Canon 7D II vs Olympus E-450
The Canon EOS 7D Mark II and the Olympus E-450 are two digital cameras that were revealed to the public, respectively, in September 2014 and March 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (7D Mark II) and a Four Thirds (E-450) sensor. The Canon has a resolution of 20 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Olympus E-450? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 7D II and the Olympus E-450 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-450 is notably smaller (29 percent) than the Canon 7D II. Moreover, the E-450 is substantially lighter (52 percent) than the 7D Mark II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the E-450 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D Mark II) and the Four Thirds Lens Catalog (E-450).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|2.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||ebay.com|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|13.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|14.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|15.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||ebay.com|
|16.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|17.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-450 was launched at a markedly lower price (by 72 percent) than the 7D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Olympus E-450 a Four Thirds sensor. The sensor area in the E-450 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D Mark II has a native 3:2 aspect ratio, while the one in the E-450 offers a 4:3 aspect.
With 20MP, the 7D Mark II offers a higher resolution than the E-450 (10MP), but the 7D Mark II has smaller individual pixels (pixel pitch of 4.10μm versus 4.74μm for the E-450). However, the 7D Mark II is a much more recent model (by 5 years and 5 months) than the E-450, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-450 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-450 are ISO 100 to ISO 1600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 7D Mark II provides substantially higher image quality than the E-450, with an overall score that is 14 points higher. This advantage is based on 0.9 bits higher color depth, 1.3 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|2.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|13.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|14.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|15.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|16.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|17.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 7D Mark II indeed provides movie recording capabilities, while the E-450 does not. The highest resolution format that the 7D Mark II can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The 7D Mark II and the E-450 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 7D Mark II offers a wider field of view (100%) than the one in the E-450 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 7D Mark II has a higher magnification (0.63x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Olympus E-450, and comparable cameras.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|2.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|9.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|10.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|11.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|12.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|13.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|14.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|15.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|16.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|17.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 7D Mark II, but is missing on the E-450 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the E-450 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Olympus E-450 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|11.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Canon 7D II (unlike the E-450) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 7D Mark II and the E-450 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Olympus. Further information on the features and operation of the 7D Mark II and E-450 can be found, respectively, in the Canon 7D II Manual (free pdf) or the online Olympus E-450 Manual.
So how do things add up? Which of the two cameras – the Canon 7D II or the Olympus E-450 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 10MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (670 versus 500) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 5 years and 5 months of technical progress since the E-450 launch.
Reasons to prefer the Olympus E-450:
- More compact: Is smaller (130x91mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 470g or 52 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the 7D Mark II is the clear winner of the match-up (20 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Olympus E-450 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 7D Mark II or the E-450. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|2.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499||ebay.com|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|13.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|14.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|15.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599||ebay.com|
|16.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|17.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Canon 7D II
- Canon 7D II vs Canon SL2
- Canon 7D II vs Canon T100
- Canon 7D II vs Fujifilm X100T
- Canon 7D II vs Sony A7R III
- Canon 7D II vs Sony A900
- Canon SX410 vs Olympus E-450
- Canon SX60 vs Olympus E-450
- Canon SX740 vs Olympus E-450
- Olympus E-450 vs Panasonic G9
- Olympus E-450 vs Panasonic ZS80
- Olympus E-450 vs Pentax KP
Specifications: Canon 7D II vs Olympus E-450
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Olympus E-450|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||September 2014||March 2009|
|Launch Price||USD 1,799||USD 499|
|Sensor Specs||Canon 7D II||Olympus E-450|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.4 x 15.0 mm||17.3 x 13.0 mm|
|Sensor Area||336 mm2||224.9 mm2|
|Sensor Diagonal||27 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||10 Megapixels|
|Image Resolution||5472 x 3648 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.10 μm||4.74 μm|
|Pixel Density||5.94 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100 - 16,000 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||DIGIC 6 (Dual)||TruePic III+|
|DXO Sensor Quality (score)||70||56|
|DXO Color Depth (bits)||22.4||21.5|
|DXO Dynamic Range (EV)||11.8||10.5|
|DXO Low Light (ISO)||1082||512|
|Screen Specs||Canon 7D II||Olympus E-450|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D II||Olympus E-450|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||3.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 7D II||Olympus E-450|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Olympus E-450|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||500 shots per charge|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
|Camera Weight||910 g (32.1 oz)||440 g (15.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.