Canon 6D vs Panasonic GF1
The Canon EOS 6D and the Panasonic Lumix DMC-GF1 are two digital cameras that were announced, respectively, in September 2012 and September 2009. The 6D is a DSLR, while the GF1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D) and a Four Thirds (GF1) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D||Panasonic GF1|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|20 MP, Full Frame Sensor||12 MP, Four Thirds Sensor|
|1080/30p Video||720/30p Video|
|ISO 100-25,600 (50 - 102,400)||ISO 100-3,200|
|Optical viewfinder||Viewfinder optional|
|3.0 LCD, 1040k dots||3.0 LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|4.5 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||not weather sealed|
|1090 shots per battery charge||380 shots per battery charge|
|145 x 111 x 71 mm, 770 g||119 x 71 x 36 mm, 385 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D and the Panasonic Lumix DMC-GF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 6D and the Panasonic GF1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF1 is considerably smaller (48 percent) than the Canon 6D. Moreover, the GF1 is substantially lighter (50 percent) than the 6D. It is worth mentioning in this context that the 6D is splash and dust resistant, while the GF1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D) and the Micro Four Thirds Lens Catalog (GF1). Mirrorless cameras, such as the GF1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF1 was launched at a markedly lower price (by 64 percent) than the 6D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D features a full frame sensor and the Panasonic GF1 a Four Thirds sensor. The sensor area in the GF1 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D has a native 3:2 aspect ratio, while the one in the GF1 offers a 4:3 aspect.
With 20MP, the 6D offers a higher resolution than the GF1 (12MP), but the 6D nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 4.33μm for the GF1) due to its larger sensor. Moreover, the 6D is a much more recent model (by 3 years) than the GF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 6D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS 6D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GF1 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D provides substantially higher image quality than the GF1, with an overall score that is 28 points higher. This advantage is based on 2.6 bits higher color depth, 1.8 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 6D provides a higher video resolution than the GF1. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 6D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF1 relies on live view and the rear LCD for framing. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The table below summarizes some of the other core capabilities of the Canon 6D and Panasonic GF1 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 6D, but is missing on the GF1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 6D writes its imaging data to SDXC cards, while the GF1 uses SDHC cards. The 6D supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D and Panasonic Lumix DMC-GF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
It is notable that the 6D has a microphone port, which is missing on the GF1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the 6D has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D and the GF1 have been discontinued, but can regularly be found used on eBay. The GF1 was replaced by the Panasonic DMC-GF2, while the 6D was followed by the Canon 6D Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon 6D better than the Panasonic GF1 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster burst: Shoots at higher frequency (4.5 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1090 versus 380) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years of technical progress since the GF1 launch.
Advantages of the Panasonic Lumix DMC-GF1:
- More compact: Is smaller (119x71mm vs 145x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 385g or 50 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the 6D is the clear winner of the match-up (17 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D and the Panasonic GF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 6D or the GF1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Panasonic GF1||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 7D II||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 70D||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic G2||..||72/100||4/5||4/5||4.5/5||Mar 2010||599|
|Panasonic GH1||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899|
|Panasonic G1||+ +||70/100||4/5||4.5/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Canon 6D Mark II
- Canon 6D Mark II vs Fujifilm X-E1
- Canon 6D Mark II vs Nikon D4S
- Canon 6D vs Canon T8i
- Canon 6D vs Fujifilm X-E1
- Canon 6D vs Panasonic G7
- Canon 6D vs Sony A6400
- Canon 6D vs Sony RX100 VII
- Canon G5 X Mark II vs Panasonic GF1
- Panasonic GF1 vs Panasonic GX8
- Panasonic GF1 vs Sony A7S II
- Panasonic GF1 vs Sony RX100 VII
Specifications: Canon 6D vs Panasonic GF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D||Panasonic GF1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||September 2009|
|Launch Price||USD 2,099||USD 749|
|Sensor Specs||Canon 6D||Panasonic GF1|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.57 μm||4.33 μm|
|Pixel Density||2.31 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 3,200 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 5+||Venus HD|
|DXO Sensor Quality (score)||82||54|
|DXO Color Depth (bits)||23.8||21.2|
|DXO Dynamic Range (EV)||12.1||10.3|
|DXO Low Light (ISO)||2340||513|
|Screen Specs||Canon 6D||Panasonic GF1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||97%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 6D||Panasonic GF1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||4.5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 6D||Panasonic GF1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D||Panasonic GF1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1090 shots per charge||380 shots per charge|
145 x 111 x 71 mm
(5.7 x 4.4 x 2.8 in)
119 x 71 x 36 mm
(4.7 x 2.8 x 1.4 in)
|Camera Weight||770 g (27.2 oz)||385 g (13.6 oz)|
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