Canon 5D Mark IV vs Fujifilm X-H1
The Canon EOS 5D Mark IV and the Fujifilm X-H1 are two digital cameras that were announced, respectively, in August 2016 and February 2018. The 5D Mark IV is a DSLR, while the X-H1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark IV) and an APS-C (X-H1) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark IV||Fujifilm X-H1|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm X mount lenses|
|30.1 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-32000 (50-102400)||ISO 200-12800 (100-51200)|
|Optical viewfinder||Electronic viewfinder (3690k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Fully flexible touchscreen|
|7 shutter flaps per second||14 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|900 shots per battery charge||310 shots per battery charge|
|151 x 116 x 76 mm, 890 g||140 x 97 x 86 mm, 673 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Fujifilm X-H1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark IV and the Fujifilm X-H1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is notably smaller (22 percent) than the Canon 5D Mark IV. Moreover, the X-H1 is markedly lighter (24 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Fujinon X Lens Catalog (X-H1). Mirrorless cameras, such as the X-H1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 5D Mark IV gets 900 shots out of its LP-E6N battery, while the X-H1 can take 310 images on a single charge of its NP-W126S power pack. The power pack in the X-H1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5D Mark IV»||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Fujifilm X-H1«||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon Z6« »||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D850« »||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-H1 was launched at a markedly lower price (by 46 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Fujifilm X-H1 an APS-C sensor. The sensor area in the X-H1 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 30.1MP, the 5D Mark IV offers a higher resolution than the X-H1 (24MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.92μm for the X-H1) due to its larger sensor. However, the X-H1 is a somewhat more recent model (by 1 year and 5 months) than the 5D Mark IV, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inch or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inch or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inch or 56.9 x 37.9 cm. The corresponding values for the Fujifilm X-H1 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-H1 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Fujifilm X-H1«||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the X-H1 has a higher magnification than the one of the 5D Mark IV (0.75x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Fujifilm X-H1, and comparable cameras.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Fujifilm X-H1«||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
One feature that differentiates the X-H1 and the 5D Mark IV is in-body image stabilization (IBIS). The X-H1 reduces the risk of handshake-induced blur with all attached lenses, while the 5D Mark IV has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV and the Fujifilm X-H1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the X-H1 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The X-H1 supports UHS-II cards (on both slots), while the 5D Mark IV can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Fujifilm X-H1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark IV»||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Fujifilm X-H1«||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
It is notable that the 5D Mark IV has a headphone jack, which is not present on the X-H1 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark IV and the X-H1 are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the X-H1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Is there a clear favorite between the Canon 5D Mark IV and the Fujifilm X-H1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 24MP) with a 12% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Longer lasting: Can take more shots (900 versus 310) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in August 2016).
Arguments in favor of the Fujifilm X-H1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.71x).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (140x97mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 217g or 24 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 5 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark IV comes out slightly ahead of the X-H1 (14 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Fujifilm X-H1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 5D Mark IV and the X-H1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark IV»||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Fujifilm X-H1«||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 5D Mark IV vs Fujifilm X-H1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Fujifilm X-H1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||August 2016||February 2018|
|Launch Price||USD 3499||USD 1899|
|Sensor Specs||Canon 5D Mark IV||Fujifilm X-H1|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 15.6 mm|
|Sensor Area||864 mm2||368.16 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||30.1 Megapixels||24 Megapixels|
|Image Resolution||6720 x 4480 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.36 μm||3.92 μm|
|Pixel Density||3.48 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-32000 ISO||200-12800 ISO|
|ISO Boost||50-102400 ISO||100-51200 ISO|
|Image Processor||DIGIC 6+||X-Processor Pro2|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Screen Specs||Canon 5D Mark IV||Fujifilm X-H1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 5D Mark IV||Fujifilm X-H1|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||7 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 5D Mark IV||Fujifilm X-H1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Fujifilm X-H1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||900 shots per charge||310 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
|Camera Weight||890 g (31.4 oz)||673 g (23.7 oz)|
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