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Canon 6D Mark II versus Panasonic GX7

The Canon EOS 6D Mark II and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were announced, respectively, in June 2017 and August 2013. The 6D Mark II is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (GX7) sensor. The Canon has a resolution of 26 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Panasonic GX7

The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Panasonic GX7. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 6D Mark II – represents 100 percent across all the size and weight measures).

Compare Canon 6D Mark II vs Panasonic GX7
6D Mark II versus GX7 top view
6D Mark II and GX7 rear side
Body view (6D Mark II on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (45 percent) than the Canon 6D Mark II. Moreover, the GX7 is substantially lighter (47 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the GX7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the GX7 can take 350 images on a single charge of its DMW-BLG10 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Canon 6D Mark II (⇒ rgt) 144 mm 111 mm 75 mm 765 g 1200 YES 2017 1,999 latest check
Panasonic GX7 (⇒ lft) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Canon 5D Mark IV (⇒ lft | rgt) 151 mm 116 mm 76 mm 890 g 900 YES 2016 3,499 latest check
Canon 80D (⇒ lft | rgt) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 7D II (⇒ lft | rgt) 149 mm 112 mm 78 mm 910 g 670 YES 2014 1,799 latest check
Canon 6D (⇒ lft | rgt) 145 mm 111 mm 71 mm 770 g 1090 YES 2012 2,099discont. check
Canon 5D Mark III (⇒ lft | rgt) 152 mm 116 mm 76 mm 950 g 950 YES 2012 3,499discont. check
Canon 5D Mark II (⇒ lft | rgt) 152 mm 114 mm 75 mm 850 g 850 YES 2008 3,499discont. check
Nikon D750 (⇒ lft | rgt) 141 mm 113 mm 78 mm 750 g 1230 YES 2014 2,299 latest check
Nikon D610 (⇒ lft | rgt) 141 mm 113 mm 82 mm 850 g 900 YES 2013 1,999 latest check
Nikon D600 (⇒ lft | rgt) 141 mm 113 mm 82 mm 850 g 900 YES 2012 2,099discont. check
Olympus E-PL7 (⇒ lft | rgt) 115 mm 67 mm 38 mm 357 g 350 no 2014 599discont. check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) 122 mm 69 mm 37 mm 420 g 330 no 2013 999discont. check
Panasonic GX80 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Panasonic GX1 (⇒ lft | rgt) 116 mm 68 mm 39 mm 318 g 320 no 2011 949discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX7 was launched at a markedly lower price (by 50 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Canon 6D Mark II vs Panasonic GX7

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.

Canon 6D Mark II and Panasonic GX7 sensor measures
Sensor size

With 26MP, the 6D Mark II offers a higher resolution than the GX7 (15.8MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.77μm for the GX7) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 3 years and 10 months) than the GX7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

6D Mark II versus GX7 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the GX7, with an overall score that is 15 points higher. This advantage is based on 1.8 bits higher color depth, 0.3 EV of lower dynamic range, and 2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Canon 6D Mark II (⇒ rgt) Full Frame 26.0 6240 4160 1080/60p 24.4 11.9 2862 85
Panasonic GX7 (⇒ lft) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Canon 5D Mark IV (⇒ lft | rgt) Full Frame 30.1 6720 4480 4K/30p 24.8 13.6 2995 91
Canon 80D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 7D II (⇒ lft | rgt) APS-C 20.0 5472 3648 1080/60p 22.4 11.8 1082 70
Canon 6D (⇒ lft | rgt) Full Frame 20.0 5472 3648 1080/30p 23.8 12.1 2340 82
Canon 5D Mark III (⇒ lft | rgt) Full Frame 22.1 5760 3840 1080/30p 24 11.7 2293 81
Canon 5D Mark II (⇒ lft | rgt) Full Frame 21.0 5616 3744 1080/30p 23.7 11.9 1815 79
Nikon D750 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/60p 24.8 14.5 2956 93
Nikon D610 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/30p 25.1 14.4 2925 94
Nikon D600 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/30p 25.1 14.2 2980 94
Olympus E-PL7 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.7 12.4 873 72
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-P5 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.4 895 72
Panasonic GX80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Panasonic GX1 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 20.8 10.6 703 55

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison: Canon 6D Mark II vs Panasonic GX7

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 6D Mark II and Panasonic GX7 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Canon 6D Mark II (⇒ rgt) optical YES 3.0 1040 swivel YES 4000 6.5 no no
Panasonic GX7 (⇒ lft) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Canon 5D Mark IV (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 7.0 no no
Canon 80D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 7D II (⇒ lft | rgt) optical YES 3.0 1040 fixed no 8000 10.0 11 no
Canon 6D (⇒ lft | rgt) optical YES 3.0 1040 fixed no 4000 4.5 no no
Canon 5D Mark III (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 6.0 no no
Canon 5D Mark II (⇒ lft | rgt) optical YES 3.0 920 fixed no 8000 3.9 no no
Nikon D750 (⇒ lft | rgt) optical YES 3.2 1229 tilting no 4000 6.0 12 no
Nikon D610 (⇒ lft | rgt) optical YES 3.2 921 fixed no 4000 6.0 12 no
Nikon D600 (⇒ lft | rgt) optical YES 3.0 921 fixed no 4000 5.5 12 no
Olympus E-PL7 (⇒ lft | rgt) no no 3.0 1037 tilting YES 4000 8.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-P5 (⇒ lft | rgt) no no 3.0 1037 tilting YES 8000 9.0 7 YES
Panasonic GX80 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Panasonic GX1 (⇒ lft | rgt) no no 3.0 460 fixed YES 4000 4.2 7.6 no

The 6D Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the GX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX7 was succeeded by the Panasonic GX85.

Review summary: Canon 6D Mark II vs Panasonic GX7

So what is the bottom line? Which of the two cameras – the Canon 6D Mark II or the Panasonic GX7 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Arguments in favor of the Canon EOS 6D Mark II:

  • More detail: Offers more megapixels (26 vs 15.8MP) with a 31% higher linear resolution.
  • Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
  • Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • More modern: Reflects 3 years and 10 months of technical progress since the GX7 launch.

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Advantages of the Panasonic Lumix DMC-GX7:

  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • More compact: Is smaller (123x71mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 363g or 47 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in August 2013).

If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II emerges as the winner of the contest (11 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

6D Mark II 11:09 GX7

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the GX7 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Canon 6D Mark II (⇒ rgt) Rec 80/100 4.5/5 4/5 4/5 2017 1,999 latest check
Panasonic GX7 (⇒ lft) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Canon 5D Mark IV (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 5/5 4.5/5 2016 3,499 latest check
Canon 80D (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 7D II (⇒ lft | rgt) Rec 84/100 Silver 4/5 5/5 4.5/5 2014 1,799 latest check
Canon 6D (⇒ lft | rgt) HiRec 83/100 Silver 4.5/5 4.5/5 4.5/5 2012 2,099discont. check
Canon 5D Mark III (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 5/5 4.5/5 2012 3,499discont. check
Canon 5D Mark II (⇒ lft | rgt) 91/100 79/100 HiRec 4/5 5/5 - 2008 3,499discont. check
Nikon D750 (⇒ lft | rgt) HiRec 90/100 Gold 4.5/5 5/5 4.5/5 2014 2,299 latest check
Nikon D610 (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,999 latest check
Nikon D600 (⇒ lft | rgt) HiRec 87/100 Gold 5/5 4.5/5 4.5/5 2012 2,099discont. check
Olympus E-PL7 (⇒ lft | rgt) Rec - 5/5 4.5/5 4/5 2014 599discont. check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4.5/5 5/5 2013 999discont. check
Panasonic GX80 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Panasonic GX1 (⇒ lft | rgt) 85/100 Rec 77/100 Silver 4.5/5 4.5/5 4.5/5 2011 949discont. check

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.

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