Canon 5D Mark IV vs Panasonic FZ1000
The Canon EOS 5D Mark IV and the Panasonic Lumix DMC-FZ1000 are two digital cameras that were officially introduced, respectively, in August 2016 and June 2014. The 5D Mark IV is a DSLR, while the FZ1000 is a fixed lens compact. The cameras are based on a full frame (5D Mark IV) and an one-inch (FZ1000) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Panasonic Lumix DMC-FZ1000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Panasonic FZ1000. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ1000 is notably smaller (23 percent) than the Canon 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the FZ1000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ1000 has a lens built in, whereas the 5D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark IV and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|2.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|10.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|11.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|12.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|13.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|14.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ1000 was launched at a lower price than the 5D Mark IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Panasonic FZ1000 an one-inch sensor. The sensor area in the FZ1000 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 30.1MP, the 5D Mark IV offers a higher resolution than the FZ1000 (20MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 2.41μm for the FZ1000) due to its larger sensor. Moreover, the 5D Mark IV is a much more recent model (by 2 years and 2 months) than the FZ1000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Panasonic FZ1000 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ1000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark IV provides substantially higher image quality than the FZ1000, with an overall score that is 27 points higher. This advantage is based on 2.7 bits higher color depth, 1.9 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|7.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|10.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|12.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|13.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|14.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ1000 has an electronic viewfinder (2359k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark IV has a higher magnification than the one of the FZ1000 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 5D Mark IV and Panasonic FZ1000 along with similar information for a selection of comparators.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|2.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|7.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9||Y||Y|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|9.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|10.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|11.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|12.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|13.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|14.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the 5D Mark IV, but is missing on the FZ1000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ1000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark IV does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ1000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV and the Panasonic FZ1000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the FZ1000 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ1000 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Panasonic Lumix DMC-FZ1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the FZ1000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the FZ1000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ1000 was succeeded by the Panasonic FZ2500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon 5D Mark IV and the Panasonic FZ1000? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 20MP) with a 23% higher linear resolution.
- Better image quality: Scores substantially higher (27 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (900 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 2 months of technical progress since the FZ1000 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ1000:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark IV requires a separate lens.
- More compact: Is smaller (137x99mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark IV).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in June 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (22 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Panasonic FZ1000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the FZ1000. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|2.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|7.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|11.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|12.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|13.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|14.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark III vs Panasonic FZ1000
- Canon 4000D vs Panasonic FZ1000
- Canon 5D Mark IV vs Canon G1 X
- Canon 5D Mark IV vs Canon SX410
- Canon 5D Mark IV vs Leica M Typ 240
- Canon 5D Mark IV vs Leica V-LUX 1
- Canon 5D Mark IV vs Sony A7 III
- Canon 5D Mark IV vs Sony RX0
- Canon RP vs Panasonic FZ1000
- Fujifilm GFX 50R vs Panasonic FZ1000
- Fujifilm X-A5 vs Panasonic FZ1000
- Panasonic FZ1000 vs Panasonic FZ82
Specifications: Canon 5D Mark IV vs Panasonic FZ1000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Panasonic FZ1000|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-400mm f/2.8-4.0|
|Launch Date||August 2016||June 2014|
|Launch Price||USD 3,499||USD 899|
|Sensor Specs||Canon 5D Mark IV||Panasonic FZ1000|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 8.8 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||30.1 Megapixels||20 Megapixels|
|Image Resolution||6720 x 4480 pixels||5472 x 3648 pixels|
|Pixel Pitch||5.36 μm||2.41 μm|
|Pixel Density||3.48 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 32,000 ISO||125 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 6+||Venus|
|DXO Sensor Quality (score)||91||64|
|DXO Color Depth (bits)||24.8||22.1|
|DXO Dynamic Range (EV)||13.6||11.7|
|DXO Low Light (ISO)||2995||517|
|Screen Specs||Canon 5D Mark IV||Panasonic FZ1000|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Panasonic FZ1000|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 5D Mark IV||Panasonic FZ1000|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Panasonic FZ1000|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||900 shots per charge||360 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
137 x 99 x 131 mm
(5.4 x 3.9 x 5.2 in)
|Camera Weight||890 g (31.4 oz)||831 g (29.3 oz)|
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