Canon 5D Mark IV vs Fujifilm GFX 50S II
The Canon EOS 5D Mark IV and the Fujifilm GFX 50S II are two professional cameras that were announced, respectively, in August 2016 and September 2021. The 5D Mark IV is a DSLR, while the GFX 50S II is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark IV) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark IV and the Fujifilm GFX 50S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is notably smaller (11 percent) than the Canon 5D Mark IV. However, the GFX 50S II is slightly heavier (1 percent) than the 5D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 5D Mark IV gets 900 shots out of its LP-E6N battery, while the GFX 50S II can take 440 images on a single charge of its NP-W235 power pack. The power pack in the GFX 50S II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|2.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|5.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|7.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|8.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|9.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|11.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|12.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|13.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|14.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|15.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||amazon.com|
|16.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||ebay.com|
|17.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 5D Mark IV was launched at a somewhat lower price (by 13 percent) than the GFX 50S II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.
With 51.1MP, the GFX 50S II offers a higher resolution than the 5D Mark IV (30.1MP), but the GFX 50S II has marginally smaller individual pixels (pixel pitch of 5.33μm versus 5.36μm for the 5D Mark IV). Yet, the GFX 50S II is a much more recent model (by 5 years) than the 5D Mark IV, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 5D Mark IV are 33.6 x 22.4 inches or 85.3 x 56.9 cm for good quality, 26.9 x 17.9 inches or 68.3 x 45.5 cm for very good quality, and 22.4 x 14.9 inches or 56.9 x 37.9 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 5D Mark IV, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|2.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|5.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|7.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|8.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|9.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|11.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|12.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|13.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|14.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|15.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|16.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|17.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 5D Mark IV provides a higher video resolution than the GFX 50S II. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50S II has a higher magnification than the one of the 5D Mark IV (0.77x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Fujifilm GFX 50S II, and comparable cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|2.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|5.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|6.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|7.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|8.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|9.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|10.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|11.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|12.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|13.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|14.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|15.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|16.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|17.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the GFX 50S II and the 5D Mark IV is in-body image stabilization (IBIS). The GFX 50S II reduces the risk of handshake-induced blur with all attached lenses, while the 5D Mark IV offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 5D Mark IV and the Fujifilm GFX 50S II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the GFX 50S II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S II supports UHS-II cards (on both slots), while the 5D Mark IV can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|9.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|11.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|14.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|15.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|16.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|17.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark IV and the GFX 50S II are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the GFX 50S II followed on from the Fujifilm GFX 50S. Further information on the features and operation of the 5D Mark IV and GFX 50S II can be found, respectively, in the Canon 5D Mark IV Manual (free pdf) or the online Fujifilm GFX 50S II Manual.
So what is the bottom line? Is there a clear favorite between the Canon 5D Mark IV and the Fujifilm GFX 50S II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D Mark IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (900 versus 440) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2016).
Reasons to prefer the Fujifilm GFX 50S II:
- More detail: Has more megapixels (51.1 vs 30.1MP), which boosts linear resolution by 28%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (150x104mm vs 151x116mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years of technical progress since the 5D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S II is the clear winner of the contest (18 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark IV or the GFX 50S II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|2.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|5.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|6.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|7.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|8.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|9.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|10.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|11.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|12.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|13.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|14.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|15.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299||amazon.com|
|16.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299||ebay.com|
|17.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Canon T7i
- Canon 5D Mark IV vs Leica S Typ 007
- Canon 5D Mark IV vs Leica X Vario
- Canon 5D Mark IV vs Nikon D3X
- Canon 5D Mark IV vs Nikon Z9
- Canon 5D Mark IV vs Panasonic GH3
- Fujifilm GFX 50S II vs Fujifilm X-A5
- Fujifilm GFX 50S II vs Leica C-LUX
- Fujifilm GFX 50S II vs Leica D-LUX 7
- Fujifilm GFX 50S II vs Nikon Z6 II
- Fujifilm GFX 50S II vs Olympus E-M1 II
- Fujifilm GFX 50S II vs Panasonic GH5s
Specifications: Canon 5D Mark IV vs Fujifilm GFX 50S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||August 2016||September 2021|
|Launch Price||USD 3,499||USD 3,999|
|Sensor Specs||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Sensor Format||Full Frame Sensor||Medium Format Sensor|
|Sensor Size||36.0 x 24.0 mm||44.0 x 33.0 mm|
|Sensor Area||864 mm2||1452 mm2|
|Sensor Diagonal||43.3 mm||55 mm|
|Sensor Resolution||30.1 Megapixels||51.1 Megapixels|
|Image Resolution||6720 x 4480 pixels||8256 x 6192 pixels|
|Pixel Pitch||5.36 μm||5.33 μm|
|Pixel Density||3.48 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 32,000 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 6+||X Processor 4|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Screen Specs||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||1620k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Fujifilm GFX 50S II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||900 shots per charge||440 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
|Camera Weight||890 g (31.4 oz)||900 g (31.7 oz)|
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