Canon 5D Mark III vs Panasonic L10
The Canon EOS 5D Mark III and the Panasonic Lumix DMC- L10 are two digital cameras that were officially introduced, respectively, in March 2012 and August 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark III) and a Four Thirds (L10) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark III and the Panasonic L10. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is notably smaller (26 percent) than the Canon 5D Mark III. Moreover, the L10 is substantially lighter (41 percent) than the 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the L10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Four Thirds Lens Catalog (L10).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|2.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|8.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|9.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|11.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|12.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|13.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|15.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|16.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|17.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L10 was launched at a markedly lower price (by 83 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Panasonic L10 a Four Thirds sensor. The sensor area in the L10 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the L10 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 22.1MP, the 5D Mark III offers a higher resolution than the L10 (10MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 4.74μm for the L10) due to its larger sensor. Moreover, the 5D Mark III is a much more recent model (by 4 years and 6 months) than the L10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark III provides substantially higher image quality than the L10, with an overall score that is 26 points higher. This advantage is based on 2.7 bits higher color depth, 0.9 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|2.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|11.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|12.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|13.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|16.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|17.||Panasonic L1||Four Thirds||7.4||3136||2352||none||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. The 5D Mark III indeed provides movie recording capabilities, while the L10 does not. The highest resolution format that the 5D Mark III can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark III and the L10 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 5D Mark III offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 5D Mark III has a higher magnification (0.71x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Panasonic L10, and comparable cameras.
|1.||Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|3.||Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|7.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n|
|11.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 5D Mark III, but is missing on the L10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The L10 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the L10 uses SDHC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the L10 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|7.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|8.||Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-|
|11.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 5D Mark III (unlike the L10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the L10 have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the L10 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Panasonic L10 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 10MP) with a 52% higher linear resolution.
- Better image quality: Scores substantially higher (26 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (950 versus 450) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 4 years and 6 months of technical progress since the L10 launch.
Arguments in favor of the Panasonic Lumix DMC- L10:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (135x96mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 394g or 41 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the match-up (18 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark III or the L10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|2.||Panasonic L10||..||85/100||+||3.5/5||4/5||Aug 2007||599|
|3.||Canon 6D Mark II||4/5||+||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5D Mark IV||4.5/5||+ +||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|7.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|8.||Canon 7D II||4.5/5||+||84/100||4/5||4.5/5||Sep 2014||1,799|
|9.||Canon 70D||5/5||+ +||83/100||4.5/5||5/5||Jul 2013||1,199|
|10.||Canon 6D||5/5||+ +||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|11.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|12.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|13.||Olympus E-420||..||85/100||+ +||4/5||4.5/5||Mar 2008||599|
|14.||Olympus E-520||..||87/100||+ +||4.5/5||4.5/5||May 2008||699|
|15.||Olympus E-410||..||86/100||+ +||4/5||4.5/5||Mar 2007||699|
|16.||Panasonic G1||..||+ +||70/100||4/5||4.5/5||Sep 2008||599|
|17.||Panasonic L1||..||85/100||+||..||3.5/5||Feb 2006||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 5D Mark III vs Panasonic L10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Panasonic L10|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||March 2012||August 2007|
|Launch Price||USD 3,499||USD 599|
|Sensor Specs||Canon 5D Mark III||Panasonic L10|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||10 Megapixels|
|Image Resolution||5760 x 3840 pixels||3648 x 2736 pixels|
|Pixel Pitch||6.25 μm||4.74 μm|
|Pixel Density||2.56 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 25,600 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC 5+||Venus|
|DXO Sensor Quality (score)||81||55|
|DXO Color Depth (bits)||24.0||21.3|
|DXO Dynamic Range (EV)||11.7||10.8|
|DXO Low Light (ISO)||2293||429|
|Screen Specs||Canon 5D Mark III||Panasonic L10|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||2.5inch|
|LCD Resolution||1040k dots||207k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 5D Mark III||Panasonic L10|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 5D Mark III||Panasonic L10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark III||Panasonic L10|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||450 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
|Camera Weight||950 g (33.5 oz)||556 g (19.6 oz)|
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