Canon 77D vs Olympus E-500
The Canon EOS 77D and the Olympus Evolt E-500 are two digital cameras that were announced, respectively, in February 2017 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (77D) and a Four Thirds (E-500) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 77D||Olympus E-500|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||8 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 100-25600 (100-51200)||ISO 100-400 (100-1600)|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||2.5" LCD, 215k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||2.5 shutter flaps per second|
|600 shots per battery charge||750 shots per battery charge|
|131 x 100 x 76 mm, 540 g||130 x 95 x 66 mm, 479 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 77D and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 77D and the Olympus E-500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably smaller (6 percent) than the Canon 77D. Moreover, the E-500 is markedly lighter (11 percent) than the 77D. In this context, it is worth noting that neither the 77D nor the E-500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (77D) and the Four Thirds Lens Catalog (E-500).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 77D»||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Olympus E-500«||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-||Olympus E-500|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon T7« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon T7|
|Canon SL2« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon T6« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon T6|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-||Olympus E-300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-500 was launched at a markedly lower price (by 33 percent) than the 77D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 77D features an APS-C sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 77D has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 24MP, the 77D offers a higher resolution than the E-500 (8MP), but the 77D has smaller individual pixels (pixel pitch of 3.72μm versus 5.30μm for the E-500). However, the 77D is a much more recent model (by 11 years and 4 months) than the E-500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 77D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 77D for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inch or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inch or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inch or 27.6 x 20.7 cm for excellent quality prints.
The 77D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 77D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 77D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Olympus E-500«||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon T7« »||APS-C||24.0||6000||4000||1080/30p||-||-||-||-||Canon T7|
|Canon SL2« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon SL2|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon T6« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon T6|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 77D indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the 77D can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The 77D and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the 77D has a higher magnification than the one of the E-500 (0.51x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 77D and Olympus E-500 in connection with corresponding information for a sample of similar cameras.
|Canon 77D»||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Olympus E-500«||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon T7« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T7|
|Canon SL2« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon SL2|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon T6« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon T6|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
One feature that is present on the 77D, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 77D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-500 does not have a selfie-screen.
The Canon 77D has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 77D writes its imaging data to SDXC cards, while the E-500 uses Compact Flash or xD Picture cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 77D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 77D and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 77D»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Olympus E-500«||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon T7« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T7|
|Canon SL2« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon SL2|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon T6« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T6|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-400« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Olympus E-300« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
It is notable that the 77D offers wifi support, while the E-500 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The 77D is a recent model that features in the current product line-up of Canon. In contrast, the E-500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon 77D better than the Olympus E-500 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 77D:
- More detail: Offers more megapixels (24 vs 8MP) with a 77% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.51x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 11 years and 4 months of technical progress since the E-500 launch.
Reasons to prefer the Olympus Evolt E-500:
- Less heavy: Has a lower weight (by 61g or 11 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (750 versus 600) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of individual advantages (bullet points above) is taken as a guide, the 77D is the clear winner of the match-up (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 77D and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 77D and the E-500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 77D»||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Olympus E-500«||76/100||+ +||-||-||-||Sep 2005||599||-||Olympus E-500|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon T7« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon T7|
|Canon SL2« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon SL2|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon T6« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon T6|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||-||+||o||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||-||+||o||o||4.5/5||Sep 2004||799||-||Olympus E-300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Canon 77D
- Canon 77D vs Canon T1i
- Canon 77D vs Leica M-E Typ 240
- Canon 77D vs Nikon D300
- Canon 77D vs Nikon D4
- Canon 77D vs Panasonic G95
- Canon 77D vs Panasonic GX9
- Canon 77D vs Panasonic LX100
- Canon 77D vs Sony A7 III
- Canon G15 vs Olympus E-500
- Leica D-LUX 6 vs Olympus E-500
- Olympus E-500 vs Pentax K-70
Specifications: Canon 77D vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 77D||Olympus E-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||February 2017||September 2005|
|Launch Price||USD 899||USD 599|
|Sensor Specs||Canon 77D||Olympus E-500|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||8 Megapixels|
|Image Resolution||6000 x 4000 pixels||3264 x 2448 pixels|
|Pixel Pitch||3.72 μm||5.30 μm|
|Pixel Density||7.22 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100-25600 ISO||100-400 ISO|
|ISO Boost||100-51200 ISO||100-1600 ISO|
|Image Processor||DIGIC 7||TruePic|
|DXO Sensor Quality (score)||78||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.3||..|
|DXO Low Light (ISO)||971||..|
|Screen Specs||Canon 77D||Olympus E-500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 77D||Olympus E-500|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6 shutter flaps/s||2.5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 77D||Olympus E-500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 77D||Olympus E-500|
|Battery Life (CIPA)||600 shots per charge||750 shots per charge|
131 x 100 x 76 mm
(5.2 x 3.9 x 3.0 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||540 g (19.0 oz)||479 g (16.9 oz)|
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