Canon 5D Mark III vs Olympus E-M1 II
The Canon EOS 5D Mark III and the Olympus OM-D E-M1 Mark II are two digital cameras that were revealed to the public, respectively, in March 2012 and September 2016. The 5D Mark III is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and a Four Thirds (E-M1 II) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 5D Mark III||Olympus E-M1 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|22.1 MP, Full Frame Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-25600 (50-102400)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|6 shutter flaps per second||18 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|950 shots per battery charge||440 shots per battery charge|
|152 x 116 x 76 mm, 950 g||134 x 91 x 67 mm, 574 g|
Body comparison: Canon 5D Mark III vs Olympus E-M1 II
An illustration of the physical size and weight of the Canon 5D Mark III and the Olympus E-M1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is considerably smaller (31 percent) than the Canon 5D Mark III. Moreover, the E-M1 II is substantially lighter (40 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III»||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Olympus E-M1 II«||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 7D II« »||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||-||Canon 5D|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||-||Panasonic GX8|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M1 II was launched at a markedly lower price (by 43 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 5D Mark III vs Olympus E-M1 II
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the E-M1 II offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 22.1MP, the 5D Mark III offers a slightly higher resolution than the E-M1 II (20.2MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 3.34μm for the E-M1 II) due to its larger sensor. However, the E-M1 II is a somewhat more recent model (by 4 years and 6 months) than the 5D Mark III, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 5D Mark III, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D Mark III»||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Olympus E-M1 II«||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 II provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 5D Mark III vs Olympus E-M1 II
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Olympus E-M1 II in connection with corresponding information for a sample of similar cameras.
|Canon 5D Mark III»||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Olympus E-M1 II«||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||8000||3.0||n||n||Canon 5D|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y||Olympus E-M1|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y||Panasonic GX8|
One feature that is present on the 5D Mark III, but is missing on the E-M1 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-M1 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the E-M1 II features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 5D Mark III writes its imaging data to Compact Flash cards, while the E-M1 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison: Canon 5D Mark III vs Olympus E-M1 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark III»||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Olympus E-M1 II«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark III does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV.
Review summary: Canon 5D Mark III vs Olympus E-M1 II
So how do things add up? Is there a clear favorite between the Canon 5D Mark III and the Olympus E-M1 II? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 20.2MP) with a 7% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (950 versus 440) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Advantages of the Olympus OM-D E-M1 Mark II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (134x91mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 376g or 40 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 4 years and 6 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (19 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 5D Mark III or the E-M1 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 5D Mark III vs Olympus E-M1 II
This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 5D Mark III»||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Olympus E-M1 II«||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-||Canon 5D|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||HiRec||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon 5D Mark III vs Olympus E-M1 II
|Camera Model||Canon 5D Mark III||Olympus E-M1 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2012||September 2016|
|Launch Price||USD 3499||USD 1999|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 24.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||20.2 Megapixels|
|Image Resolution||5760 x 3840 pixels||5184 x 3888 pixels|
|Pixel Pitch||6.25 μm||3.34 μm|
|Pixel Density||2.56 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||50-102400 ISO||64-25600 ISO|
|Image Processor||DIGIC 5+||TruePic VIII|
|DXO Sensor Quality (score)||81||80|
|DXO Color Depth (bits)||24.0||23.7|
|DXO Dynamic Range (EV)||11.7||12.8|
|DXO Low Light (ISO)||2293||1312|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||n/a||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||18 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6 power pack||BLH-1 power pack|
|Battery Life (CIPA)||950 shots per charge||440 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||950 g (33.5 oz)||574 g (20.2 oz)|
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