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Canon 5D Mark IV versus Sony A6500

The Canon EOS 5D Mark IV and the Sony Alpha A6500 are two digital cameras that were officially introduced, respectively, in August 2016 and October 2016. The 5D Mark IV is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark IV) and an APS-C (A6500) sensor. The Canon has a resolution of 30.1 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 5D Mark IV vs Sony A6500

An illustration of the physical size and weight of the Canon 5D Mark IV and the Sony A6500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 5D Mark IV – represents 100 percent across all the size and weight measures).

Compare Canon 5D Mark IV vs Sony A6500
Compare 5D Mark IV versus A6500 top
Compare 5D Mark IV and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (54 percent) than the Canon 5D Mark IV. Moreover, the A6500 is substantially lighter (49 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark IV gets 900 shots out of its LP-E6N battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 5D Mark IV» 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Canon 5D« » 6.0 in 4.4 in 3.0 in 31.6 oz 400 Y Aug 2005 3,299- i Canon 5D
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Nikon D800« » 5.7 in 4.8 in 3.2 in 35.3 oz 900 Y Feb 2012 2,999- i Nikon D800
Nikon D800E« » 5.7 in 4.8 in 3.2 in 35.3 oz 900 Y Feb 2012 3,299- i Nikon D800E
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

The camera’s price is obviously a critical decision-making factor. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 60 percent) than the 5D Mark IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Canon 5D Mark IV vs Sony A6500

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Canon 5D Mark IV and Sony A6500 sensor measures

With 30.1MP, the 5D Mark IV offers a higher resolution than the A6500 (24MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.91μm for the A6500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.

5D Mark IV versus A6500 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 5D Mark IV has a notably higher overall DXO score than the A6500 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.3 bits higher color depth, 0.1 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 5D Mark IV» Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 5DS« » Full Frame 50.3 8688 57921080/60p24.712.4238187Canon 5DS
Canon 5DS R« » Full Frame 50.3 8688 57921080/60p24.612.4230886Canon 5DS R
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Canon 5D« » Full Frame 12.7 4368 2912-22.911.1136871Canon 5D
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Nikon D800« » Full Frame 36.2 7360 49121080/30p25.314.4285395Nikon D800
Nikon D800E« » Full Frame 36.2 7360 49121080/30p25.614.3297996Nikon D800E
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Canon 5D Mark IV vs Sony A6500

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 5D Mark IV and Sony A6500 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 5D Mark IV»optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 5DS« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS
Canon 5DS R« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS R
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Canon 5D« »optical Y 2.5 230 fixed n 8000 3.0 n n Canon 5D
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Nikon D800« »optical Y 3.2 921 fixed n 8000 4.0 Y n Nikon D800
Nikon D800E« »optical Y 3.2 921 fixed n 8000 4.0 Y n Nikon D800E
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

One feature that is present on the 5D Mark IV, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 5D Mark IV»YmonomonoYYmini3.0YY-Canon 5D Mark IV
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Canon 5D« »Y-----2.0---Canon 5D
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Nikon D800« »YmonomonoYYmini3.0---Nikon D800
Nikon D800E« »YmonomonoYYmini3.0---Nikon D800E
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7

Both the 5D Mark IV and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the A6500 followed on from the Sony A6300.

Review summary: Canon 5D Mark IV vs Sony A6500

So what conclusions can be drawn? Is the Canon 5D Mark IV better than the Sony A6500 or vice versa? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Canon EOS 5D Mark IV:

  • More detail: Offers more megapixels (30.1 vs 24MP) with a 12% higher linear resolution.
  • Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
  • Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Longer lasting: Can take more shots (900 versus 350) on a single battery charge.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

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Advantages of the Sony Alpha A6500:

  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 151x116mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 437g or 49 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).

If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV emerges as the winner of the contest (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

5D Mark IV 12:09 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 5D Mark IV or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 5D Mark IV»HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 5DS« »Rec83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« »Rec83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Canon 5D« »88/100HiRecrevrev- Aug 2005 3,299- i Canon 5D
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Nikon D800« »HiRec82/1005/55/55/5 Feb 2012 2,999- i Nikon D800
Nikon D800E« »-84/1005/54.5/55/5 Feb 2012 3,299- i Nikon D800E
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.

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