Canon 5D Mark IV vs Sony A6400
The Canon EOS 5D Mark IV and the Sony Alpha A6400 are two digital cameras that were officially introduced, respectively, in August 2016 and January 2019. The 5D Mark IV is a DSLR, while the A6400 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark IV) and an APS-C (A6400) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark IV||Sony A6400|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|30.1 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-32000 (50-102400)||ISO 100-32000 (100-102400)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 922k dots|
|Fixed touchscreen||Tilting touchscreen|
|7 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|900 shots per battery charge||410 shots per battery charge|
|151 x 116 x 76 mm, 890 g||120 x 67 x 50 mm, 403 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Sony Alpha A6400? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon 5D Mark IV vs Sony A6400
An illustration of the physical size and weight of the Canon 5D Mark IV and the Sony A6400 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6400 is considerably smaller (54 percent) than the Canon 5D Mark IV. Moreover, the A6400 is substantially lighter (55 percent) than the 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the A6400 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Sony E-Mount Lens Catalog (A6400). Mirrorless cameras, such as the A6400, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 5D Mark IV gets 900 shots out of its LP-E6N battery, while the A6400 can take 410 images on a single charge of its NP-FW50 power pack. The power pack in the A6400 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 5D Mark IV»||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Sony A6400«||120 mm||67 mm||50 mm||403 g||410||n||Jan 2019||899||Sony A6400|
|Canon 2000D« »||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D850« »||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6400 was launched at a markedly lower price (by 74 percent) than the 5D Mark IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 5D Mark IV vs Sony A6400
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Sony A6400 an APS-C sensor. The sensor area in the A6400 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 30.1MP, the 5D Mark IV offers a higher resolution than the A6400 (24MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.91μm for the A6400) due to its larger sensor. However, the A6400 is a much more recent model (by 2 years and 4 months) than the 5D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inch or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inch or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inch or 56.9 x 37.9 cm. The corresponding values for the Sony A6400 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A6400 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 5D Mark IV has a notably higher overall DXO score than the A6400 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Sony A6400«||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Canon 5D Mark IV vs Sony A6400
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6400 has an electronic viewfinder (2359k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark IV has a higher magnification than the one of the A6400 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 5D Mark IV and Sony A6400 along with similar information for a selection of comparators.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Sony A6400«||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
One feature that is present on the 5D Mark IV, but is missing on the A6400 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A6400 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark IV does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6400 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the A6400 uses SDXC or Memory Stick PRO Duo cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6400 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Canon 5D Mark IV vs Sony A6400
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Sony Alpha A6400 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark IV»||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Sony A6400«||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
It is notable that the 5D Mark IV has a headphone jack, which is not present on the A6400 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the A6400) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark IV and the A6400 are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the A6400 followed on from the Sony A6300. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon 5D Mark IV vs Sony A6400
So what conclusions can be drawn? Is the Canon 5D Mark IV better than the Sony A6400 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 24MP) with a 12% higher linear resolution.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (900 versus 410) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2016).
Advantages of the Sony Alpha A6400:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 487g or 55 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the 5D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (17 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Sony A6400 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the A6400. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 5D Mark IV vs Sony A6400
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark IV»||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Sony A6400«||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 250D vs Canon 5D Mark IV
- Canon 5D Mark IV vs Fujifilm X-T2
- Canon 5D Mark IV vs Fujifilm X10
- Canon 5D Mark IV vs Leica M10
- Canon 5D Mark IV vs Leica TL2
- Canon 5D Mark IV vs Nikon Z6
- Canon 5D Mark IV vs Panasonic FZ330
- Canon 5D Mark IV vs Panasonic GX850
- Canon 5D Mark IV vs Sony A6300
- Canon 5D Mark IV vs Sony RX100 VI
- Olympus E-M10 III vs Sony A6400
- Pentax KP vs Sony A6400
Specifications: Canon 5D Mark IV vs Sony A6400
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Sony A6400|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||August 2016||January 2019|
|Launch Price||USD 3499||USD 899|
|Sensor Specs||Canon 5D Mark IV||Sony A6400|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 15.6 mm|
|Sensor Area||864 mm2||366.6 mm2|
|Sensor Diagonal||43.3 mm||28.2 mm|
|Sensor Resolution||30.1 Megapixels||24 Megapixels|
|Image Resolution||6720 x 4480 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.36 μm||3.91 μm|
|Pixel Density||3.48 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-32000 ISO||100-32000 ISO|
|ISO Boost||50-102400 ISO||100-102400 ISO|
|Image Processor||DIGIC 6+||BIONZ X|
|DXO Sensor Quality (score)||91||83|
|DXO Color Depth (bits)||24.8||24|
|DXO Dynamic Range (EV)||13.6||13.6|
|DXO Low Light (ISO)||2995||1431|
|Screen Specs||Canon 5D Mark IV||Sony A6400|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 5D Mark IV||Sony A6400|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||7 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 5D Mark IV||Sony A6400|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5D Mark IV||Sony A6400|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||LP-E6N power pack||NP-FW50 power pack|
|Battery Life (CIPA)||900 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
120 x 67 x 50 mm
(4.7 x 2.6 x 2.0 in)
|Camera Weight||890 g (31.4 oz)||403 g (14.2 oz)|
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