Canon 6D vs Pentax K-1
The Canon EOS 6D and the Pentax K-1 are two enthusiast cameras that were officially introduced, respectively, in September 2012 and February 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Canon has a resolution of 20 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D||Pentax K-1|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Pentax K mount lenses|
|20 MP, Full Frame Sensor||36.2 MP, Full Frame Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-25600 (50-102400)||ISO 100-204800|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.2" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|4.5 shutter flaps per second||4.4 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1090 shots per battery charge||760 shots per battery charge|
|145 x 111 x 71 mm, 770 g||137 x 110 x 86 mm, 1010 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D and the Pentax K-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon 6D vs Pentax K-1
An illustration of the physical size and weight of the Canon 6D and the Pentax K-1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The K-1 can be obtained in two different colors (black, silver), while the 6D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 is notably smaller (6 percent) than the Canon 6D. However, the K-1 is markedly heavier (31 percent) than the 6D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 6D»||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Pentax K-1«||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The K-1 was launched at a somewhat lower price (by 14 percent) than the 6D, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 6D vs Pentax K-1
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the K-1 offers a higher resolution of 36.2 megapixels, compared with 20 MP of the 6D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.88μm versus 6.57μm for the 6D). However, it should be noted that the K-1 is much more recent (by 3 years and 5 months) than the 6D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the K-1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inch or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inch or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inch or 62.3 x 41.6 cm. The corresponding values for the Canon 6D are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
Unlike the 6D, the K-1 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 6D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Pentax K-1 are ISO 100 to ISO 204800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the K-1 offers substantially better image quality than the 6D (overall score 14 points higher). The advantage is based on 1.6 bits higher color depth, 2.5 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 6D»||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Pentax K-1«||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Pentax K-1 II« »||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-1 provides a faster frame rate than the 6D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Feature comparison: Canon 6D vs Pentax K-1
Beyond body and sensor, cameras can and do differ across a range of features. The 6D and the K-1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 offers a wider field of view (100%) than the one in the 6D (97%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D has a higher magnification (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D and Pentax K-1 in connection with corresponding information for a sample of similar cameras.
|Canon 6D»||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Pentax K-1«||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Pentax K-1 II« »||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1 II|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
One feature that differentiates the K-1 and the 6D is in-body image stabilization (IBIS). The K-1 reduces the risk of handshake-induced blur with all attached lenses, while the 6D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The Pentax K-1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D and the K-1 write their files to SDXC cards. The K-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Canon 6D vs Pentax K-1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D and Pentax K-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 6D»||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Pentax K-1«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Pentax K-1 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
It is notable that the K-1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-1 (unlike the 6D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 6D and the K-1 have been discontinued, but can regularly be found used on eBay. The 6D was replaced by the Canon 6D Mark II, while the K-1 was followed by the Pentax K-1 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
Review summary: Canon 6D vs Pentax K-1
So what is the bottom line? Which of the two cameras – the Canon 6D or the Pentax K-1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Less heavy: Is lighter (by 240g or 24 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1090 versus 760) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2012).
Advantages of the Pentax K-1:
- More detail: Has more megapixels (36.2 vs 20MP), which boosts linear resolution by 35%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 97%).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 3 years and 5 months of technical progress since the 6D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 is the clear winner of the contest (19 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D and the Pentax K-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 6D or the K-1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 6D vs Pentax K-1
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D»||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Pentax K-1«||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 7D II« »||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Pentax K-1 II« »||-||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Canon 6D
- Canon 450D vs Canon 6D Mark II
- Canon 6D Mark II vs Sony RX100 IV
- Canon 6D vs Fujifilm X-A10
- Canon 6D vs Sony A7S II
- Canon 6D vs Sony A900
- Canon 800D vs Pentax K-1
- Olympus E-P1 vs Pentax K-1 II
- Panasonic G1 vs Pentax K-1
- Pentax K-1 II vs Sony A77 II
- Pentax K-1 vs Pentax K-3 II
- Pentax K-1 vs Sony A7R
Specifications: Canon 6D vs Pentax K-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D||Pentax K-1|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||September 2012||February 2016|
|Launch Price||USD 2099||USD 1799|
|Sensor Specs||Canon 6D||Pentax K-1|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||864 mm2||861.6 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||20 Megapixels||36.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||7360 x 4912 pixels|
|Pixel Pitch||6.57 μm||4.88 μm|
|Pixel Density||2.31 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-25600 ISO||100-204800 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|Image Processor||DIGIC 5+||PRIME IV|
|DXO Sensor Quality (score)||82||96|
|DXO Color Depth (bits)||23.8||25.4|
|DXO Dynamic Range (EV)||12.1||14.6|
|DXO Low Light (ISO)||2340||3280|
|Screen Specs||Canon 6D||Pentax K-1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||97%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 6D||Pentax K-1|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||4.5 shutter flaps/s||4.4 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||300 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 6D||Pentax K-1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||GPS built-in||GPS built-in|
|Body Specs||Canon 6D||Pentax K-1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6 power pack||D-LI90 power pack|
|Battery Life (CIPA)||1090 shots per charge||760 shots per charge|
145 x 111 x 71 mm
(5.7 x 4.4 x 2.8 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||770 g (27.2 oz)||1010 g (35.6 oz)|
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