Canon 7D II vs Panasonic FZ80
The Canon EOS 7D Mark II and the Panasonic Lumix DC-FZ80 (labelled Panasonic FZ82 in some countries) are two digital cameras that were officially introduced, respectively, in September 2014 and January 2017. The 7D Mark II is a DSLR, while the FZ80 is a fixed lens compact. The cameras are based on an APS-C (7D Mark II) and a 1/2.3-inch (FZ80) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Panasonic Lumix DC-FZ80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D II and the Panasonic FZ80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ80 is notably smaller (27 percent) than the Canon 7D II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the FZ80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80 has a lens built in, whereas the 7D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 7D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 7D Mark II gets 670 shots out of its LP-E6N battery, while the FZ80 can take 330 images on a single charge of its DMW-BMB9 power pack. The power pack in the FZ80 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|2.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|7.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|8.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|9.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|10.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|11.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|12.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|13.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|14.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|15.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|16.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|17.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ80 was launched at a lower price than the 7D Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Panasonic FZ80 a 1/2.3-inch sensor. The sensor area in the FZ80 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 7D Mark II has a native 3:2 aspect ratio, while the one in the FZ80 offers a 4:3 aspect.
With 20MP, the 7D Mark II offers a higher resolution than the FZ80 (18MP), but the 7D Mark II nevertheless has larger individual pixels (pixel pitch of 4.10μm versus 1.25μm for the FZ80) due to its larger sensor. However, the FZ80 is a much more recent model (by 2 years and 3 months) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic FZ80 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-FZ80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|7.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|9.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|17.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ80 provides a better video resolution than the 7D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ80 has an electronic viewfinder (1166k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 7D Mark II has a higher magnification than the one of the FZ80 (0.63x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Panasonic FZ80, and comparable cameras.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|2.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|6.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|7.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|8.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|9.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|10.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|11.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|12.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|13.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|14.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|15.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0||Y||Y|
|16.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0||Y||Y|
|17.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
One feature that is present on the 7D Mark II, but is missing on the FZ80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the FZ80 uses SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ80 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Panasonic Lumix DC-FZ80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|12.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|13.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|14.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
|17.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the 7D Mark II has a microphone port, which is missing on the FZ80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D II (unlike the FZ80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 7D Mark II and the FZ80 are recent models that are part of the current product line-up. The 7D Mark II replaced the earlier Canon 7D, while the FZ80 followed on from the Panasonic FZ70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon 7D II and the Panasonic FZ80? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 18MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (670 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Panasonic Lumix DC-FZ80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 7D Mark II requires a separate lens.
- More compact: Is smaller (130x94mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 7D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 3 months of technical progress since the 7D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 7D Mark II is the clear winner of the match-up (22 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Panasonic FZ80 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the FZ80 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|2.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|6.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|7.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|8.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|9.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|10.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|11.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|12.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|13.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|14.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|15.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|16.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|17.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 7D II vs Canon G3 X
- Canon 7D II vs Canon T4i
- Canon 7D II vs Nikon D3400
- Canon 7D II vs Nikon W150
- Canon 7D II vs Pentax K-3 III
- Canon 7D II vs Sony HX400V
- Canon G3 X vs Panasonic FZ80
- Leica M-E Typ 240 vs Panasonic FZ80
- Leica S3 vs Panasonic FZ80
- Nikon D40X vs Panasonic FZ80
- Olympus E-M5 II vs Panasonic FZ80
- Panasonic FZ80 vs Panasonic GF7
Specifications: Canon 7D II vs Panasonic FZ80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Panasonic FZ80|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||September 2014||January 2017|
|Launch Price||USD 1,799||USD 399|
|Sensor Specs||Canon 7D II||Panasonic FZ80|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.4 x 15.0 mm||6.17 x 4.55 mm|
|Sensor Area||336 mm2||28.0735 mm2|
|Sensor Diagonal||27 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||18 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3672 pixels|
|Pixel Pitch||4.10 μm||1.25 μm|
|Pixel Density||5.94 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 16,000 ISO||80 - 3,200 ISO|
|ISO Boost||100 - 51,200 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC 6 (Dual)||Venus|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.4||..|
|DXO Dynamic Range (EV)||11.8||..|
|DXO Low Light (ISO)||1082||..|
|Screen Specs||Canon 7D II||Panasonic FZ80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D II||Panasonic FZ80|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 7D II||Panasonic FZ80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Panasonic FZ80|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||330 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||910 g (32.1 oz)||616 g (21.7 oz)|
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