Canon 6D Mark II vs Leica S Typ 007
The Canon EOS 6D Mark II and the Leica S (Typ 007) are two digital cameras that were announced, respectively, in June 2017 and September 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (6D Mark II) and a medium format (S Typ 007) sensor. The Canon has a resolution of 26 megapixels, whereas the Leica provides 37.5 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 6D Mark II||Leica S Typ 007|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Leica S mount lenses|
|26 MP, Full Frame Sensor||37.5 MP, Medium Format Sensor|
|1080/60p Video||4K/24p Video|
|ISO 100-40000 (50-102400)||ISO 100-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|6.5 shutter flaps per second||3.5 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|144 x 111 x 75 mm, 765 g||160 x 120 x 80 mm, 1260 g|
Body comparison: Canon 6D Mark II vs Leica S Typ 007
The physical size and weight of the Canon 6D Mark II and the Leica S Typ 007 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S Typ 007 is notably larger (20 percent) than the Canon 6D Mark II. Moreover, the S Typ 007 is substantially heavier (65 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 6D Mark II»||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Leica S Typ 007«||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Canon R« »||5.4 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||24,490||Leica S3|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Leica S-E Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||-||Leica S2|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 6D Mark II was launched at a markedly lower price (by 92 percent) than the S Typ 007, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 6D Mark II vs Leica S Typ 007
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Leica S Typ 007 a medium format sensor. The sensor area in the S Typ 007 is 57 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.8. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 37.5MP, the S Typ 007 offers a higher resolution than the 6D Mark II (26MP), but the S Typ 007 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 5.76μm for the 6D Mark II) due to its larger sensor. However, the 6D Mark II is a much more recent model (by 2 years and 9 months) than the S Typ 007, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S Typ 007 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica S (Typ 007) are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 6D Mark II»||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Leica S Typ 007«||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-||Leica S Typ 007|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||-||-||-||-||Canon R|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Leica S3« »||Medium Format||64.0||9800||6533||4K/24p||-||-||-||-||Leica S3|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Leica S-E Typ 006« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S-E Typ 006|
|Leica S Typ 006« »||Medium Format||37.5||7500||5000||-||23.9||12.2||824||76||Leica S Typ 006|
|Leica S2« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S2|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S Typ 007 provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/24p, while the Canon is limited to 1080/60p.
Feature comparison: Canon 6D Mark II vs Leica S Typ 007
Apart from body and sensor, cameras can and do differ across a variety of features. The 6D Mark II and the S Typ 007 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Leica S Typ 007 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II»||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Leica S Typ 007«||optical||Y||3.0||922||fixed||n||4000||3.5||n||n||Leica S Typ 007|
|Canon R« »||3690||Y||3.2||2100||swivel||Y||8000||8.0||n||n||Canon R|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Leica S3« »||optical||Y||3.0||922||fixed||n||4000||3.0||n||n||Leica S3|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||8000||11.0||n||n||Leica SL|
|Leica S-E Typ 006« »||optical||Y||3.0||922||fixed||n||4000||1.5||n||n||Leica S-E Typ 006|
|Leica S Typ 006« »||optical||Y||3.0||922||fixed||n||4000||1.5||n||n||Leica S Typ 006|
|Leica S2« »||optical||Y||3.0||460||fixed||n||4000||1.5||n||n||Leica S2|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n||Nikon D750|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||4000||5.5||Y||n||Nikon D600|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 6D Mark II has a touchscreen, while the S Typ 007 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S Typ 007 does not have a selfie-screen.
The 6D Mark II writes its imaging data to SDXC cards, while the S Typ 007 uses Compact Flash or SDXC cards. The S Typ 007 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot.
Connectivity comparison: Canon 6D Mark II vs Leica S Typ 007
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Leica S (Typ 007) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 6D Mark II»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Leica S Typ 007«||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Canon R« »||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Canon R|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Leica S3« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Leica S-E Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Leica S2« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S2|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
It is notable that the S Typ 007 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D Mark II lacks such a headphone port.
Studio photographers will appreciate that the Leica S Typ 007 (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 6D Mark II and the S Typ 007 are recent models that feature in their makers' current product line-up. The S Typ 007 replaced the earlier Leica S Typ 006, while the 6D Mark II followed on from the Canon 6D.
Review summary: Canon 6D Mark II vs Leica S Typ 007
So what conclusions can be drawn? Which of the two cameras – the Canon 6D Mark II or the Leica S Typ 007 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 3.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (144x111mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 495g or 39 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 2 years and 9 months of technical progress since the S Typ 007 launch.
Advantages of the Leica S (Typ 007):
- More detail: Has more megapixels (37.5 vs 26MP), which boosts linear resolution by 20%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II is the clear winner of the match-up (13 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the S Typ 007 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 6D Mark II vs Leica S Typ 007
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 6D Mark II»||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Leica S Typ 007«||-||-||-||-||-||Sep 2014||24,490||Leica S Typ 007|
|Canon R« »||rev||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Leica S3« »||-||-||-||-||-||Sep 2018||24,490||Leica S3|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Leica S-E Typ 006« »||-||-||-||-||-||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 006« »||-||-||-||-||-||Sep 2012||21,950||-||Leica S Typ 006|
|Leica S2« »||-||-||-||-||-||Sep 2008||22,995||-||Leica S2|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||HiRec||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Specifications: Canon 6D Mark II vs Leica S Typ 007
|Camera Model||Canon 6D Mark II||Leica S Typ 007|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Leica S mount lenses|
|Launch Date||June 2017||September 2014|
|Launch Price||USD 1999||USD 24490|
|Sensor Format||Full Frame Sensor||Medium Format Sensor|
|Sensor Size||35.9 x 24.0 mm||45.0 x 24.0 mm|
|Sensor Area||861.6 mm2||1350 mm2|
|Sensor Diagonal||43.2 mm||54.1 mm|
|Sensor Resolution||26 Megapixels||37.5 Megapixels|
|Image Resolution||6240 x 4160 pixels||7500 x 5000 pixels|
|Pixel Pitch||5.76 μm||6.00 μm|
|Pixel Density||3.01 MP/cm2||2.78 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/24p Video|
|ISO Setting||100-40000 ISO||100-6400 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|Image Processor||DIGIC 7||Maestro II|
|DXO Sensor Quality (score)||85||..|
|DXO Color Depth (bits)||24.4||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||2862||..|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%||98%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||6.5 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||BP-PRO1 power pack|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
|Camera Weight||765 g (27.0 oz)||1260 g (44.4 oz)|
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