Canon 60D vs Kodak S-1
The Canon EOS 60D and the Kodak PixPro S-1 are two digital cameras that were revealed to the public, respectively, in August 2010 and January 2012. The 60D is a DSLR, while the S-1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (60D) and a Four Thirds (S-1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Kodak provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 60D and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 60D and the Kodak S-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the 60D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak S-1 is considerably smaller (49 percent) than the Canon 60D. Moreover, the S-1 is substantially lighter (62 percent) than the 60D. It is worth mentioning in this context that the 60D is splash and dust resistant, while the S-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (60D) and the Micro Four Thirds Lens Catalog (S-1). Mirrorless cameras, such as the S-1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The power pack in the S-1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|2.||Kodak S-1||116 mm||68 mm||36 mm||290 g||410||n||Jan 2012||299|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|7.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|8.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|9.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|10.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|11.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|12.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|13.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|14.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|17.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 79 percent) than the 60D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 60D features an APS-C sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 60D has a native 3:2 aspect ratio, while the one in the S-1 offers a 4:3 aspect.
With 17.9MP, the 60D offers a higher resolution than the S-1 (16.1MP), but the 60D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.74μm for the S-1) due to its larger sensor. However, the S-1 is a somewhat more recent model (by 1 year and 4 months) than the 60D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 60D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 60D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The Canon EOS 60D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||22.2||11.8||598||65|
|4.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|7.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|11.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|12.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|13.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|14.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 60D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 60D and Kodak S-1 along with similar information for a selection of comparators.
|1.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|2.||Kodak S-1||none||n||3.0 / 920||tilting||n||1/4000s||4.0||n||Y|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|5.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|6.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|7.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0||n||n|
|8.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|9.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3||Y||n|
|10.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|11.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|12.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|13.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|14.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|17.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The 60D has one, while the S-1 does not. While the built-in flash of the 60D is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the 60D and the S-1 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 60D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 60D and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Kodak S-1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|9.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the 60D has a microphone port, which is missing on the S-1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 60D (unlike the S-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 60D and the S-1 have been discontinued, but can regularly be found used on eBay. The 60D was replaced by the Canon 70D, while the S-1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Kodak websites.
So how do things add up? Is there a clear favorite between the Canon 60D and the Kodak S-1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 60D:
- More detail: Offers more megapixels (17.9 vs 16.1MP) with a 7% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5.3 vs 4 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (1100 versus 410) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in August 2010).
Advantages of the Kodak PixPro S-1:
- More compact: Is smaller (116x68mm vs 145x106mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 465g or 62 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 60D is the clear winner of the match-up (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 60D and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 60D or the S-1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|2.||Kodak S-1||..||..||..||..||4/5||4/5||Jan 2012||299|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|5.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|7.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|8.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|9.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|10.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|11.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|12.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|13.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|14.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|16.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|17.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 60D vs Kodak S-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 60D||Kodak S-1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2010||January 2012|
|Launch Price||USD 1,399||USD 299|
|Sensor Specs||Canon 60D||Kodak S-1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||16.1 Megapixels|
|Image Resolution||5184 x 3456 pixels||4640 x 3480 pixels|
|Pixel Pitch||4.31 μm||3.74 μm|
|Pixel Density||5.39 MP/cm2||7.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.2||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||813||..|
|Screen Specs||Canon 60D||Kodak S-1|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 60D||Kodak S-1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5.3 shutter flaps/s||4 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 60D||Kodak S-1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 60D||Kodak S-1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1100 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
145 x 106 x 79 mm
(5.7 x 4.2 x 3.1 in)
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
|Camera Weight||755 g (26.6 oz)||290 g (10.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.