Canon 6D Mark II vs Leica M Typ 240
The Canon EOS 6D Mark II and the Leica M (Typ 240) are two enthusiast cameras that were officially introduced, respectively, in June 2017 and September 2012. The 6D Mark II is a DSLR, while the M Typ 240 is a rangefinder-style mirrorless camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 26 megapixels, whereas the Leica provides 23.7 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 6D Mark II||Leica M Typ 240|
|Digital single lens reflex||Rangefinder camera|
|Canon EF mount lenses||Leica M mount lenses|
|26 MP, Full Frame Sensor||23.7 MP, Full Frame Sensor|
|1080/60p Video||1080/25p Video|
|ISO 100-40000 (50-102400)||ISO 200-6400|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|6.5 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|144 x 111 x 75 mm, 765 g||139 x 80 x 42 mm, 680 g|
Body comparison: Canon 6D Mark II vs Leica M Typ 240
The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Leica M Typ 240. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M Typ 240 is considerably smaller (30 percent) than the Canon 6D Mark II. Moreover, the M Typ 240 is markedly lighter (11 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Leica M Lens Catalog (M Typ 240).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 6D Mark II»||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Leica M Typ 240«||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||-||Leica M Typ 240|
|Canon R« »||5.4 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||n||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Nov 2015||5,195||-||Leica M Typ 262|
|Leica M9« »||5.5 in||3.1 in||1.5 in||20.6 oz||..||n||Sep 2009||7,999||-||Leica M9|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 6D Mark II was launched at a markedly lower price (by 71 percent) than the M Typ 240, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 6D Mark II vs Leica M Typ 240
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the M Typ 240 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 26MP, the 6D Mark II offers a higher resolution than the M Typ 240 (23.7MP), but the 6D Mark II has smaller individual pixels (pixel pitch of 5.76μm versus 6.01μm for the M Typ 240). However, the 6D Mark II is a somewhat more recent model (by 4 years and 9 months) than the M Typ 240, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica M (Typ 240) are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-6400..
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 6D Mark II»||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Leica M Typ 240«||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||-||-||-||-||Canon R|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica M Typ 262« »||Full Frame||23.7||5952||3976||-||-||-||-||-||Leica M Typ 262|
|Leica M9« »||Full Frame||18.1||5212||3472||-||22.5||11.7||884||69||Leica M9|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 6D Mark II provides a higher frame rate than the M Typ 240. It can shoot video footage at 1080/60p, while the Leica is limited to 1080/25p.
Feature comparison: Canon 6D Mark II vs Leica M Typ 240
Apart from body and sensor, cameras can and do differ across a range of features. The 6D Mark II and the M Typ 240 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 6D Mark II, the Leica M Typ 240, and comparable cameras.
|Canon 6D Mark II»||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Leica M Typ 240«||optical||n||3.0||920||fixed||n||4000||3.0||n||n||Leica M Typ 240|
|Canon R« »||3690||Y||3.2||2100||swivel||Y||8000||8.0||n||n||Canon R|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Leica M10« »||optical||n||3.0||1037||fixed||n||4000||5.0||n||n||Leica M10|
|Leica M Typ 262« »||optical||n||3.0||921||fixed||n||4000||3.0||n||n||Leica M Typ 262|
|Leica M9« »||optical||n||2.5||230||fixed||n||4000||2.0||n||n||Leica M9|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n||Nikon D750|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||4000||5.5||Y||n||Nikon D600|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
One feature that is present on the 6D Mark II, but is missing on the M Typ 240 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the M Typ 240 does not have a selfie-screen.
Concerning the storage of imaging data, both the 6D Mark II and the M Typ 240 write their files to SDXC cards.
Connectivity comparison: Canon 6D Mark II vs Leica M Typ 240
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Leica M (Typ 240) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 6D Mark II»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Leica M Typ 240«||Y||stereo||mono||-||-||-||2.0||Y||-||-||Leica M Typ 240|
|Canon R« »||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Canon R|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica M Typ 262« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M Typ 262|
|Leica M9« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M9|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
It is notable that the 6D Mark II has a microphone port, which is missing on the M Typ 240. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the M Typ 240 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M Typ 240 was succeeded by the Leica M Typ 262.
Review summary: Canon 6D Mark II vs Leica M Typ 240
So what conclusions can be drawn? Is there a clear favorite between the Canon 6D Mark II and the Leica M Typ 240? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 23.7MP) with a 5% higher linear resolution.
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/25p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.5 vs 3 flaps/sec) to capture the decisive moment.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More modern: Reflects 4 years and 9 months of technical progress since the M Typ 240 launch.
Reasons to prefer the Leica M (Typ 240):
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- More compact: Is smaller (139x80mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 85g or 11 percent) and is thus easier to take along.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II is the clear winner of the match-up (15 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 6D Mark II and the M Typ 240 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 6D Mark II vs Leica M Typ 240
This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 6D Mark II»||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Leica M Typ 240«||-||-||4/5||-||-||Sep 2012||6,950||-||Leica M Typ 240|
|Canon R« »||rev||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica M Typ 262« »||-||-||-||-||-||Nov 2015||5,195||-||Leica M Typ 262|
|Leica M9« »||-||-||4.5/5||4.5/5||-||Sep 2009||7,999||-||Leica M9|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||HiRec||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Panasonic G85 vs Leica T
- Panasonic GX800 vs Panasonic GX9
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- Zeiss ZX1 vs Nikon D7100
Specifications: Canon 6D Mark II vs Leica M Typ 240
|Camera Model||Canon 6D Mark II||Leica M Typ 240|
|Camera Type||Digital single lens reflex||Rangefinder camera|
|Camera Lens||Canon EF mount lenses||Leica M mount lenses|
|Launch Date||June 2017||September 2012|
|Launch Price||USD 1999||USD 6950|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 24.0 mm||35.8 x 24.0 mm|
|Sensor Area||861.6 mm2||855.62 mm2|
|Sensor Diagonal||43.2 mm||43 mm|
|Sensor Resolution||26 Megapixels||23.7 Megapixels|
|Image Resolution||6240 x 4160 pixels||5952 x 3976 pixels|
|Pixel Pitch||5.76 μm||6.01 μm|
|Pixel Density||3.01 MP/cm2||2.77 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/25p Video|
|ISO Setting||100-40000 ISO||200-6400 ISO|
|ISO Boost||50-102400 ISO||100-6400 ISO|
|DXO Sensor Quality (score)||85||84|
|DXO Color Depth (bits)||24.4||24.0|
|DXO Dynamic Range (EV)||11.9||13.3|
|DXO Low Light (ISO)||2862||1860|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||6.5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||BP-SCL2 power pack|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
|Camera Weight||765 g (27.0 oz)||680 g (24.0 oz)|
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