Canon 5D Mark IV vs T3
The Canon EOS 5D Mark IV and the Canon EOS Rebel T3 (labelled Canon 1100D in some countries) are two digital cameras that were announced, respectively, in August 2016 and February 2011. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark IV) and an APS-C (T3) sensor. The 5D Mark IV has a resolution of 30.1 megapixels, whereas the T3 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Canon EOS Rebel T3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Canon T3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T3 is notably smaller (26 percent) than the Canon 5D Mark IV. Moreover, the T3 is substantially lighter (44 percent) than the 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the T3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 5D Mark IV) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (T3). You can compare the optics available in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|2.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|8.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|9.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|10.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|11.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|12.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|13.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|14.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|15.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|16.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|17.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3 was launched at a markedly lower price (by 87 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Canon T3 an APS-C sensor. The sensor area in the T3 is 63 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the 5D Mark IV uses a more advanced image processing engine (DIGIC 6+) than the T3 (DIGIC 4), with benefits for noise reduction, color accuracy, and processing speed.
With 30.1MP, the 5D Mark IV offers a higher resolution than the T3 (12.2MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 5.15μm for the T3) due to its larger sensor. Moreover, the 5D Mark IV is a much more recent model (by 5 years and 6 months) than the T3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS Rebel T3 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 5D Mark IV provides substantially higher image quality than the T3, with an overall score that is 29 points higher. This advantage is based on 2.9 bits higher color depth, 2.6 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|5.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|9.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|10.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|14.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|15.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|16.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|17.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 5D Mark IV provides a higher video resolution than the T3. It can shoot video footage at 4K/30p, while the T3 is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark IV and the T3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 5D Mark IV offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 5D Mark IV has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark IV and Canon T3 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|4.||Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|7.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|9.||Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|10.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|12.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 5D Mark IV, but is missing on the T3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the T3 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the T3 only has one slot. The 5D Mark IV supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Canon EOS Rebel T3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|7.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|9.||Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|10.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|12.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
It is notable that the 5D Mark IV has a microphone port, which is missing on the T3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the T3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the T3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3 was succeeded by the Canon T5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what is the bottom line? Which of the two cameras – the Canon 5D Mark IV or the Canon T3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 12.2MP) with a 57% higher linear resolution.
- Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC 6+ vs DIGIC 4).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (900 versus 700) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 6 months of technical progress since the T3 launch.
Arguments in favor of the Canon EOS Rebel T3:
- More compact: Is smaller (130x100mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 395g or 44 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (29 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Canon T3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 5D Mark IV or the T3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|2.||Canon T3||..||80/100||69/100||4/5||4.5/5||Feb 2011||449|
|3.||Canon T100||..||o||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon 6D Mark II||4/5||+||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon 1D X Mark II||..||..||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|6.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|7.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|8.||Canon T5||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|9.||Canon 5D Mark III||..||+ +||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|10.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|11.||Canon T4i||4/5||+ +||77/100||4.5/5||4.5/5||Jun 2012||849|
|12.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|13.||Canon XS||..||82/100||+ +||3.5/5||4.5/5||Jun 2008||449|
|14.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|15.||Nikon D850||4.5/5||+ +||89/100||4.5/5||5/5||Jul 2017||3,299|
|16.||Nikon D800||5/5||+ +||82/100||5/5||5/5||Feb 2012||2,999|
|17.||Nikon D800E||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 5D Mark IV vs Canon T3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Canon T3|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||August 2016||February 2011|
|Launch Price||USD 3,499||USD 449|
|Sensor Specs||Canon 5D Mark IV||Canon T3|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||22.0 x 14.7 mm|
|Sensor Area||864 mm2||323.4 mm2|
|Sensor Diagonal||43.3 mm||26.5 mm|
|Sensor Resolution||30.1 Megapixels||12.2 Megapixels|
|Image Resolution||6720 x 4480 pixels||4272 x 2848 pixels|
|Pixel Pitch||5.36 μm||5.15 μm|
|Pixel Density||3.48 MP/cm2||3.76 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||100 - 32,000 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 6+||DIGIC 4|
|DXO Sensor Quality (score)||91||62|
|DXO Color Depth (bits)||24.8||21.9|
|DXO Dynamic Range (EV)||13.6||11.0|
|DXO Low Light (ISO)||2995||755|
|Screen Specs||Canon 5D Mark IV||Canon T3|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||2.7inch|
|LCD Resolution||1620k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Canon T3|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 5D Mark IV||Canon T3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Canon T3|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||900 shots per charge||700 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
|Camera Weight||890 g (31.4 oz)||495 g (17.5 oz)|
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