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Canon 6D Mark II vs Panasonic GX7

The Canon EOS 6D Mark II and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were officially introduced, respectively, in June 2017 and August 2013. The 6D Mark II is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (GX7) sensor. The Canon has a resolution of 26 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Panasonic GX7

The physical size and weight of the Canon 6D Mark II and the Panasonic GX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 6D Mark II – represents 100 percent across all the size and weight measures).

Compare Canon 6D Mark II and Panasonic GX7
Compare 6D Mark II versus GX7 top
Compare 6D Mark II or GX7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (45 percent) than the Canon 6D Mark II. Moreover, the GX7 is substantially lighter (47 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the GX7 can take 350 images on a single charge of its DMW-BLG10 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II» 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Panasonic GX7« 4.8 in 2.8 in 2.2 in 14.2 oz 350 n Aug 2013 999- i Panasonic GX7
Canon R« » 5.5 in 3.9 in 3.3 in 23.3 oz 370 Y Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Nikon D750« » 5.6 in 4.4 in 3.1 in 26.5 oz 1230 Y Sep 2014 2,299 i i Nikon D750
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
Olympus E-M10« » 4.7 in 3.2 in 1.8 in 14.0 oz 320 n Jan 2014 699- i Olympus E-M10
Olympus E-P5« » 4.8 in 2.7 in 1.5 in 14.8 oz 330 n May 2013 999- i Olympus E-P5
Panasonic G85« » 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX7 was launched at a markedly lower price (by 50 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 6D Mark II vs Panasonic GX7

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.

Canon 6D Mark II and Panasonic GX7 sensor measures

With 26MP, the 6D Mark II offers a higher resolution than the GX7 (15.8MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.77μm for the GX7) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 3 years and 10 months) than the GX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition during video recording.

6D Mark II versus GX7 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the GX7, with an overall score that is 15 points higher. This advantage is based on 1.8 bits higher color depth, 0.3 EV of lower dynamic range, and 2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 6D Mark II» Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Panasonic GX7« Four Thirds 15.8 4592 34481080/60p22.612.271870Panasonic GX7
Canon R« » Full Frame 30.1 6720 44804K/30p----Canon R
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Nikon D750« » Full Frame 24.2 6016 40161080/60p24.814.5295693Nikon D750
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
Olympus E-M10« » Four Thirds 15.9 4608 34561080/30p22.812.388472Olympus E-M10
Olympus E-P5« » Four Thirds 15.9 4608 34561080/30p22.812.489572Olympus E-P5
Panasonic G85« » Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

 

Feature comparison: Canon 6D Mark II vs Panasonic GX7

Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Panasonic GX7, and comparable cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
built-in
Flash
(yes/no)
built-in
Image
Stab
Camera
Model
Canon 6D Mark II»optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Panasonic GX7«2760 n 3.0 1040 tilting Y 8000 5.0 Y Y Panasonic GX7
Canon R« »3690 n 3.2 2100 swivel Y 8000 8.0 n n Canon R
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Nikon D750« »optical Y 3.2 1229 tilting n 4000 6.0 Y n Nikon D750
Nikon D610« »optical Y 3.2 921 fixed n 4000 6.0 Y n Nikon D610
Nikon D600« »optical Y 3.0 921 fixed n 4000 5.5 Y n Nikon D600
Olympus E-M10« »1440 n 3.0 1037 tilting Y 4000 8.0 Y Y Olympus E-M10
Olympus E-P5« »- n 3.0 1037 tilting Y 8000 9.0 Y Y Olympus E-P5
Panasonic G85« »2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Panasonic GX85« »2765 n 3.0 1040 tilting Y 4000 8.0 Y Y Panasonic GX85
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III

One feature that is present on the 6D Mark II, but is missing on the GX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX7 does not have a selfie-screen.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GX7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

Concerning the storage of imaging data, both the 6D Mark II and the GX7 write their files to SDXC cards.

I-O connection comparison: Canon 6D Mark II vs Panasonic GX7

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 6D Mark II»YstereomonoY-mini2.0YYYCanon 6D Mark II
Panasonic GX7«Ystereomono--mini2.0YY-Panasonic GX7
Canon R« »YstereomonoY-mini3.1Y-YCanon R
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Nikon D750« »YstereomonoYYmini2.0Y--Nikon D750
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
Olympus E-M10« »Ystereomono--micro2.0Y--Olympus E-M10
Olympus E-P5« »Ystereomono--micro2.0Y--Olympus E-P5
Panasonic G85« »YstereomonoY-micro2.0Y--Panasonic G85
Panasonic GX85« »Ystereomono--micro2.0Y--Panasonic GX85
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III

The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the GX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX7 was succeeded by the Panasonic GX85.


Review summary: Canon 6D Mark II vs Panasonic GX7

So how do things add up? Is the Canon 6D Mark II better than the Panasonic GX7 or vice versa? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Canon EOS 6D Mark II:

  • More detail: Offers more megapixels (26 vs 15.8MP) with a 31% higher linear resolution.
  • Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
  • Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More modern: Reflects 3 years and 10 months of technical progress since the GX7 launch.

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Reasons to prefer the Panasonic Lumix DMC-GX7:

  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (123x71mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 363g or 47 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in August 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (15 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

6D Mark II 15:10 GX7

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 6D Mark II and the GX7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Canon 6D Mark II vs Panasonic GX7

This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II»Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Panasonic GX7«Rec79/1005/54.5/55/5 Aug 2013 999- i Panasonic GX7
Canon R« »rev79/1004.5/54/54/5 Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Nikon D750« »HiRec90/1004.5/55/54.5/5 Sep 2014 2,299 i i Nikon D750
Nikon D610« »HiRec87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
Nikon D600« »HiRec87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
Olympus E-M10« »-80/1005/54.5/55/5 Jan 2014 699- i Olympus E-M10
Olympus E-P5« »HiRec78/1004.5/54.5/55/5 May 2013 999- i Olympus E-P5
Panasonic G85« »HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Panasonic GX85« »HiRec82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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