Canon 6D Mark II vs SX520

The Canon EOS 6D Mark II and the Canon PowerShot SX520 HS are two digital cameras that were announced, respectively, in June 2017 and July 2014. The 6D Mark II is a DSLR, while the SX520 is a fixed lens compact. The cameras are based on a full frame (6D Mark II) and a 1/2.3-inch (SX520) sensor. The 6D Mark II has a resolution of 26 megapixels, whereas the SX520 provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 6D Mark II		Canon SX520
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		24-1008mm f/3.4-6
26 MP – Full Frame sensor		15.9 MP – 1/2.3" sensor
1080/60p Video		1080/30p Video
ISO 100-40,000 (50 - 102,400)		ISO 100-3,200
Optical viewfinder		No viewfinder, LCD framing
3.0" LCD – 1040k dots		3.0" LCD – 461k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
6.5 shutter flaps per second		1.6 shutter flaps per second
Weathersealed body		not weather sealed
1200 shots per battery charge		210 shots per battery charge
144 x 111 x 75 mm, 765 g		120 x 82 x 92 mm, 441 g

Check 6D Mark II price at
amazon.com
Check SX520 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Canon PowerShot SX520 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 6D Mark II and the Canon SX520 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX520 is considerably smaller (38 percent) than the Canon 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the SX520 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX520 has a lens built in, whereas the 6D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 6D Mark II and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the 6D Mark II gets 1200 shots out of its Canon LP-E6N battery, while the SX520 can take 210 images on a single charge of its Canon NB-6LH power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
2.		Canon SX520	120 mm	82 mm	92 mm	441 g	210	n	Jul 2014	399	ebay.com
3.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	2,299	ebay.com
4.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
5.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	1,199	ebay.com
6.		Canon SX530	120 mm	82 mm	92 mm	442 g	210	n	Jan 2015	429	ebay.com
7.		Canon SX700	113 mm	66 mm	35 mm	269 g	250	n	Feb 2014	349	ebay.com
8.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
9.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
10.		Canon SX510	104 mm	70 mm	80 mm	349 g	250	n	Aug 2013	249	ebay.com
11.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
12.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
13.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
14.		Nikon D750	141 mm	113 mm	78 mm	750 g	1230	Y	Sep 2014	2,299	ebay.com
15.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
16.		Nikon D600	141 mm	113 mm	82 mm	850 g	900	Y	Sep 2012	2,099	ebay.com
17.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX520 was launched at a lower price than the 6D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Canon SX520 a 1/2.3-inch sensor. The sensor area in the SX520 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the SX520 offers a 4:3 aspect.

In terms of chip-set technology, the 6D Mark II uses a more advanced image processing engine (DIGIC 7) than the SX520 (DIGIC 4+), with benefits for noise reduction, color accuracy, and processing speed.

With 26MP, the 6D Mark II offers a higher resolution than the SX520 (15.9MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 1.33μm for the SX520) due to its larger sensor. Moreover, the 6D Mark II is a much more recent model (by 2 years and 11 months) than the SX520, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the SX520 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Canon SX520 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon PowerShot SX520 HS are ISO 100 to ISO 3200 (no boost).

In terms of underlying technology, the 6D Mark II is build around a CMOS sensor, while the SX520 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
2.		Canon SX520	1/2.3	15.9	4608	3456	1080/30p	20.1	11.5	672	46
3.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
4.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
5.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
6.		Canon SX530	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	712	47
7.		Canon SX700	1/2.3	15.9	4608	3456	1080/60p	20.1	11.4	629	45
8.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
9.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
10.		Canon SX510	1/2.3	15.9	4608	3456	1080/24p	20.0	11.3	586	45
11.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
12.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
13.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
14.		Nikon D750	Full Frame	24.2	6016	4016	1080/60p	24.8	14.5	2956	93
15.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
16.		Nikon D600	Full Frame	24.2	6016	4016	1080/30p	25.1	14.2	2980	94
17.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 6D Mark II provides a higher frame rate than the SX520. It can shoot video footage at 1080/60p, while the SX520 is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 6D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX520 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Canon SX520 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
2.		Canon SX520	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
3.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
4.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
5.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
6.		Canon SX530	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
7.		Canon SX700	none	n	3.0 / 922	fixed	n	1/3200s	8.5/s	Y	Y
8.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
9.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
10.		Canon SX510	none	n	3.0 / 461	fixed	n	1/1600s	3.8/s	Y	Y
11.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
12.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
13.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
14.		Nikon D750	optical	Y	3.2 / 1229	tilting	n	1/4000s	6.0/s	Y	n
15.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
16.		Nikon D600	optical	Y	3.0 / 921	fixed	n	1/4000s	5.5/s	Y	n
17.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 6D Mark II, but is missing on the SX520 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 6D Mark II and the SX520 write their files to SDXC cards. The 6D Mark II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX520 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Canon PowerShot SX520 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Canon SX520	-	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
4.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
5.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
6.		Canon SX530	-	stereo / mono	-	-	mini	2.0	Y	Y	-
7.		Canon SX700	-	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
10.		Canon SX510	-	stereo / mono	-	-	mini	2.0	Y	-	-
11.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
12.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
13.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
14.		Nikon D750	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
15.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
16.		Nikon D600	Y	mono / mono	Y	Y	mini	2.0	-	-	-
17.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y

It is notable that the 6D Mark II has a hotshoe, while the SX520 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the SX520 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the SX520 was succeeded by the Canon SX530. Further information on the features and operation of the 6D Mark II and SX520 can be found, respectively, in the Canon 6D Mark II Manual (free pdf) or the online Canon SX520 Manual.

Review summary

So how do things add up? Is the Canon 6D Mark II better than the Canon SX520 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS 6D Mark II:

• More detail: Offers more megapixels (26 vs 15.9MP) with a 30% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better jpgs: Has a more modern image processing engine (DIGIC 7 vs DIGIC 4+).
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (6.5 vs 1.6 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (1200 versus 210) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Reflects 2 years and 11 months of technical progress since the SX520 launch.

Reasons to prefer the Canon PowerShot SX520 HS:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Ready to shoot: Comes with an integrated lens, while the 6D Mark II requires a separate lens.
• More compact: Is smaller (120x82mm vs 144x111mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the 6D Mark II).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been around for much longer (launched in July 2014).

If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II is the clear winner of the match-up (29 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 6D Mark II and the Canon SX520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 6D Mark II or the SX520. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
2.		Canon SX520	..	+	..	..	3.5/5	3.5/5	Jul 2014	399	ebay.com
3.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	2,299	ebay.com
4.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
5.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	1,199	ebay.com
6.		Canon SX530	..	+ +	..	..	4/5	4/5	Jan 2015	429	ebay.com
7.		Canon SX700	..	+ +	..	..	4/5	4/5	Feb 2014	349	ebay.com
8.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
9.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
10.		Canon SX510	..	+ +	..	..	4.5/5	4/5	Aug 2013	249	ebay.com
11.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
12.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
13.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
14.		Nikon D750	5/5	+ +	4/5	90/100	4.5/5	4.5/5	Sep 2014	2,299	ebay.com
15.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
16.		Nikon D600	4/5	+ +	..	87/100	5/5	4.5/5	Sep 2012	2,099	ebay.com
17.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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