Canon 6D Mark II vs Sony A7 IV
The Canon EOS 6D Mark II and the Sony Alpha A7 IV are two enthusiast cameras that were officially introduced, respectively, in June 2017 and October 2021. The 6D Mark II is a DSLR, while the A7 IV is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 26 megapixels, whereas the Sony provides 32.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Sony Alpha A7 IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Sony A7 IV. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 IV is notably smaller (21 percent) than the Canon 6D Mark II. Moreover, the A7 IV is markedly lighter (14 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Sony FE Lens Catalog (A7 IV). Mirrorless cameras, such as the A7 IV, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 6D Mark II gets 1200 shots out of its Canon LP-E6N battery, while the A7 IV can take 580 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7 IV can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
2. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | 2,499 | amazon.com | |
3. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
5. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
7. | Canon 80D | 139 mm | 105 mm | 79 mm | 730 g | 960 | Y | Feb 2016 | 1,199 | ebay.com | |
8. | Canon R | 139 mm | 98 mm | 84 mm | 660 g | 370 | Y | Sep 2018 | 2,299 | ebay.com | |
9. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
10. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
12. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | 6,499 | amazon.com | |
13. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
14. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R V | 131 mm | 97 mm | 82 mm | 723 g | 530 | Y | Oct 2022 | 3,899 | amazon.com | |
16. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | 3,499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 6D Mark II was launched at a somewhat lower price (by 20 percent) than the A7 IV, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7 IV offers a higher resolution of 32.7 megapixels, compared with 26 MP of the 6D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.12μm versus 5.76μm for the 6D Mark II). However, it should be noted that the A7 IV is much more recent (by 4 years and 3 months) than the 6D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the A7 IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7 IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 IV for good quality output (200 dots per inch) amounts to 35 x 23.4 inches or 89 x 59.3 cm, for very good quality (250 dpi) 28 x 18.7 inches or 71.2 x 47.5 cm, and for excellent quality (300 dpi) 23.4 x 15.6 inches or 59.3 x 39.6 cm. The corresponding values for the Canon 6D Mark II are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A7 IV are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the 6D Mark II is build around a CMOS sensor, while the A7 IV uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 IV offers substantially better image quality than the 6D Mark II (overall score 12 points higher). The advantage is based on 1 bits higher color depth, 2.8 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
2. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
3. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
4. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
5. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
6. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
7. | Canon 80D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.2 | 1135 | 79 | |
8. | Canon R | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.5 | 13.5 | 2742 | 89 | |
9. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
10. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
11. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
12. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
13. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
14. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R V | Full Frame | 60.2 | 9504 | 6336 | 8k/24p | 26.5 | 14.8 | 3187 | 100 | |
16. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 IV provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 IV has an electronic viewfinder (3686k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 IV offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 IV has a higher magnification (0.78x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Sony A7 IV, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
2. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
3. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
4. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
5. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
6. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
7. | Canon 80D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
8. | Canon R | 3690 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 8.0/s | n | n | |
9. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
10. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
11. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
12. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R V | 9440 | n | 3.2 / 2100 | full-flex | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the 6D Mark II, but is missing on the A7 IV is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 6D Mark II writes its imaging data to SDXC cards, while the A7 IV uses CFexpress (type A) or SDXC cards. The A7 IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot. The A7 IV supports UHS-II cards (on both slots), while the 6D Mark II can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Sony Alpha A7 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
2. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
4. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
5. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
6. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
7. | Canon 80D | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
8. | Canon R | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
9. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
10. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
12. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7R V | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the A7 IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D Mark II lacks such a headphone port.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D Mark II and the A7 IV are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the A7 IV followed on from the Sony A7 III. Further information on the features and operation of the 6D Mark II and A7 IV can be found, respectively, in the Canon 6D Mark II Manual (free pdf) or the online Sony A7 IV Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon 6D Mark II or the Sony A7 IV – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1200 versus 580) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2017).
Arguments in favor of the Sony Alpha A7 IV:
- More detail: Has more megapixels (32.7 vs 26MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.72x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (131x96mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 106g or 14 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 3 months of technical progress since the 6D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 IV is the clear winner of the contest (22 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Sony A7 IV place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the A7 IV in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
2. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | 2,499 | amazon.com | |
3. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
4. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | 3,499 | ebay.com | |
5. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
7. | Canon 80D | 4/5 | + + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2016 | 1,199 | ebay.com | |
8. | Canon R | 4/5 | o | 4/5 | 79/100 | 4.5/5 | 4/5 | Sep 2018 | 2,299 | ebay.com | |
9. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
10. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
12. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | 6,499 | amazon.com | |
13. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
14. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R V | 5/5 | + + | 4.5/5 | 92/100 | .. | .. | Oct 2022 | 3,899 | amazon.com | |
16. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | 3,499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Canon 6D Mark II
- Canon 200D vs Sony A7 IV
- Canon 6D Mark II vs Nikon B500
- Canon 6D Mark II vs Nikon D300S
- Canon 6D Mark II vs Nikon D7500
- Canon 6D Mark II vs Olympus E-510
- Canon 6D Mark II vs Olympus XZ-1
- Canon SX730 vs Sony A7 IV
- Canon T5i vs Sony A7 IV
- Fujifilm X10 vs Sony A7 IV
- Leica X-U Typ 113 vs Sony A7 IV
- Panasonic GF2 vs Sony A7 IV
Specifications: Canon 6D Mark II vs Sony A7 IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 6D Mark II | Sony A7 IV |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Sony E mount lenses |
Launch Date | June 2017 | October 2021 |
Launch Price | USD 1,999 | USD 2,499 |
Sensor Specs | Canon 6D Mark II | Sony A7 IV |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 24.0 mm | 35.9 x 23.9 mm |
Sensor Area | 861.6 mm2 | 858.01 mm2 |
Sensor Diagonal | 43.2 mm | 43.1 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 26 Megapixels | 32.7 Megapixels |
Image Resolution | 6240 x 4160 pixels | 7008 x 4672 pixels |
Pixel Pitch | 5.76 μm | 5.12 μm |
Pixel Density | 3.01 MP/cm2 | 3.82 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/60p Video |
ISO Setting | 100 - 40,000 ISO | 100 - 51,200 ISO |
ISO Boost | 50 - 102,400 ISO | 50 - 204,800 ISO |
Image Processor | DIGIC 7 | BIONZ XR |
DXO Sensor Quality (score) | 85 | 97 |
DXO Color Depth (bits) | 24.4 | 25.4 |
DXO Dynamic Range (EV) | 11.9 | 14.7 |
DXO Low Light (ISO) | 2862 | 3379 |
Screen Specs | Canon 6D Mark II | Sony A7 IV |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 98% | 100% |
Viewfinder Magnification | 0.72x | 0.78x |
Viewfinder Resolution | 3686k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1037k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon 6D Mark II | Sony A7 IV |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 6.5 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 200 000 actuations |
Electronic Shutter | no E-Shutter | YES |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CFexA or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Canon 6D Mark II | Sony A7 IV |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | mini HDMI | full HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Geotagging | GPS built-in | no internal GPS |
Body Specs | Canon 6D Mark II | Sony A7 IV |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon LP-E6N | Sony NP-FZ100 |
Battery Life (CIPA) | 1200 shots per charge | 580 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
144 x 111 x 75 mm (5.7 x 4.4 x 3.0 in) |
131 x 96 x 80 mm (5.2 x 3.8 x 3.1 in) |
Camera Weight | 765 g (27.0 oz) | 659 g (23.2 oz) |
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