Canon 5D Mark III vs Olympus E-500
The Canon EOS 5D Mark III and the Olympus Evolt E-500 are two digital cameras that were announced, respectively, in March 2012 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark III) and a Four Thirds (E-500) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Olympus E-500|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|22.1 MP, Full Frame Sensor||8 MP, Four Thirds Sensor|
|1080/30p Video||no Video|
|ISO 100-25,600 (50 - 102,400)||ISO 100-400 (100 - 1,600)|
|Optical viewfinder||Optical viewfinder|
|3.2 LCD, 1040k dots||2.5 LCD, 215k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||not weather sealed|
|950 shots per battery charge||750 shots per battery charge|
|152 x 116 x 76 mm, 950 g||130 x 95 x 66 mm, 479 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark III and the Olympus E-500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is considerably smaller (30 percent) than the Canon 5D Mark III. Moreover, the E-500 is substantially lighter (50 percent) than the 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Four Thirds Lens Catalog (E-500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Olympus E-500||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 5D||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Nikon D800||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999|
|Nikon D800E||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299|
|Olympus E-410||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699|
|Olympus E-510||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799|
|Olympus E-330||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999|
|Olympus E-400||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699|
|Olympus E-300||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 83 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 22.1MP, the 5D Mark III offers a higher resolution than the E-500 (8MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the 5D Mark III is a much more recent model (by 6 years and 5 months) than the E-500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. The 5D Mark III indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the 5D Mark III can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark III and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 5D Mark III offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 5D Mark III has a higher magnification (0.71x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Olympus E-500, and comparable cameras.
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 5D Mark III, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the E-500 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 5D Mark III (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the E-500 have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the 5D Mark III was followed by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon 5D Mark III better than the Olympus E-500 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 8MP) with a 70% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (950 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 6 years and 5 months of technical progress since the E-500 launch.
Reasons to prefer the Olympus Evolt E-500:
- More compact: Is smaller (130x95mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 471g or 50 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the match-up (17 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the E-500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Olympus E-500||76/100||+ +||..||..||..||Sep 2005||599|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Nikon D800||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999|
|Nikon D800E||..||84/100||5/5||4.5/5||5/5||Feb 2012||3,299|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Olympus E-330||..||+||o||3.5/5||..||Jan 2006||999|
|Olympus E-400||85/100||..||4/5||..||4/5||Sep 2006||699|
|Olympus E-300||..||+||o||o||4.5/5||Sep 2004||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 5D Mark III vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Olympus E-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||March 2012||September 2005|
|Launch Price||USD 3,499||USD 599|
|Sensor Specs||Canon 5D Mark III||Olympus E-500|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||8 Megapixels|
|Image Resolution||5760 x 3840 pixels||3264 x 2448 pixels|
|Pixel Pitch||6.25 μm||5.30 μm|
|Pixel Density||2.56 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 25,600 ISO||100 - 400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 1,600 ISO|
|Image Processor||DIGIC 5+||TruePic|
|DXO Sensor Quality (score)||81||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||2293||..|
|Screen Specs||Canon 5D Mark III||Olympus E-500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.2inch||2.5inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark III||Olympus E-500|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 5D Mark III||Olympus E-500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark III||Olympus E-500|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||750 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||950 g (33.5 oz)||479 g (16.9 oz)|
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