Canon 650D vs Panasonic GH5s
The Canon EOS 650D (called Canon T4i in some regions) and the Panasonic Lumix DC-GH5s are two digital cameras that were officially introduced, respectively, in June 2012 and January 2018. The 650D is a DSLR, while the GH5s is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (650D) and a Four Thirds (GH5s) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 9.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 650D and the Panasonic Lumix DC-GH5s? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 650D and the Panasonic GH5s. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5s is somewhat larger (2 percent) than the Canon 650D. Moreover, the GH5s is markedly heavier (15 percent) than the 650D. It is noteworthy in this context that the GH5s is splash and dust-proof, while the 650D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (650D) and the Micro Four Thirds Lens Catalog (GH5s). Mirrorless cameras, such as the GH5s, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|2.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|3.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|9.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|10.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|13.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|14.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|16.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|17.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 650D was launched at a markedly lower price (by 66 percent) than the GH5s, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 650D features an APS-C sensor and the Panasonic GH5s a Four Thirds sensor. The sensor area in the GH5s is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 650D has a native 3:2 aspect ratio, while the one in the GH5s offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 17.9MP, the 650D offers a higher resolution than the GH5s (9.9MP), but the 650D has smaller individual pixels (pixel pitch of 4.31μm versus 4.77μm for the GH5s). Moreover, the GH5s is a much more recent model (by 5 years and 7 months) than the 650D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 650D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 650D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The 650D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 650D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-GH5s are ISO 160 to ISO 51200, with the possibility to increase the ISO range to 80-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|13.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|17.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5s provides a better video resolution than the 650D. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH5s has an electronic viewfinder (3680k dots), while the 650D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH5s offers a wider field of view (100%) than the one in the 650D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH5s has a higher magnification (0.76x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 650D, the Panasonic GH5s, and comparable cameras.
|1.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||n|
|3.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|9.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|10.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|12.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|13.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|14.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|15.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|16.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|17.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The 650D has one, while the GH5s does not. While the built-in flash of the 650D is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 650D and the GH5s write their files to SDXC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the 650D only has one slot. The GH5s supports UHS-II cards (on both slots), while the 650D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 650D and Panasonic Lumix DC-GH5s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|15.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|17.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the GH5s offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 650D does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH5s (unlike the 650D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH5s is a recent model that features in the current product line-up of Panasonic. In contrast, the 650D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 650D was succeeded by the Canon 700D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 650D or the Panasonic GH5s – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 650D:
- More detail: Offers more megapixels (17.9 vs 9.9MP) with a 37% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 85g or 13 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2012).
Arguments in favor of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.53x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 7 months of technical progress since the 650D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GH5s is the clear winner of the contest (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 650D and the Panasonic GH5s place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 650D or the GH5s. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|2.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|3.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|9.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|10.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|13.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|14.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|15.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|16.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|17.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Panasonic GH5s
- Canon 650D vs Canon 850D
- Canon 650D vs Fujifilm X-A3
- Canon 650D vs Fujifilm XQ1
- Canon 650D vs Panasonic FZ330
- Canon 650D vs Panasonic G2
- Canon 650D vs Sony A1
- Canon SX410 vs Panasonic GH5s
- Leica M10-P vs Panasonic GH5s
- Panasonic GF6 vs Panasonic GH5s
- Panasonic GH5s vs Panasonic GX1
- Panasonic GH5s vs Ricoh GR III
Specifications: Canon 650D vs Panasonic GH5s
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 650D||Panasonic GH5s|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2012||January 2018|
|Launch Price||USD 849||USD 2,499|
|Sensor Specs||Canon 650D||Panasonic GH5s|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||9.9 Megapixels|
|Image Resolution||5184 x 3456 pixels||3680 x 2700 pixels|
|Pixel Pitch||4.31 μm||4.77 μm|
|Pixel Density||5.39 MP/cm2||4.42 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100 - 12,800 ISO||160 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 204,800 ISO|
|Image Processor||DIGIC 5||Venus 10|
|DXO Sensor Quality (score)||62||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||11.2||..|
|DXO Low Light (ISO)||722||..|
|Screen Specs||Canon 650D||Panasonic GH5s|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 650D||Panasonic GH5s|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 650D||Panasonic GH5s|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 650D||Panasonic GH5s|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||440 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||575 g (20.3 oz)||660 g (23.3 oz)|
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