Canon 7D II vs Olympus E-P3
The Canon EOS 7D Mark II and the Olympus PEN E-P3 are two enthusiast cameras that were officially introduced, respectively, in September 2014 and June 2011. The 7D Mark II is a DSLR, while the E-P3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D Mark II) and a Four Thirds (E-P3) sensor. The Canon has a resolution of 20 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Olympus PEN E-P3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D II and the Olympus E-P3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-P3 can be obtained in three different colors (black, silver, white), while the 7D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P3 is considerably smaller (50 percent) than the Canon 7D II. Moreover, the E-P3 is substantially lighter (59 percent) than the 7D Mark II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the E-P3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D Mark II) and the Micro Four Thirds Lens Catalog (E-P3). Mirrorless cameras, such as the E-P3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|2.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|13.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|14.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|15.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||ebay.com|
|16.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799||ebay.com|
|17.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P3 was launched at a markedly lower price (by 56 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Olympus E-P3 a Four Thirds sensor. The sensor area in the E-P3 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D Mark II has a native 3:2 aspect ratio, while the one in the E-P3 offers a 4:3 aspect.
With 20MP, the 7D Mark II offers a higher resolution than the E-P3 (12.2MP), but the 7D Mark II has smaller individual pixels (pixel pitch of 4.10μm versus 4.29μm for the E-P3). However, the 7D Mark II is a much more recent model (by 3 years and 2 months) than the E-P3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-P3 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus PEN E-P3 are ISO 200 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 7D Mark II provides substantially higher image quality than the E-P3, with an overall score that is 19 points higher. This advantage is based on 1.6 bits higher color depth, 1.7 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|2.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|13.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|14.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|15.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|16.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|17.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 7D Mark II provides a higher frame rate than the E-P3. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 7D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P3 relies on live view and the rear LCD for framing. That said, the E-P3 can be equipped with an optional viewfinder – the VF-3. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Olympus E-P3, and comparable cameras.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|2.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|9.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|10.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|11.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|12.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|13.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|14.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|15.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|16.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|17.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 7D Mark II, but is missing on the E-P3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the E-P3 uses SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P3 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Olympus PEN E-P3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|11.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
It is notable that the 7D Mark II has a microphone port, which is missing on the E-P3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D II (unlike the E-P3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 7D Mark II and the E-P3 have been discontinued, but can regularly be found used on ebay. The E-P3 was replaced by the Olympus E-P5, while the 7D Mark II does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 7D II better than the Olympus E-P3 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 12.2MP) with a 30% higher linear resolution.
- Better image quality: Scores substantially higher (19 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (670 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 2 months of technical progress since the E-P3 launch.
Reasons to prefer the Olympus PEN E-P3:
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (122x69mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 541g or 59 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the 7D Mark II is the clear winner of the match-up (22 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Olympus E-P3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 7D Mark II or the E-P3 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|2.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|13.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|14.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|15.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599||ebay.com|
|16.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799||ebay.com|
|17.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 450D vs Canon 7D II
- Canon 60D vs Olympus E-P3
- Canon 77D vs Canon 7D II
- Canon 7D II vs Nikon D6
- Canon 7D II vs Panasonic FZ80
- Canon 7D II vs Ricoh WG-60
- Canon 7D II vs Sony RX100 VI
- Canon M vs Olympus E-P3
- Canon R vs Olympus E-P3
- Canon SX50 vs Olympus E-P3
- Olympus E-M5 vs Olympus E-P3
- Olympus E-P3 vs Sony A5100
Specifications: Canon 7D II vs Olympus E-P3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Olympus E-P3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2014||June 2011|
|Launch Price||USD 1,799||USD 799|
|Sensor Specs||Canon 7D II||Olympus E-P3|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.4 x 15.0 mm||17.3 x 13.0 mm|
|Sensor Area||336 mm2||224.9 mm2|
|Sensor Diagonal||27 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||12.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||4032 x 3024 pixels|
|Pixel Pitch||4.10 μm||4.29 μm|
|Pixel Density||5.94 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||100 - 16,000 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||DIGIC 6 (Dual)||TruePic VI|
|DXO Sensor Quality (score)||70||51|
|DXO Color Depth (bits)||22.4||20.8|
|DXO Dynamic Range (EV)||11.8||10.1|
|DXO Low Light (ISO)||1082||536|
|Screen Specs||Canon 7D II||Olympus E-P3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||614k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D II||Olympus E-P3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 7D II||Olympus E-P3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Olympus E-P3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||330 shots per charge|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
122 x 69 x 34 mm
(4.8 x 2.7 x 1.3 in)
|Camera Weight||910 g (32.1 oz)||369 g (13.0 oz)|
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