Canon 5D Mark III vs Sony RX100 VII
The Canon EOS 5D Mark III and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were officially introduced, respectively, in March 2012 and July 2019. The 5D Mark III is a DSLR, while the RX100 VII is a fixed lens compact. The cameras are based on a full frame (5D Mark III) and an one-inch (RX100 VII) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 5D Mark III and the Sony RX100 VII are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is considerably smaller (66 percent) than the Canon 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the RX100 VII does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VII has a lens built in, whereas the 5D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 5D Mark III gets 950 shots out of its Canon LP-E6 battery, while the RX100 VII can take 260 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark III | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
2. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
3. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
4. | Canon 5D Mark II | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | 3,499 | ebay.com | |
5. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
8. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
9. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
10. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
12. | Nikon D800 | 146 mm | 123 mm | 82 mm | 1000 g | 900 | Y | Feb 2012 | 2,999 | ebay.com | |
13. | Nikon D800E | 146 mm | 123 mm | 82 mm | 1000 g | 900 | Y | Feb 2012 | 3,299 | ebay.com | |
14. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
15. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
16. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 105 mm | 60 mm | 44 mm | 294 g | 260 | n | May 2020 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 VII was launched at a lower price than the 5D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 22.1MP, the 5D Mark III offers a higher resolution than the RX100 VII (20MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 2.41μm for the RX100 VII) due to its larger sensor. However, the RX100 VII is a much more recent model (by 7 years and 4 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Sony RX100 VII are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The RX100 VII has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the 5D Mark III is build around a CMOS sensor, while the RX100 VII uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark III provides substantially higher image quality than the RX100 VII, with an overall score that is 18 points higher. This advantage is based on 2.2 bits higher color depth, 0.7 EV of lower dynamic range, and 2.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark III | Full Frame | 22.1 | 5760 | 3840 | 1080/30p | 24.0 | 11.7 | 2293 | 81 | |
2. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
3. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
4. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
5. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
6. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
7. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
8. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
9. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
10. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
11. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
12. | Nikon D800 | Full Frame | 36.2 | 7360 | 4912 | 1080/30p | 25.3 | 14.4 | 2853 | 95 | |
13. | Nikon D800E | Full Frame | 36.2 | 7360 | 4912 | 1080/30p | 25.6 | 14.3 | 2979 | 96 | |
14. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
15. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
16. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
17. | Sony ZV-1 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.6 | 669 | 66 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX100 VII provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 VII has an electronic viewfinder (2359k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the RX100 VII (0.71x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Sony RX100 VII in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark III | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 6.0/s | n | n | |
2. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
3. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
4. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 3.9/s | n | n | |
5. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
6. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
9. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
11. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
12. | Nikon D800 | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 4.0/s | Y | n | |
13. | Nikon D800E | optical | Y | 3.2 / 921 | fixed | n | 1/8000s | 4.0/s | Y | n | |
14. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
15. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
17. | Sony ZV-1 | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the 5D Mark III, but is missing on the RX100 VII is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The RX100 VII has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VII only has one slot. The RX100 VII supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark III | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
2. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
3. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Canon 5D Mark II | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
6. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
8. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
9. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
12. | Nikon D800 | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
13. | Nikon D800E | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
14. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony ZV-1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
It is notable that the 5D Mark III has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the RX100 VII) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The RX100 VII is a recent model that features in the current product line-up of Sony. In contrast, the 5D Mark III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV. Further information on the features and operation of the 5D Mark III and RX100 VII can be found, respectively, in the Canon 5D Mark III Manual (free pdf) or the online Sony RX100 VII Manual.
Review summary
So how do things add up? Is there a clear favorite between the Canon 5D Mark III and the Sony RX100 VII? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 20MP) with a 5% higher linear resolution.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.2 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.5 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.59x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 260) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Reasons to prefer the Sony Cyber-shot DSC-RX100 VII:
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (90 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 4 months of technical progress since the 5D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 VII is the clear winner of the contest (22 : 18 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5D Mark III or the RX100 VII perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Mar 2012 | 3,499 | ebay.com | |
2. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
3. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
4. | Canon 5D Mark II | 4/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
5. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
6. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
8. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
9. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
10. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
11. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
12. | Nikon D800 | 5/5 | + + | .. | 82/100 | 5/5 | 5/5 | Feb 2012 | 2,999 | ebay.com | |
13. | Nikon D800E | .. | .. | .. | 84/100 | 5/5 | 5/5 | Feb 2012 | 3,299 | ebay.com | |
14. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
15. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
16. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 4/5 | + | 4/5 | 85/100 | 4/5 | 4.5/5 | May 2020 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D C vs Sony RX100 VII
- Canon 5D Mark III vs Canon G5 X
- Canon 5D Mark III vs Canon T3i
- Canon 5D Mark III vs Fujifilm X-T100
- Canon 5D Mark III vs Olympus E-PL2
- Canon 5D Mark III vs Pentax Q
- Canon 5D Mark III vs Sony A5100
- Canon G9 X vs Sony RX100 VII
- Leica M Typ 240 vs Sony RX100 VII
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Specifications: Canon 5D Mark III vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 5D Mark III | Sony RX100 VII |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Canon EF mount lenses | 24-200mm f/2.8-4.5 |
Launch Date | March 2012 | July 2019 |
Launch Price | USD 3,499 | USD 1,199 |
Sensor Specs | Canon 5D Mark III | Sony RX100 VII |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Full Frame Sensor | 1" Sensor |
Sensor Size | 36.0 x 24.0 mm | 13.2 x 8.8 mm |
Sensor Area | 864 mm2 | 116.16 mm2 |
Sensor Diagonal | 43.3 mm | 15.9 mm |
Crop Factor | 1.0x | 2.7x |
Sensor Resolution | 22.1 Megapixels | 20 Megapixels |
Image Resolution | 5760 x 3840 pixels | 5472 x 3648 pixels |
Pixel Pitch | 6.25 μm | 2.41 μm |
Pixel Density | 2.56 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 100 - 25,600 ISO | 125 - 12,800 ISO |
ISO Boost | 50 - 102,400 ISO | 80 - 25,600 ISO |
Image Processor | DIGIC 5+ | BIONZ X |
DXO Sensor Quality (score) | 81 | 63 |
DXO Color Depth (bits) | 24.0 | 21.8 |
DXO Dynamic Range (EV) | 11.7 | 12.4 |
DXO Low Light (ISO) | 2293 | 418 |
Screen Specs | Canon 5D Mark III | Sony RX100 VII |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.71x | 0.59x |
Viewfinder Resolution | 2359k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 1040k dots | 921k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon 5D Mark III | Sony RX100 VII |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
Continuous Shooting | 6 shutter flaps/s | 90 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Canon 5D Mark III | Sony RX100 VII |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Canon 5D Mark III | Sony RX100 VII |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Canon LP-E6 | Sony NP-BX1 |
Battery Life (CIPA) | 950 shots per charge | 260 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
152 x 116 x 76 mm (6.0 x 4.6 x 3.0 in) |
102 x 58 x 43 mm (4.0 x 2.3 x 1.7 in) |
Camera Weight | 950 g (33.5 oz) | 302 g (10.7 oz) |
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