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Canon 6D Mark II versus Fujifilm X-E3

The Canon EOS 6D Mark II and the Fujifilm X-E3 are two digital cameras that were officially introduced, respectively, in June 2017 and September 2017. The 6D Mark II is a DSLR, while the X-E3 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and an APS-C (X-E3) sensor. The Canon has a resolution of 26 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Fujifilm X-E3

The physical size and weight of the Canon 6D Mark II and the Fujifilm X-E3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 6D Mark II – represents the basis or 100 percent across all the size and weight measures).

Compare Canon 6D Mark II vs Fujifilm X-E3
Compare 6D Mark II versus X-E3 top
Compare 6D Mark II and X-E3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is considerably smaller (44 percent) than the Canon 6D Mark II. Moreover, the X-E3 is substantially lighter (56 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the X-E3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the X-E3 can take 350 images on a single charge of its NP-W126S power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II» 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-E3« 4.8 in 2.9 in 1.7 in 11.9 oz 350 n Sep 2017 899 i i Fujifilm X-E3
Canon R« » 5.5 in 3.9 in 3.3 in 23.3 oz 370 Y Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Fujifilm X-T20« » 4.6 in 3.3 in 1.6 in 13.5 oz 350 n Jan 2017 899 i i Fujifilm X-T20
Fujifilm X-A3« » 4.6 in 2.6 in 1.6 in 12.0 oz 410 n Aug 2016 399- i Fujifilm X-A3
Fujifilm X-E2S« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Jan 2016 699- i Fujifilm X-E2S
Fujifilm X-T10« » 4.6 in 3.3 in 1.6 in 13.4 oz 350 n May 2015 799- i Fujifilm X-T10
Fujifilm X-E2« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Oct 2013 999- i Fujifilm X-E2
Nikon D750« » 5.6 in 4.4 in 3.1 in 26.5 oz 1230 Y Sep 2014 2,299 i i Nikon D750
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III

Any camera purchase will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-E3 was launched at a markedly lower price (by 55 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Canon 6D Mark II vs Fujifilm X-E3

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Canon 6D Mark II and Fujifilm X-E3 sensor measures

With 26MP, the 6D Mark II offers a slightly higher resolution than the X-E3 (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.92μm for the X-E3) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

6D Mark II versus X-E3 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 6D Mark II» Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Fujifilm X-E3« APS-C 24.0 6000 40004K/30p----Fujifilm X-E3
Canon R« » Full Frame 30.1 6720 44804K/30p----Canon R
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Fujifilm X-T20« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T20
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-E2S« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2S
Fujifilm X-T10« » APS-C 16.0 4896 32641080/60p----Fujifilm X-T10
Fujifilm X-E2« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2
Nikon D750« » Full Frame 24.2 6016 40161080/60p24.814.5295693Nikon D750
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E3 provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.

 

Feature comparison: Canon 6D Mark II vs Fujifilm X-E3

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Fujifilm X-E3 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 6D Mark II»optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Fujifilm X-E3«2360 n 3.0 1040 fixed Y 4000 8.0 n n Fujifilm X-E3
Canon R« »3690 n 3.2 2100 swivel Y 8000 8.0 n n Canon R
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Fujifilm X-T20« »2360 n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X-T20
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-E2S« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2S
Fujifilm X-T10« »2360 n 3.0 920 tilting n 4000 8.0 Y n Fujifilm X-T10
Fujifilm X-E2« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2
Nikon D750« »optical Y 3.2 1229 tilting n 4000 6.0 Y n Nikon D750
Nikon D610« »optical Y 3.2 921 fixed n 4000 6.0 Y n Nikon D610
Nikon D600« »optical Y 3.0 921 fixed n 4000 5.5 Y n Nikon D600
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III

One feature that is present on the 6D Mark II, but is missing on the X-E3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

Both the 6D Mark II and the X-E3 write their imaging data to SDXC cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 6D Mark II»YstereomonoY-mini2.0YYYCanon 6D Mark II
Fujifilm X-E3«YstereomonoY-micro2.0Y-YFujifilm X-E3
Canon R« »YstereomonoY-mini3.1Y-YCanon R
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Fujifilm X-T20« »YstereomonoY-micro2.0Y--Fujifilm X-T20
Fujifilm X-A3« »Ystereomono--micro2.0Y--Fujifilm X-A3
Fujifilm X-E2S« »YstereomonoY-micro2.0Y--Fujifilm X-E2S
Fujifilm X-T10« »YstereomonoY-micro2.0Y--Fujifilm X-T10
Fujifilm X-E2« »YstereomonoY-micro2.0Y--Fujifilm X-E2
Nikon D750« »YstereomonoYYmini2.0Y--Nikon D750
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III

Both the 6D Mark II and the X-E3 are recent models that feature in their makers' current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the X-E3 followed on from the Fujifilm X-E2S.

Review summary: Canon 6D Mark II vs Fujifilm X-E3

So what is the bottom line? Is there a clear favorite between the Canon 6D Mark II and the Fujifilm X-E3? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Canon EOS 6D Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: Larger pixels generate images with better, more accurate colors.
  • More dynamic range: Capable of capturing a wider spectrum of light and dark details.
  • Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.

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Advantages of the Fujifilm X-E3:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (121x74mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 428g or 56 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).

If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II emerges as the winner of the contest (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

6D Mark II 11:08 X-E3

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 6D Mark II or the X-E3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II»Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-E3«Rec84/1004.5/54.5/54.5/5 Sep 2017 899 i i Fujifilm X-E3
Canon R« »rev-4.5/5-4/5 Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Fujifilm X-T20« »HiRec82/1005/5-4.5/5 Jan 2017 899 i i Fujifilm X-T20
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399- i Fujifilm X-A3
Fujifilm X-E2S« »-77/1004.5/5-4.5/5 Jan 2016 699- i Fujifilm X-E2S
Fujifilm X-T10« »HiRec80/1005/54/55/5 May 2015 799- i Fujifilm X-T10
Fujifilm X-E2« »-80/1004.5/5-5/5 Oct 2013 999- i Fujifilm X-E2
Nikon D750« »HiRec90/1004.5/55/54.5/5 Sep 2014 2,299 i i Nikon D750
Nikon D610« »HiRec87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
Nikon D600« »HiRec87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.

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