|
|17.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Canon 7D II
- Canon 300D vs Canon 7D II
- Canon 7D II vs Fujifilm X100T
- Canon 7D II vs Olympus E-450
- Canon 7D II vs Panasonic G10
- Canon 7D II vs Panasonic TZ200
- Canon R10 vs Ricoh GR III
- Fujifilm XQ1 vs Ricoh GR III
- Leica S Typ 006 vs Ricoh GR III
- Nikon D500 vs Ricoh GR III
- Panasonic LX15 vs Ricoh GR III
- Panasonic TZ90 vs Ricoh GR III
Specifications: Canon 7D II vs Ricoh GR III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Ricoh GR III|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28mm f/2.8|
|Launch Date||September 2014||February 2019|
|Launch Price||USD 1,799||USD 899|
|Sensor Specs||Canon 7D II||Ricoh GR III|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.4 x 15.0 mm||23.5 x 15.6 mm|
|Sensor Area||336 mm2||366.6 mm2|
|Sensor Diagonal||27 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.10 μm||3.91 μm|
|Pixel Density||5.94 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 16,000 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||DIGIC 6 (Dual)||GR Engine VI|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.4||..|
|DXO Dynamic Range (EV)||11.8||..|
|DXO Low Light (ISO)||1082||..|
|Screen Specs||Canon 7D II||Ricoh GR III|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D II||Ricoh GR III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Continuous Shooting||10 shutter flaps/s||4 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 7D II||Ricoh GR III|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 3.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Ricoh GR III|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||200 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
109 x 62 x 33 mm
(4.3 x 2.4 x 1.3 in)
|Camera Weight||910 g (32.1 oz)||257 g (9.1 oz)|
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