Canon 5D Mark IV vs Panasonic LX7
The Canon EOS 5D Mark IV and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in August 2016 and July 2012. The 5D Mark IV is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on a full frame (5D Mark IV) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the 5D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is considerably smaller (57 percent) than the Canon 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the LX7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the 5D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark IV and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|8.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|9.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|11.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|12.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|13.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||amazon.com|
|14.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||ebay.com|
|15.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|16.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the 5D Mark IV, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 30.1MP, the 5D Mark IV offers a higher resolution than the LX7 (10MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 2.05μm for the LX7) due to its larger sensor. Moreover, the 5D Mark IV is a much more recent model (by 4 years and 1 month) than the LX7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 5D Mark IV provides substantially higher image quality than the LX7, with an overall score that is 41 points higher. This advantage is based on 4.1 bits higher color depth, 1.9 EV in additional dynamic range, and 4.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|9.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|11.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|13.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|14.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|15.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|16.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 5D Mark IV provides a higher video resolution than the LX7. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark IV has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Panasonic LX7, and comparable cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|7.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|8.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|9.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|10.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|11.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|12.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|13.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|14.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|15.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|16.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 5D Mark IV, but is missing on the LX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 5D Mark IV and the Panasonic LX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the LX7 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX7 only has one slot. The 5D Mark IV supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|11.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|14.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|15.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the 5D Mark IV has a microphone port, which is missing on the LX7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the LX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the LX7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the LX7 was succeeded by the Panasonic LX10. Further information on the features and operation of the 5D Mark IV and LX7 can be found, respectively, in the Canon 5D Mark IV Manual (free pdf) or the online Panasonic LX7 Manual.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark IV or the Panasonic LX7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 10MP) with a 77% higher linear resolution.
- Better image quality: Scores substantially higher (41 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (4.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (900 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 1 month of technical progress since the LX7 launch.
Arguments in favor of the Panasonic Lumix DMC-LX7:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark IV requires a separate lens.
- More compact: Is smaller (111x68mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark IV).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the match-up (26 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the LX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|6.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|7.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|8.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|9.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|11.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|12.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|13.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299||amazon.com|
|14.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299||ebay.com|
|15.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|16.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Canon 5DS
- Canon 5D Mark IV vs Fujifilm X70
- Canon 5D Mark IV vs Leica M-E Typ 240
- Canon 5D Mark IV vs Leica S-E Typ 006
- Canon 5D Mark IV vs Nikon A1000
- Canon 5D Mark IV vs Panasonic TZ200
- Canon G12 vs Panasonic LX7
- Fujifilm X70 vs Panasonic LX7
- Leica S3 vs Panasonic LX7
- Panasonic LX7 vs Pentax 645D
- Panasonic LX7 vs Sony H300
- Panasonic LX7 vs Sony RX0
Specifications: Canon 5D Mark IV vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Panasonic LX7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/1.4-2.3|
|Launch Date||August 2016||July 2012|
|Launch Price||USD 3,499||USD 499|
|Sensor Specs||Canon 5D Mark IV||Panasonic LX7|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 24.0 mm||7.44 x 5.58 mm|
|Sensor Area||864 mm2||41.5152 mm2|
|Sensor Diagonal||43.3 mm||9.3 mm|
|Sensor Resolution||30.1 Megapixels||10 Megapixels|
|Image Resolution||6720 x 4480 pixels||3648 x 2736 pixels|
|Pixel Pitch||5.36 μm||2.05 μm|
|Pixel Density||3.48 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 32,000 ISO||80 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 6+||Venus|
|DXO Sensor Quality (score)||91||50|
|DXO Color Depth (bits)||24.8||20.7|
|DXO Dynamic Range (EV)||13.6||11.7|
|DXO Low Light (ISO)||2995||147|
|Screen Specs||Canon 5D Mark IV||Panasonic LX7|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Panasonic LX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||7 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 5D Mark IV||Panasonic LX7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Panasonic LX7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||900 shots per charge||330 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||890 g (31.4 oz)||298 g (10.5 oz)|
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