Canon 5D Mark III vs Leica D-LUX Typ 109
The Canon EOS 5D Mark III and the Leica D-LUX (Typ 109) are two digital cameras that were revealed to the public, respectively, in March 2012 and September 2014. The 5D Mark III is a DSLR, while the D-LUX Typ 109 is a fixed lens compact. The cameras are based on a full frame (5D Mark III) and a Four Thirds (D-LUX Typ 109) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Leica provides 12.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Leica D-LUX Typ 109|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-75mm f/1.7-2.8|
|22.1 MP, Full Frame Sensor||12.7 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-25600 (50-102400)||ISO 200-12500 (100-25600)|
|Optical viewfinder||Electronic viewfinder (2764k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|950 shots per battery charge||300 shots per battery charge|
|152 x 116 x 76 mm, 950 g||118 x 66 x 55 mm, 405 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Leica D-LUX (Typ 109)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark III and the Leica D-LUX Typ 109 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The D-LUX Typ 109 can be obtained in two different colors (black, grey), while the 5D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX Typ 109 is considerably smaller (56 percent) than the Canon 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens built in, whereas the 5D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark III and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III»||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||Canon 5D Mark III|
|Leica D-LUX Typ 109«||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||Leica D-LUX Typ 109|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||Canon 5D|
|Fujifilm X100T« »||5.0 in||2.9 in||2.0 in||15.5 oz||330||n||Sep 2014||1,299||Fujifilm X100T|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||Fujifilm X100S|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica X Typ 113« »||5.2 in||2.9 in||3.1 in||17.1 oz||350||n||Sep 2014||2,295||Leica X Typ 113|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||Nikon D600|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||Nikon D800|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||Nikon D800E|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX Typ 109 was launched at a lower price than the 5D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Leica D-LUX Typ 109 a Four Thirds sensor. The sensor area in the D-LUX Typ 109 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the D-LUX Typ 109 offers a 4:3 aspect. The D-LUX Typ 109 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 22.1MP, the 5D Mark III offers a higher resolution than the D-LUX Typ 109 (12.7MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 4.21μm for the D-LUX Typ 109) due to its larger sensor. However, the D-LUX Typ 109 is a much more recent model (by 2 years and 6 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inch or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inch or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inch or 48.8 x 32.5 cm. The corresponding values for the Leica D-LUX Typ 109 are 20.6 x 15.4 inch or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inch or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inch or 34.8 x 26.1 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica D-LUX (Typ 109) are ISO 200 to ISO 12500, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..||Leica D-LUX Typ 109|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Fujifilm X100T||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X100T|
|Fujifilm X100S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X100S|
|Leica D-LUX 7||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Leica D-LUX 7|
|Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..||Leica X Typ 113|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95||Nikon D800|
|Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96||Nikon D800E|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX Typ 109 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D-LUX Typ 109 has an electronic viewfinder (2764k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the D-LUX Typ 109 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Leica D-LUX Typ 109, and comparable cameras.
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 6D||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Fujifilm X100T||2360||n||3.0||1040||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100T|
|Fujifilm X100S||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Leica D-LUX 7||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Leica X Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Nikon D610||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D600||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Nikon D800||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800|
|Nikon D800E||optical||Y||3.2||921||fixed||n||1/8000s||4.0||Y||n||Nikon D800E|
One feature that is present on the 5D Mark III, but is missing on the D-LUX Typ 109 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX Typ 109 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX Typ 109 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the D-LUX Typ 109 uses SDXC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX Typ 109 only has one slot. The D-LUX Typ 109 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Leica D-LUX (Typ 109) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 6D||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Fujifilm X100T||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100T|
|Fujifilm X100S||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Leica D-LUX 7||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica X Typ 113||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Nikon D610||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D600||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Nikon D800||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800|
|Nikon D800E||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Nikon D800E|
It is notable that the 5D Mark III has a microphone port, which is missing on the D-LUX Typ 109. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the D-LUX Typ 109) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the D-LUX Typ 109 have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the D-LUX Typ 109 was followed by the Leica D-LUX 7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark III or the Leica D-LUX Typ 109 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 12.7MP) with a 35% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Arguments in favor of the Leica D-LUX (Typ 109):
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark III requires a separate lens.
- More compact: Is smaller (118x66mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark III).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 6 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark III emerges as the winner of the contest (19 : 16 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Leica D-LUX Typ 109 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark III or the D-LUX Typ 109. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Leica D-LUX Typ 109
- Canon 5D Mark III vs Canon 800D
- Canon 5D Mark III vs Fujifilm X-T20
- Canon 5D Mark III vs Hasselblad X1D II
- Canon 5D Mark III vs Kodak AZ901
- Canon 5D Mark III vs Olympus E-3
- Canon 5D Mark III vs Olympus E-M5
- Canon 5D Mark III vs Panasonic LX7
- Canon 800D vs Leica D-LUX Typ 109
- Canon SX60 vs Leica D-LUX Typ 109
- Leica D-LUX Typ 109 vs Nikon A1000
- Leica D-LUX Typ 109 vs Sony RX1
Specifications: Canon 5D Mark III vs Leica D-LUX Typ 109
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Leica D-LUX Typ 109|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||March 2012||September 2014|
|Launch Price||USD 3499||USD 1195|
|Sensor Specs||Canon 5D Mark III||Leica D-LUX Typ 109|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||12.7 Megapixels|
|Image Resolution||5760 x 3840 pixels||4112 x 3088 pixels|
|Pixel Pitch||6.25 μm||4.21 μm|
|Pixel Density||2.56 MP/cm2||5.65 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-12500 ISO|
|ISO Boost||50-102400 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||81||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||2293||..|
|Screen Specs||Canon 5D Mark III||Leica D-LUX Typ 109|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark III||Leica D-LUX Typ 109|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||6 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 5D Mark III||Leica D-LUX Typ 109|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 5D Mark III||Leica D-LUX Typ 109|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||950 shots per charge||300 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
118 x 66 x 55 mm
(4.6 x 2.6 x 2.2 in)
|Camera Weight||950 g (33.5 oz)||405 g (14.3 oz)|
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