Canon 7D II vs T3
The Canon EOS 7D Mark II and the Canon EOS Rebel T3 (labelled Canon 1100D in some countries) are two digital cameras that were announced, respectively, in September 2014 and February 2011. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The 7D Mark II has a resolution of 20 megapixels, whereas the T3 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Canon EOS Rebel T3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 7D II and the Canon T3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T3 is notably smaller (22 percent) than the Canon 7D II. Moreover, the T3 is substantially lighter (46 percent) than the 7D Mark II. It is worth mentioning in this context that the 7D Mark II is splash and dust resistant, while the T3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|2.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|7.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|8.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|9.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|10.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|11.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|12.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|13.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|14.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|15.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|16.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|17.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3 was launched at a markedly lower price (by 75 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the T3 is 4 percent smaller. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20MP, the 7D Mark II offers a higher resolution than the T3 (12.2MP), but the 7D Mark II has smaller individual pixels (pixel pitch of 4.10μm versus 5.15μm for the T3). However, the 7D Mark II is a much more recent model (by 3 years and 7 months) than the T3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS Rebel T3 are ISO 100 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 7D Mark II has a notably higher overall DXO score than the T3 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 0.8 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|9.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|10.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|17.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 7D Mark II provides a higher video resolution than the T3. It can shoot video footage at 1080/60p, while the T3 is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 7D Mark II and the T3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 7D Mark II offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 7D Mark II has a higher magnification (0.63x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 7D II, the Canon T3, and comparable cameras.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|2.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|7.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|8.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|9.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|10.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|11.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|12.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|13.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|14.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|15.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|16.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|17.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
One feature that is present on the 7D Mark II, but is missing on the T3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 7D II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the T3 uses SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the T3 only has one slot. The 7D Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Canon EOS Rebel T3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|14.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|16.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the 7D Mark II has a microphone port, which is missing on the T3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 7D II (unlike the T3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 7D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the T3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3 was succeeded by the Canon T5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Which of the two cameras – the Canon 7D II or the Canon T3 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 12.2MP) with a 28% higher linear resolution.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.50x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 7 months of technical progress since the T3 launch.
Arguments in favor of the Canon EOS Rebel T3:
- More compact: Is smaller (130x100mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 415g or 46 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the 7D Mark II is the clear winner of the match-up (23 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Canon T3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the T3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|2.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|7.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|8.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|9.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|10.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|11.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|12.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|13.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|14.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|15.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|16.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|17.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D II vs Fujifilm X-T3
- Canon 7D II vs Leica S Typ 007
- Canon 7D II vs Panasonic FZ2500
- Canon 7D II vs Pentax 645D
- Canon 7D II vs Samsung NX1
- Canon 7D II vs Sony HX95
- Canon M5 vs Canon T3
- Canon SX420 vs Canon T3
- Canon T3 vs Fujifilm X-A5
- Canon T3 vs Fujifilm X100T
- Canon T3 vs Leica S-E Typ 006
- Canon T3 vs Sony A6600
Specifications: Canon 7D II vs Canon T3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Canon T3|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||September 2014||February 2011|
|Launch Price||USD 1,799||USD 449|
|Sensor Specs||Canon 7D II||Canon T3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.4 x 15.0 mm||22.0 x 14.7 mm|
|Sensor Area||336 mm2||323.4 mm2|
|Sensor Diagonal||27 mm||26.5 mm|
|Sensor Resolution||20 Megapixels||12.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||4272 x 2848 pixels|
|Pixel Pitch||4.10 μm||5.15 μm|
|Pixel Density||5.94 MP/cm2||3.76 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||100 - 16,000 ISO||100 - 6,400 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||DIGIC 6 (Dual)||DIGIC 4|
|DXO Sensor Quality (score)||70||62|
|DXO Color Depth (bits)||22.4||21.9|
|DXO Dynamic Range (EV)||11.8||11.0|
|DXO Low Light (ISO)||1082||755|
|Screen Specs||Canon 7D II||Canon T3|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 7D II||Canon T3|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 7D II||Canon T3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Canon T3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||670 shots per charge||700 shots per charge|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
|Camera Weight||910 g (32.1 oz)||495 g (17.5 oz)|
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