Canon 6D Mark II vs T3i
The Canon EOS 6D Mark II and the Canon EOS Rebel T3i (labelled Canon 600D in some countries) are two digital cameras that were revealed to the public, respectively, in June 2017 and February 2011. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (6D Mark II) and an APS-C (T3i) sensor. The 6D Mark II has a resolution of 26 megapixels, whereas the T3i provides 17.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Canon EOS Rebel T3i? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Canon T3i is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T3i is notably smaller (17 percent) than the Canon 6D Mark II. Moreover, the T3i is markedly lighter (25 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the T3i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 6D Mark II) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (T3i). You can compare the optics available in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|2.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|10.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|11.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|14.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|15.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|16.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3i was launched at a markedly lower price (by 70 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Canon T3i an APS-C sensor. The sensor area in the T3i is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the 6D Mark II uses a more advanced image processing engine (DIGIC 7) than the T3i (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
With 26MP, the 6D Mark II offers a higher resolution than the T3i (17.9MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 4.31μm for the T3i) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 6 years and 4 months) than the T3i, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Canon T3i are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS Rebel T3i are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the T3i, with an overall score that is 20 points higher. This advantage is based on 2.3 bits higher color depth, 0.4 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|13.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|14.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|15.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|16.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 6D Mark II provides a higher frame rate than the T3i. It can shoot video footage at 1080/60p, while the T3i is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 6D Mark II and the T3i are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 6D Mark II offers a wider field of view (98%) than the one in the T3i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Canon T3i in connection with corresponding information for a sample of similar cameras.
|1.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|2.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|9.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|10.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|11.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|13.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|14.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|15.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|16.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 6D Mark II, but is missing on the T3i is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the T3i write their files to SDXC cards. The 6D Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Canon EOS Rebel T3i and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|16.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the 6D Mark II offers wifi support, while the T3i does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the T3i has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3i was succeeded by the Canon T4i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is there a clear favorite between the Canon 6D Mark II and the Canon T3i? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 17.9MP) with a 20% higher linear resolution.
- Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.3 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC 7 vs DIGIC 4).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.53x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (6.5 vs 3.7 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (1200 versus 440) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 4 months of technical progress since the T3i launch.
Reasons to prefer the Canon EOS Rebel T3i:
- More compact: Is smaller (133x100mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 195g or 25 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II is the clear winner of the match-up (21 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Canon T3i place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the T3i in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|2.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|10.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|11.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|14.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|15.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|16.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D Mark II vs Nikon D5600
- Canon 6D Mark II vs Olympus E-P2
- Canon 6D Mark II vs Olympus E-PL8
- Canon 6D Mark II vs Panasonic G2
- Canon 6D Mark II vs Sony NEX-5
- Canon 6D Mark II vs Sony RX100 VI
- Canon D60 vs Canon T3i
- Canon T3i vs Leica X Typ 113
- Canon T3i vs Nikon D40
- Canon T3i vs Nikon L840
- Canon T3i vs Sony NEX-C3
- Canon T3i vs YI M1
Specifications: Canon 6D Mark II vs Canon T3i
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Canon T3i|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||June 2017||February 2011|
|Launch Price||USD 1,999||USD 599|
|Sensor Specs||Canon 6D Mark II||Canon T3i|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 24.0 mm||22.3 x 14.9 mm|
|Sensor Area||861.6 mm2||332.27 mm2|
|Sensor Diagonal||43.2 mm||26.8 mm|
|Sensor Resolution||26 Megapixels||17.9 Megapixels|
|Image Resolution||6240 x 4160 pixels||5184 x 3456 pixels|
|Pixel Pitch||5.76 μm||4.31 μm|
|Pixel Density||3.01 MP/cm2||5.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100 - 40,000 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC 7||DIGIC 4|
|DXO Sensor Quality (score)||85||65|
|DXO Color Depth (bits)||24.4||22.1|
|DXO Dynamic Range (EV)||11.9||11.5|
|DXO Low Light (ISO)||2862||793|
|Screen Specs||Canon 6D Mark II||Canon T3i|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 6D Mark II||Canon T3i|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6.5 shutter flaps/s||3.7 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 6D Mark II||Canon T3i|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Canon T3i|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||440 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
133 x 100 x 80 mm
(5.2 x 3.9 x 3.1 in)
|Camera Weight||765 g (27.0 oz)||570 g (20.1 oz)|
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