Canon 6D Mark II vs G1X Mark III
The Canon EOS 6D Mark II and the Canon PowerShot G1 X Mark III are two enthusiast cameras that were revealed to the public, respectively, in June 2017 and October 2017. The 6D Mark II is a DSLR, while the G1X Mark III is a fixed lens compact. The cameras are based on a full frame (6D Mark II) and an APS-C (G1X Mark III) sensor. The 6D Mark II has a resolution of 26 megapixels, whereas the G1X Mark III provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 6D Mark II||Canon G1 X Mark III|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-72mm f/2.8-5.6|
|26 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-40000 (50-102400)||ISO 100-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Swivel touchscreen|
|6.5 shutter flaps per second||9 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|1200 shots per battery charge||200 shots per battery charge|
|144 x 111 x 75 mm, 765 g||115 x 78 x 51 mm, 399 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Canon PowerShot G1 X Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 6D Mark II and the Canon G1 X Mark III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark III is considerably smaller (44 percent) than the Canon 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the 6D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 6D Mark II and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 6D Mark II»||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon G1 X Mark III«||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Canon R« »||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Fujifilm X100V« »||5.0 in||3.0 in||2.1 in||16.9 oz||420||Y||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||Nikon D600|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark III was launched at a lower price than the 6D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Canon G1 X Mark III an APS-C sensor. The sensor area in the G1X Mark III is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 26MP, the 6D Mark II offers a slightly higher resolution than the G1X Mark III (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.72μm for the G1X Mark III) due to its larger sensor. However, the G1X Mark III is a somewhat more recent model (by 3 months) than the 6D Mark II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon PowerShot G1 X Mark III are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon G1 X Mark III|
|Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89||Canon R|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Fujifilm X100V||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X100V|
|Fujifilm X100F||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X100F|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 6D Mark II and Canon G1 X Mark III along with similar information for a selection of comparators.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon G1 X Mark III||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Canon R||3690||Y||3.2||2100||swivel||Y||1/8000s||8.0||n||n||Canon R|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Fujifilm X100V||3690||n||3.0||1620||tilting||Y||1/4000s||11.0||Y||n||Fujifilm X100V|
|Fujifilm X100F||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One feature that is present on the 6D Mark II, but is missing on the G1X Mark III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon 6D Mark II and the Canon G1 X Mark III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the G1X Mark III write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Canon PowerShot G1 X Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon G1 X Mark III||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Canon R||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Canon R|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Fujifilm X100V||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X100V|
|Fujifilm X100F||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the 6D Mark II has a microphone port, which is missing on the G1X Mark III. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D Mark II and the G1X Mark III are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the G1X Mark III followed on from the Canon G1 X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is there a clear favorite between the Canon 6D Mark II and the Canon G1 X Mark III? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 6D Mark II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1200 versus 200) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More heavily discounted: Has been on the market for longer (launched in June 2017).
Advantages of the Canon PowerShot G1 X Mark III:
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (9 vs 6.5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 6D Mark II requires a separate lens.
- More compact: Is smaller (115x78mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 6D Mark II).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II emerges as the winner of the contest (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Canon G1 X Mark III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 6D Mark II and the G1X Mark III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Canon G1 X Mark III
- Canon 6D Mark II vs Canon T4i
- Canon 6D Mark II vs Canon XC10
- Canon 6D Mark II vs Olympus E-M1X
- Canon 6D Mark II vs Panasonic G3
- Canon 6D Mark II vs Zeiss ZX1
- Canon G1 X Mark III vs Canon T3i
- Canon G1 X Mark III vs Nikon Z7
- Canon G1 X Mark III vs Panasonic FT7
- Canon G1 X Mark III vs Panasonic FZ2500
- Canon G1 X Mark III vs Panasonic LF1
- Canon G1 X Mark III vs Sony A6600
Specifications: Canon 6D Mark II vs Canon G1 X Mark III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Canon G1 X Mark III|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-72mm f/2.8-5.6|
|Launch Date||June 2017||October 2017|
|Launch Price||USD 1999||USD 1299|
|Sensor Specs||Canon 6D Mark II||Canon G1 X Mark III|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 24.0 mm||22.3 x 14.9 mm|
|Sensor Area||861.6 mm2||332.27 mm2|
|Sensor Diagonal||43.2 mm||26.8 mm|
|Sensor Resolution||26 Megapixels||24 Megapixels|
|Image Resolution||6240 x 4160 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.76 μm||3.72 μm|
|Pixel Density||3.01 MP/cm2||7.22 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-40000 ISO||100-25600 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|Image Processor||DIGIC 7||DIGIC 7|
|DXO Sensor Quality (score)||85||..|
|DXO Color Depth (bits)||24.4||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||2862||..|
|Screen Specs||Canon 6D Mark II||Canon G1 X Mark III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 6D Mark II||Canon G1 X Mark III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||6.5 shutter flaps/s||9 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 6D Mark II||Canon G1 X Mark III|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Canon G1 X Mark III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||200 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
|Camera Weight||765 g (27.0 oz)||399 g (14.1 oz)|
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