Canon 700D vs Fujifilm GFX 100S
The Canon EOS 700D (called Canon T5i in some regions) and the Fujifilm GFX 100S are two digital cameras that were revealed to the public, respectively, in March 2013 and January 2021. The 700D is a DSLR, while the GFX 100S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (700D) and a medium format (GFX 100S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 700D and the Fujifilm GFX 100S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 700D and the Fujifilm GFX 100S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S is notably larger (17 percent) than the Canon 700D. Moreover, the GFX 100S is substantially heavier (55 percent) than the 700D. It is noteworthy in this context that the GFX 100S is splash and dust-proof, while the 700D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 700D gets 440 shots out of its LP-E8 battery, while the GFX 100S can take 460 images on a single charge of its NP-W235 power pack. The power pack in the GFX 100S can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|2.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|3.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999|
|4.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|5.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|8.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|9.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|11.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|14.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|15.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|16.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|17.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 700D was launched at a markedly lower price (by 89 percent) than the GFX 100S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 700D features an APS-C sensor and the Fujifilm GFX 100S a medium format sensor. The sensor area in the GFX 100S is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 700D has a native 3:2 aspect ratio, while the one in the GFX 100S offers a 4:3 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the 700D (17.9MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 4.31μm for the 700D). Yet, the GFX 100S is a much more recent model (by 7 years and 10 months) than the 700D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon 700D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
Unlike the 700D, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 700D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 100S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|3.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.4||14.5||3048||96|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|14.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|15.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|16.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|17.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100S provides a better video resolution than the 700D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), while the 700D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100S offers a wider field of view (100%) than the one in the 700D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100S has a higher magnification (0.77x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 700D and Fujifilm GFX 100S in connection with corresponding information for a sample of similar cameras.
|1.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|3.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0||n||Y|
|4.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|8.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|9.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|11.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|13.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|14.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||Y|
|15.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|16.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|17.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 700D has one, while the GFX 100S does not. While the built-in flash of the 700D is not very powerful, it can at times be useful as a fill-in light.The 700D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 700D and the GFX 100S write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 700D only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the 700D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 700D and Fujifilm GFX 100S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|14.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|15.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|16.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|17.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GFX 100S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 700D does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the 700D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the 700D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 700D was succeeded by the Canon 750D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Is there a clear favorite between the Canon 700D and the Fujifilm GFX 100S? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 700D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (133x100mm vs 150x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 320g or 36 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2013).
Advantages of the Fujifilm GFX 100S:
- More detail: Has more megapixels (101.8 vs 17.9MP), which boosts linear resolution by 134%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 7 years and 10 months of technical progress since the 700D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the contest (28 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 700D and the Fujifilm GFX 100S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 700D and the GFX 100S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|2.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|3.||Canon R3||..||o||..||..||..||..||Sep 2021||5,999|
|4.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|5.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|8.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|9.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|11.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|14.||Fujifilm GFX 50S II||..||..||..||87/100||..||..||Sep 2021||3,999|
|15.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|16.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|17.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 20D vs Canon 700D
- Canon 700D vs Canon D30
- Canon 700D vs Canon R6
- Canon 700D vs Olympus E-M5
- Canon 700D vs Olympus E-PM2
- Canon 700D vs Panasonic FZ2000
- Canon 750D vs Fujifilm GFX 100S
- Canon T7 vs Fujifilm GFX 100S
- Fujifilm GFX 100S vs Fujifilm X-A3
- Fujifilm GFX 100S vs Nikon A1000
- Fujifilm GFX 100S vs Olympus E-M1 III
- Fujifilm GFX 100S vs Sony A7R III
Specifications: Canon 700D vs Fujifilm GFX 100S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 700D||Fujifilm GFX 100S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||March 2013||January 2021|
|Launch Price||USD 649||USD 5,999|
|Sensor Specs||Canon 700D||Fujifilm GFX 100S|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||43.8 x 32.9 mm|
|Sensor Area||332.27 mm2||1441.02 mm2|
|Sensor Diagonal||26.8 mm||54.8 mm|
|Sensor Resolution||17.9 Megapixels||101.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||11648 x 8736 pixels|
|Pixel Pitch||4.31 μm||3.76 μm|
|Pixel Density||5.39 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 5||X-Processor 4|
|DXO Sensor Quality (score)||61||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||681||..|
|Screen Specs||Canon 700D||Fujifilm GFX 100S|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon 700D||Fujifilm GFX 100S|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 700D||Fujifilm GFX 100S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 700D||Fujifilm GFX 100S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||460 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
|Camera Weight||580 g (20.5 oz)||900 g (31.7 oz)|
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