Canon 6D Mark II vs Sony RX1R II
The Canon EOS 6D Mark II and the Sony Cyber-shot DSC-RX1R II are two enthusiast cameras that were revealed to the public, respectively, in June 2017 and October 2015. The 6D Mark II is a DSLR, while the RX1R II is a fixed lens compact. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 26 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Sony Cyber-shot DSC-RX1R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Sony RX1R II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R II is considerably smaller (54 percent) than the Canon 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the RX1R II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R II has a lens built in, whereas the 6D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 6D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the RX1R II can take 220 images on a single charge of its NP-BX1 power pack. The power pack in the RX1R II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|2.||Sony RX1R II||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|7.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|8.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|9.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|11.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|12.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|13.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|14.||Sony H300||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219|
|15.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|16.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the RX1R II is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the RX1R II offers a higher resolution of 42.2 megapixels, compared with 26 MP of the 6D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.50μm versus 5.76μm for the 6D Mark II). Moreover, it should be noted that the 6D Mark II is a somewhat more recent model (by 1 year and 8 months) than the RX1R II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the RX1R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Canon 6D Mark II are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1R II offers substantially better image quality than the 6D Mark II (overall score 12 points higher). The advantage is based on 1.4 bits higher color depth, 2 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|2.||Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|7.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|8.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|9.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|12.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|13.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|15.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|16.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX1R II has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX1R II offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the RX1R II has a higher magnification (0.74x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Sony RX1R II in connection with corresponding information for a sample of similar cameras.
|1.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|2.||Sony RX1R II||2360||n||3.0 / 1229||tilting||n||1/4000s||5.0||n||n|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|6.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|7.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|9.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|10.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|11.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|12.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|13.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|14.||Sony H300||none||n||3.0 / 460||fixed||n||1/1500s||0.8||Y||Y|
|15.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
|16.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One feature that is present on the 6D Mark II, but is missing on the RX1R II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX1R II does not have a selfie-screen.
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 6D Mark II writes its imaging data to SDXC cards, while the RX1R II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Sony Cyber-shot DSC-RX1R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Sony RX1R II||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|6.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|9.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|10.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony H300||-||mono / mono||-||-||micro||2.0||Y||-||-|
|15.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D Mark II and the RX1R II are recent models that are part of the current product line-up. The RX1R II replaced the earlier Sony RX1R, while the 6D Mark II followed on from the Canon 6D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon 6D Mark II and the Sony RX1R II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1200 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the RX1R II).
Advantages of the Sony Cyber-shot DSC-RX1R II:
- More detail: Has more megapixels (42.2 vs 26MP), which boosts linear resolution by 27%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.72x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Ready to shoot: Comes with an integrated lens, while the 6D Mark II requires a separate lens.
- More compact: Is smaller (113x65mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 6D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- More heavily discounted: Has been on the market for longer (launched in October 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the 6D Mark II comes out slightly ahead of the RX1R II (15 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Sony RX1R II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the RX1R II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|2.||Sony RX1R II||5/5||..||..||82/100||..||4.5/5||Oct 2015||3,299|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|7.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|8.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|9.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|10.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|11.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|12.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|13.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|14.||Sony H300||..||+||..||..||4.5/5||4/5||Feb 2014||219|
|15.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|16.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Sony RX1R II
- Canon 550D vs Canon 6D Mark II
- Canon 6D Mark II vs Canon SX520
- Canon 6D Mark II vs Fujifilm GFX 100S
- Canon 6D Mark II vs Olympus E-PL7
- Canon 6D Mark II vs Panasonic GH1
- Canon 6D Mark II vs Panasonic GH5
- Nikon D2Xs vs Sony RX1R II
- Nikon D5 vs Sony RX1R II
- Panasonic G90 vs Sony RX1R II
- Sony A6300 vs Sony RX1R II
- Sony A7 III vs Sony RX1R II
Specifications: Canon 6D Mark II vs Sony RX1R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Sony RX1R II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||35mm f/2.0|
|Launch Date||June 2017||October 2015|
|Launch Price||USD 1,999||USD 3,299|
|Sensor Specs||Canon 6D Mark II||Sony RX1R II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.8 x 23.9 mm|
|Sensor Area||861.6 mm2||855.62 mm2|
|Sensor Diagonal||43.2 mm||43 mm|
|Sensor Resolution||26 Megapixels||42.2 Megapixels|
|Image Resolution||6240 x 4160 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.76 μm||4.50 μm|
|Pixel Density||3.01 MP/cm2||4.93 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 40,000 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 7||BIONZ X|
|DXO Sensor Quality (score)||85||97|
|DXO Color Depth (bits)||24.4||25.8|
|DXO Dynamic Range (EV)||11.9||13.9|
|DXO Low Light (ISO)||2862||3204|
|Screen Specs||Canon 6D Mark II||Sony RX1R II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 6D Mark II||Sony RX1R II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6.5 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 6D Mark II||Sony RX1R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Sony RX1R II|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||220 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
113 x 65 x 72 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||765 g (27.0 oz)||507 g (17.9 oz)|
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