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Canon 6D Mark II vs Fujifilm X-Pro3

The Canon EOS 6D Mark II and the Fujifilm X-Pro3 are two enthusiast cameras that were revealed to the public, respectively, in June 2017 and October 2019. The 6D Mark II is a DSLR, while the X-Pro3 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and an APS-C (X-Pro3) sensor. Both cameras offer a resolution of 26 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon 6D Mark II
versus
Fujifilm X-Pro3
Canon 6D Mark II Fujifilm X-Pro3
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm X mount lenses
26 MP, Full Frame Sensor 26 MP, APS-C Sensor
1080/60p Video 4K/30p Video
ISO 100-40,000 (50 - 102,400) ISO 160-12,800 (80 - 51,200)
Optical viewfinder Electronic viewfinder (3690k dots)
3.0 LCD, 1040k dots 3.0 LCD, 1620k dots
Swivel touchscreen Tilting touchscreen
6.5 shutter flaps per second 8 shutter flaps per second
Weathersealed bodyWeathersealed body
1200 shots per battery charge440 shots per battery charge
144 x 111 x 75 mm, 765 g 141 x 83 x 46 mm, 497 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Fujifilm X-Pro3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 6D Mark II and the Fujifilm X-Pro3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The X-Pro3 can be obtained in two different colors (black, silver), while the 6D Mark II is only available in black.

Size Canon 6D Mark II vs Fujifilm X-Pro3
Compare 6D Mark II versus X-Pro3 top
Comparison 6D Mark II or X-Pro3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro3 is notably smaller (27 percent) than the Canon 6D Mark II. Moreover, the X-Pro3 is substantially lighter (35 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Fujinon X Lens Catalog (X-Pro3). Mirrorless cameras, such as the X-Pro3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the X-Pro3 can take 440 images on a single charge of its NP-W126S power pack. The power pack in the X-Pro3 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
2.
 
Fujifilm X-Pro3 141 mm 83 mm 46 mm 497 g 440 Y Oct 2019 1,799 i
3.
 
Canon R 139 mm 98 mm 84 mm 660 g 370 Y Sep 2018 2,299 i
4.
 
Canon 5D Mark IV 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i
5.
 
Canon 80D 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199 i
6.
 
Canon 5D Mark III 152 mm 116 mm 76 mm 950 g 950 Y Mar 2012 3,499 i
7.
 
Canon 6D 145 mm 111 mm 71 mm 770 g 1090 Y Sep 2012 2,099 i
8.
 
Canon 5D Mark II 152 mm 114 mm 75 mm 850 g 850 Y Sep 2008 3,499 i
9.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
10.
 
Fujifilm X-T3 133 mm 93 mm 59 mm 539 g 390 Y Sep 2018 1,499 i
11.
 
Fujifilm X-H1 140 mm 97 mm 86 mm 673 g 310 Y Feb 2018 1,899 i
12.
 
Fujifilm X-Pro2 141 mm 83 mm 46 mm 495 g 350 Y Jan 2016 1,699 i
13.
 
Fujifilm X-T2 133 mm 92 mm 49 mm 507 g 340 Y Jul 2016 1,599 i
14.
 
Nikon D750 141 mm 113 mm 78 mm 750 g 1230 Y Sep 2014 2,299 i
15.
 
Nikon D610 141 mm 113 mm 82 mm 850 g 900 Y Oct 2013 1,999 i
16.
 
Nikon D600 141 mm 113 mm 82 mm 850 g 900 Y Sep 2012 2,099 i
17.
 
Sony A7 III 127 mm 96 mm 74 mm 650 g 610 Y Feb 2018 1,999 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro3 was somewhat cheaper (by 10 percent) than the 6D Mark II at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

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Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Fujifilm X-Pro3 an APS-C sensor. The sensor area in the X-Pro3 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Canon 6D Mark II and Fujifilm X-Pro3 sensor measures

Even though the 6D Mark II has a larger sensor, both cameras offer the same resolution of 26 megapixels. This implies that the 6D Mark II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.76μm versus 3.76μm for the X-Pro3), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the X-Pro3 is much more recent (by 2 years and 3 months) than the 6D Mark II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-Pro3 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

6D Mark II versus X-Pro3 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.92862 85
2.
 
Fujifilm X-Pro3 APS-C 26.0 6240 41604K/30p...... ..
3.
 
Canon R Full Frame 30.1 6720 44804K/30p24.513.52742 89
4.
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.62995 91
5.
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.21135 79
6.
 
Canon 5D Mark III Full Frame 22.1 5760 38401080/30p24.011.72293 81
7.
 
Canon 6D Full Frame 20.0 5472 36481080/30p23.812.12340 82
8.
 
Canon 5D Mark II Full Frame 21.0 5616 37441080/30p23.711.91815 79
9.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p...... ..
10.
 
Fujifilm X-T3 APS-C 26.0 6240 41604K/60p...... ..
11.
 
Fujifilm X-H1 APS-C 24.0 6000 40004K/30p...... ..
12.
 
Fujifilm X-Pro2 APS-C 24.0 6000 40001080/60p...... ..
13.
 
Fujifilm X-T2 APS-C 24.0 6000 40004K/30p...... ..
14.
 
Nikon D750 Full Frame 24.2 6016 40161080/60p24.814.52956 93
15.
 
Nikon D610 Full Frame 24.2 6016 40161080/30p25.114.42925 94
16.
 
Nikon D600 Full Frame 24.2 6016 40161080/30p25.114.22980 94
17.
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.73730 96

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro3 provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro3 has an electronic viewfinder (3690k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the 6D Mark II offers a wider field of view (98%) than the one in the X-Pro3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.52x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Fujifilm X-Pro3 in connection with corresponding information for a sample of similar cameras.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n
2.
 
Fujifilm X-Pro33690 n 3.0 1620 tilting Y 1/8000s 8.0 n n
3.
 
Canon R3690 Y 3.2 2100 swivel Y 1/8000s 8.0 n n
4.
 
Canon 5D Mark IVoptical Y 3.2 1620 fixed Y 1/8000s 7.0 n n
5.
 
Canon 80Doptical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n
6.
 
Canon 5D Mark IIIoptical Y 3.2 1040 fixed n 1/8000s 6.0 n n
7.
 
Canon 6Doptical Y 3.0 1040 fixed n 1/4000s 4.5 n n
8.
 
Canon 5D Mark IIoptical Y 3.0 920 fixed n 1/8000s 3.9 n n
9.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
10.
 
Fujifilm X-T33690 n 3.0 1040 tilting Y 1/8000s 11.0 n n
11.
 
Fujifilm X-H13690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y
12.
 
Fujifilm X-Pro22360 n 3.0 1620 fixed n 1/8000s 8.0 n n
13.
 
Fujifilm X-T22360 n 3.0 1040 tilting n 1/8000s 8.0 n n
14.
 
Nikon D750optical Y 3.2 1229 tilting n 1/4000s 6.0 Y n
15.
 
Nikon D610optical Y 3.2 921 fixed n 1/4000s 6.0 Y n
16.
 
Nikon D600optical Y 3.0 921 fixed n 1/4000s 5.5 Y n
17.
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y

One feature that is present on the 6D Mark II, but is missing on the X-Pro3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro3 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 6D Mark II and the Fujifilm X-Pro3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 6D Mark II and the X-Pro3 write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot. The X-Pro3 supports UHS-II cards (on both slots), while the 6D Mark II can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Fujifilm X-Pro3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Canon 6D Mark IIYstereomonoY-mini2.0YYY
2.
 
Fujifilm X-Pro3YstereomonoY--3.1Y-Y
3.
 
Canon RYstereomonoYYmini3.1Y-Y
4.
 
Canon 5D Mark IVYmonomonoYYmini3.0YY-
5.
 
Canon 80DYstereomonoYYmini2.0YY-
6.
 
Canon 5D Mark IIIYmonomonoYYmini2.0---
7.
 
Canon 6DYmonomonoY-mini2.0Y--
8.
 
Canon 5D Mark IIYmonomonoY-mini2.0---
9.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
10.
 
Fujifilm X-T3YstereomonoYYmicro3.1Y-Y
11.
 
Fujifilm X-H1YstereomonoY-micro3.0Y--
12.
 
Fujifilm X-Pro2YstereomonoY-micro2.0Y--
13.
 
Fujifilm X-T2YstereomonoY-micro3.0Y--
14.
 
Nikon D750YstereomonoYYmini2.0Y--
15.
 
Nikon D610YmonomonoYYmini2.0---
16.
 
Nikon D600YmonomonoYYmini2.0---
17.
 
Sony A7 IIIYstereomonoYYmicro3.1YYY

Studio photographers will appreciate that the Fujifilm X-Pro3 (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the 6D Mark II and the X-Pro3 are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the X-Pro3 followed on from the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.

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Review summary

So how do things add up? Is the Canon 6D Mark II better than the Fujifilm X-Pro3 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Canon EOS 6D Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.52x).
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Longer lasting: Can take more shots (1200 versus 440) on a single battery charge.
  • Easier geotagging: Features an internal GPS sensor to log localization data.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More heavily discounted: Has been available for much longer (launched in June 2017).

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Advantages of the Fujifilm X-Pro3:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (141x83mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 268g or 35 percent) and is thus easier to take along.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 2 years and 3 months of technical progress since the 6D Mark II launch.

If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro3 comes out slightly ahead of the 6D Mark II (16 : 15 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

6D Mark II 15:16 X-Pro3

How about other alternatives? Do the specifications of the Canon 6D Mark II and the Fujifilm X-Pro3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the X-Pro3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Canon 6D Mark II4/5+80/1004.5/54/5 Jun 2017 1,999 i
2.
 
Fujifilm X-Pro34/5+85/1004/5.. Oct 2019 1,799 i
3.
 
Canon R4/5o79/1004.5/54/5 Sep 2018 2,299 i
4.
 
Canon 5D Mark IV4.5/5+ +87/1004.5/54.5/5 Aug 2016 3,499 i
5.
 
Canon 80D4/5+ +84/1004.5/54.5/5 Feb 2016 1,199 i
6.
 
Canon 5D Mark III..+ +82/1004.5/54.5/5 Mar 2012 3,499 i
7.
 
Canon 6D5/5+ +83/1004.5/54.5/5 Sep 2012 2,099 i
8.
 
Canon 5D Mark II4/591/10079/1004/5.. Sep 2008 3,499 i
9.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
10.
 
Fujifilm X-T35/5+ +88/1005/55/5 Sep 2018 1,499 i
11.
 
Fujifilm X-H1..+86/1004.5/54.5/5 Feb 2018 1,899 i
12.
 
Fujifilm X-Pro2..+83/1004.5/54.5/5 Jan 2016 1,699 i
13.
 
Fujifilm X-T25/5+ +86/1004.5/55/5 Jul 2016 1,599 i
14.
 
Nikon D7505/5+ +90/1004.5/54.5/5 Sep 2014 2,299 i
15.
 
Nikon D6104/5+ +87/1004.5/54.5/5 Oct 2013 1,999 i
16.
 
Nikon D6004/5+ +87/1005/54.5/5 Sep 2012 2,099 i
17.
 
Sony A7 III..+ +89/1005/55/5 Feb 2018 1,999 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Canon 6D Mark II:
Check Amazon price
Fujifilm X-Pro3:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Canon 6D Mark II vs Fujifilm X-Pro3

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon 6D Mark II Fujifilm X-Pro3
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm X mount lenses
    Launch Date June 2017 October 2019
    Launch Price USD 1,999 USD 1,799
    Sensor Specs Canon 6D Mark II Fujifilm X-Pro3
    Sensor Technology CMOS BSI-CMOS
    Sensor Format Full Frame Sensor APS-C Sensor
    Sensor Size 35.9 x 24.0 mm 23.6 x 15.6 mm
    Sensor Area 861.6 mm2 368.16 mm2
    Sensor Diagonal 43.2 mm 28.3 mm
    Crop Factor 1.0x 1.5x
    Sensor Resolution 26 Megapixels 26 Megapixels
    Image Resolution 6240 x 4160 pixels 6240 x 4160 pixels
    Pixel Pitch 5.76 μm 3.76 μm
    Pixel Density 3.01 MP/cm2 7.05 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 4K/30p Video
    ISO Setting 100 - 40,000 ISO 160 - 12,800 ISO
    ISO Boost 50 - 102,400 ISO 80 - 51,200 ISO
    Image Processor DIGIC 7 X-Processor 4
    DXO Sensor Quality (score) 85 ..
    DXO Color Depth (bits) 24.4 ..
    DXO Dynamic Range (EV) 11.9 ..
    DXO Low Light (ISO) 2862 ..
    Screen Specs Canon 6D Mark II Fujifilm X-Pro3
    Viewfinder Type Optical viewfinder Electronic viewfinder
    Viewfinder Field of View 98% 95%
    Viewfinder Magnification 0.72x 0.52x
    Viewfinder Resolution 3690k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.0inch
    LCD Resolution 1040k dots 1620k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon 6D Mark II Fujifilm X-Pro3
    Focus System Phase-detect AF On-Sensor Phase-detect
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 6.5 shutter flaps/s 8 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/32000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon 6D Mark II Fujifilm X-Pro3
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.1
    HDMI Port mini HDMI no HDMI
    Microphone Port External MIC port External MIC port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication NFC built-in no NFC
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Geotagging GPS built-in no internal GPS
    Body Specs Canon 6D Mark II Fujifilm X-Pro3
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type LP-E6N NP-W126S
    Battery Life (CIPA)1200 shots per charge440 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 144 x 111 x 75 mm
    (5.7 x 4.4 x 3.0 in)
    141 x 83 x 46 mm
    (5.6 x 3.3 x 1.8 in)
    Camera Weight 765 g (27.0 oz) 497 g (17.5 oz)

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    You are here Home  »  CAM-parator  »  Canon 6D Mark II vs Fujifilm X-Pro3

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