Canon 650D vs Panasonic GH3
The Canon EOS 650D (called Canon T4i in some regions) and the Panasonic Lumix DMC-GH3 are two digital cameras that were revealed to the public, respectively, in June 2012 and September 2012. The 650D is a DSLR, while the GH3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (650D) and a Four Thirds (GH3) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 650D and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 650D and the Panasonic GH3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably smaller (7 percent) than the Canon 650D. Moreover, the GH3 is slightly lighter (4 percent) than the 650D. It is noteworthy in this context that the GH3 is splash and dust-proof, while the 650D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (650D) and the Micro Four Thirds Lens Catalog (GH3). Mirrorless cameras, such as the GH3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|2.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||ebay.com|
|3.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|5.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|6.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|8.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|9.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|10.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|12.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|14.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|16.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 650D was launched at a markedly lower price (by 35 percent) than the GH3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 650D features an APS-C sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 650D has a native 3:2 aspect ratio, while the one in the GH3 offers a 4:3 aspect.
With 17.9MP, the 650D offers a higher resolution than the GH3 (15.9MP), but the 650D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the GH3) due to its larger sensor. However, the GH3 is a somewhat more recent model (by 3 months) than the 650D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 650D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 650D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The 650D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 650D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GH3 has a markedly higher DXO score than the 650D (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1.2 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|8.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH3 provides a faster frame rate than the 650D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH3 has an electronic viewfinder (1746k dots), while the 650D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH3 offers a wider field of view (100%) than the one in the 650D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH3 has a higher magnification (0.67x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 650D, the Panasonic GH3, and comparable cameras.
|1.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|9.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|10.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|16.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 650D and the GH3 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 650D and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|3.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GH3 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 650D does not provide wifi capability.
Studio photographers will appreciate that the Panasonic GH3 (unlike the 650D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 650D and the GH3 have been discontinued, but can regularly be found used on ebay. The 650D was replaced by the Canon 700D, while the GH3 was followed by the Panasonic GH4. Further information on the features and operation of the 650D and GH3 can be found, respectively, in the Canon 650D Manual (free pdf) or the online Panasonic GH3 Manual.
So how do things add up? Which of the two cameras – the Canon 650D or the Panasonic GH3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 650D:
- More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2012).
Advantages of the Panasonic Lumix DMC-GH3:
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.53x).
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (540 versus 440) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 650D and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 650D and the GH3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|2.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299||ebay.com|
|3.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|5.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|6.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|8.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|9.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|10.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|12.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|14.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|15.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|16.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 4000D vs Panasonic GH3
- Canon 650D vs Canon G9 X Mark II
- Canon 650D vs Olympus E-M10
- Canon 650D vs Ricoh GR III
- Canon 650D vs Sony A3000
- Canon 650D vs Sony NEX-5T
- Canon 650D vs YI M1
- Canon 7D II vs Panasonic GH3
- Leica D-LUX 5 vs Panasonic GH3
- Leica D-LUX 6 vs Panasonic GH3
- Olympus E-5 vs Panasonic GH3
- Panasonic G85 vs Panasonic GH3
Specifications: Canon 650D vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 650D||Panasonic GH3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2012||September 2012|
|Launch Price||USD 849||USD 1,299|
|Sensor Specs||Canon 650D||Panasonic GH3|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3456 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.31 μm||3.76 μm|
|Pixel Density||5.39 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||125 - 25,600 ISO|
|Image Processor||DIGIC 5||Venus VII FHD|
|DXO Sensor Quality (score)||62||71|
|DXO Color Depth (bits)||21.7||22.7|
|DXO Dynamic Range (EV)||11.2||12.4|
|DXO Low Light (ISO)||722||812|
|Screen Specs||Canon 650D||Panasonic GH3|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1746k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||614k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 650D||Panasonic GH3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 650D||Panasonic GH3|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 650D||Panasonic GH3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||540 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
|Camera Weight||575 g (20.3 oz)||550 g (19.4 oz)|
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